Dzieło sztuki prezentowane na tej stronie podlega ochronie prawem autorskim, co oznacza, że nie mamy prawa do tworzenia ani sprzedaży jego identycznej reprodukcji. Ochrona ta jest egzekwowana na mocy umów międzynarodowych, takich jak Konwencja berneńska oraz przez przepisy prawa krajowego, w tym te określone w Prawo autorskie USA – Tytuł 17.
Jako pełną szacunku i legalną alternatywę oferujemy personalizowane, malowane ręcznie dzieła sztuki inspirowane oryginałem. Nasi wykwalifikowani i profesjonalni artyści starannie analizują styl, nastrój oraz artystyczną esencję pierwowzoru, aby stworzyć nowe, unikalne dzieło, które przywołuje te same emocje – pozostając jednocześnie w pełni oryginalną kreacją.
Metoda ta jest w pełni zgodna z przepisami prawa autorskiego, ponieważ nie polega na kopiowaniu ani powielaniu chronionego dzieła. Stanowi ona kreatywną reinterpretację – nowy obraz, który czerpie inspirację z oryginału, ale nie jest z nim tożsamy.
Ręcznie malowany obraz olejny na płótnie, wykonany na zamówienie przez naszych artystów w wybranym przez Ciebie wymiarze i oprawie. ( Przełącz na wersję drukowaną
Przełącz na wersję cyfrową)
Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.
Wpisz wymaganą szerokość i wysokość, aby obraz pasował do Twojej ramy lub ściany. Ponieważ jest to dzieło malowane ręcznie, w przypadku rozmiaru o innym proporcji artysta może domalować nieco więcej wokół obrazu lub przyciąć fragmenty — wybór należy do Ciebie. Przed rozpoczęciem pracy prześlemy Ci cyfrową wizualizację do zatwierdzenia. Obraz widoczny na tej stronie nie przedstawia rzeczywistego efektu — jedynie wizualizacja oddaje realny rezultat.
Dostawa na całym świecie () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (23 Październik). Bez kompromisów w kwestii jakości.
Hazy moon
Rozmiar reprodukcji
Born in the historic city of Nanjing, China, in 1958, Dayou Lu has emerged as a profound voice within the realm of Chinese New Ink Art. His artistic journey began amidst the transformative decades of modern China, a period that deeply informed his perspective on the intersection of cultural heritage and contemporary expression. With a dedication to mastering the ancient, meditative techniques of ink painting that has spanned over fifty years, Lu has cultivated a prolific body of work that serves as a bridge between tradition and modernity. His compositions are celebrated for their breathtaking double-colored water-ink mastery, capturing the ephemeral essence of nature with a clarity that feels both timeless and immediate.
The foundation of Lu’s technical brilliance was laid through rigorous academic training at the prestigious Central Academy of Painting in Beijing. It was within these hallowed halls that he honed his skills in traditional Chinese painting styles, developing a deep-seated appreciation for meticulous observation and the profound weight of symbolism. This formative period instilled in him an understanding of how a single brushstroke can convey complex emotional landscapes. His education at the Suzhou Fine Arts School and the Central Academy of Fine Arts provided him with the structural discipline required to later innovate upon the very traditions he studied so intently.
What truly distinguishes Dayou Lu in the contemporary art world is his signature approach to the medium, specifically his mastery of double-color water-ink paintings. In this technique, Lu achieves a remarkable feat of alchemy by blending the deep, soulful shadows of traditional black ink with vibrant, luminous watercolor pigments. This method allows him to achieve an extraordinary tonal depth and luminosity that preserves the raw integrity of the ink while introducing a modern, atmospheric brilliance. Through this delicate balance, he is able to enhance the mood and narrative of his scenes, creating works that seem to breathe with light.
His artistic philosophy is deeply rooted in the pursuit of a simple, natural, and elegant style. While his work is grounded in the reality of the subjects he depicts, it is never merely a literal representation. Instead, Lu seeks to capture the aura and poetic mood of his subjects, utilizing sketching as a source of vitality to ensure that every creature and petal is imbued with the rhythm of life. His paintings are not just images; they are environments designed to offer the viewer a sense of freshness, liveliness, and spiritual respite.
The recurring themes in Lu’s oeuvre reflect a profound connection to the heritage of Chinese landscape painting and the core tenets of Taoist philosophy. He frequently returns to the imagery of lotus ponds, a subject that allows him to explore the interplay of light, water, and flora. In his hands, the lotus becomes more than a botanical specimen; it is a symbol of purity and resilience. Alongside these scenes, he often incorporates birds, branches, and the delicate presence of dew, each element serving as a metaphor for harmony and the cyclical rhythms of existence.
This thematic focus creates a sense of "environment" within his work—a space where the viewer can find peace amidst the chaos of the modern world. By focusing on the subtle beauty of the natural world, Lu invites a meditative state, encouraging an appreciation for the interconnectedness of all living things. His ability to translate these philosophical concepts into visual splendor has earned him significant recognition both in China and internationally.
Dayou Lu’s contributions to the art world extend far beyond his technical prowess; he is a vital participant in the preservation and evolution of Chinese ink painting as a living, breathing art form. His professional accolades are numerous and reflect his high standing within the global artistic community:
Throughout his career, Lu has held hundreds of solo and group exhibitions worldwide, demonstrating a tireless commitment to sharing the beauty of Chinese New Ink Art with a global audience. From his influential roles in various painting institutes in Jiangsu and Nanjing to his status as a visiting professor, Dayou Lu continues to inspire new generations of artists to look toward tradition as a source of infinite innovation.
1958 - , China