Is Bean Vine under copyright?

No, this artwork is in the public domain.

What is the thematic context of Bean Vine?

chinese poetic influence, zen buddhism symbolism, cao zhi's literary tale, nature's duality theme, greengrocer's iconography, jakuchu's signature style, vegetable-based motifs, scroll painting tradition

Zamów wydruk Bean Vine

Opis dzieła

Itō Jakuchū, son of a greengrocer, used vegetables and plants as a personal iconography that almost always included a moral or religious meaning. This handsome sketch of a bean plant, paired with a poem by Ōbaku Zen monk Musen Jōzen (Tangai), refers to a story about the Chinese poet Cao Zhi (192–232), whose tyrannical brother, Cao Pei (Emperor Wen), once commanded him to compose a poem before he took seven steps, threatening him with execution if he failed. Tangai’s verse makes an erudite reference to Cao Zhi’s original poem comparing himself and his brother to the parts of a bean plant, while also alluding to the Zen philosophy of nonduality. The green vine puts forth blossoms, and its pods are like half-formed swords. The bean and stalk are inseparable; both were born from the same roots. —Trans. John T. Carpenter

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Biografia artysty

Ito Jakuchu: A Kyoto Merchant’s Vision of Nature

Ito Jakuchu (1716 – 1800) stands as a singular figure in Edo period Japanese art, an artist whose unconventional approach and profound connection to Zen Buddhism challenged prevailing artistic conventions. Unlike many of his contemporaries who adhered to established lineages within the Kano school—a dominant force in Kyoto’s artistic landscape—Jakuchu forged his own path, driven by personal conviction and a meticulous observation of the natural world. His legacy resides not merely in his technical prowess but also in his daring spirit, marking him as one of Japan's most original voices during a pivotal era of cultural transformation.

Early Life & Family Background: Born into a prosperous Kyoto merchant family—specifically Masuya—Jakuchu’s upbringing instilled in him an awareness of societal shifts and the burgeoning influence of commerce. His father, Ito Genzaemon, was a successful grocer, providing young Jakuchu with considerable financial stability.

Zen Influence & Education: Recognizing the importance of spiritual grounding, Jakuchu became a lay brother at Shokoku-ji temple, immersing himself in Zen Buddhist principles. This formative experience profoundly shaped his artistic sensibility, fostering detachment from worldly concerns and prioritizing direct perception.

Breaking with Tradition: Style & Subject Matter
Jakuchu’s distinctive style defied easy categorization, blending meticulous realism with playful experimentation—a hallmark of what Nobuo Tsuji termed “Lineage of Eccentrics.” He eschewed the idealized depictions favored by many Kano artists, opting instead for vibrant colors and dynamic compositions that captured the essence of life itself. His fascination with birds—particularly chickens—became a recurring motif in his oeuvre, elevating them from humble farm animals to subjects worthy of contemplative artistic exploration.

Realistic Detail & Color Palette: Jakuchu’s paintings are characterized by an extraordinary attention to detail and a bold use of color. He achieved remarkable effects through layering pigments—a technique known as *doshoku sai-e*—creating luminous surfaces that seemed to pulsate with vitality.

Zen Symbolism & Perspective: Beyond mere imitation of nature, Jakuchu employed perspective in ways that subtly conveyed Zen Buddhist ideas about emptiness and interconnectedness. His compositions often presented subjects from unconventional viewpoints, inviting viewers to contemplate their significance.

Notable Works & Artistic Achievements
Among Jakuchu’s most celebrated masterpieces are “Five Hundred Arhats,” a monumental depiction of Buddhist monks embodying compassion and enlightenment; “Hanshan and Shide,” capturing the serene beauty of Mount Hanshin—a pilgrimage site revered for its spiritual significance; and “Crabs and Peonies”—a harmonious blend of botanical observation and artistic innovation. His meticulous rendering of chickens, exemplified in “Rooster In The Snow,” remains a testament to his unparalleled skill and dedication.

“Five Hundred Arhats”: This ambitious project showcased Jakuchu’s mastery of polychrome painting and demonstrated his ability to convey complex spiritual concepts through visual imagery.

"Hanshan and Shide": The painting exemplifies Jakuchu's sensitivity to landscape aesthetics and his capacity for capturing the sublime beauty of nature.

Rediscovery & Legacy
Despite remaining largely unknown during his lifetime, Ito Jakuchu experienced a dramatic resurgence in popularity following Nobuo Tsuji’s groundbreaking book *Kisō no Keifu* (Lineage of Eccentrics) in 1970. Tsuji championed Jakuchu as a pivotal figure within the “Lineage of Eccentrics,” initiating a scholarly reassessment that revolutionized perceptions of Edo period art.

Tsuji’s Influence & Modern Recognition: Tsuji's scholarship established Jakuchu as one of Japan’s most important artists, sparking renewed interest in his work and cementing his place within the canon of Japanese art history.

Jakuchu’s unwavering commitment to artistic originality—his willingness to challenge conventions and explore new creative possibilities—continues to inspire artists today. His enduring legacy resides not only in his technical brilliance but also in his profound engagement with Zen Buddhism, securing him a place as a visionary artist who captured the spirit of his time with unparalleled grace.

Ito Jakuchu

1716 - 1800 , Ιαπωνία

Kluczowe informacje

Artistic Movement Or Style: Styl realizmu z wpływami zen
Artists Or Movements Influenced By This Artist: ['Styl Eccentryk']
Artists Who Influenced This Artist: ['Ōoka Shunboku']
Date Of Birth: 2 marca 1716
Date Of Death: 27 października 1800
Full Name: Ito Jakuchū
Nationality: Japoński
Notable Artworks:
- Pięćset arhatów
- Hanshan i Shide
- Krewetki i piwonie
Place Of Birth: Kiotō, Japonia

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