Is Two Boobs (sign) under copyright?

No, this artwork is in the public domain.

Kup reprodukcję Two Boobs (sign)

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In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.

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Biografia artysty

David Dixon Porter - A Life Forged on the Waves: The Remarkable Journey of David Dixon Porter

David Dixon Porter (1813–1891) stands as a monumental figure in American naval history, inextricably linked to the narrative of resilience, innovation, and an unexpected artistic passion. His story transcends mere military service; it embodies a legacy born from familial tradition—a lineage steeped in seafaring excellence championed by his father, Commodore David Porter—and propelled him toward unparalleled accomplishments.

Early Life & Family Legacy: Born in Chester, Pennsylvania, Porter’s formative years were shaped by the influence of his father, a celebrated hero of the War of 1812. This heritage instilled within him an unwavering dedication to maritime pursuits and fostered connections with individuals who would profoundly impact his life’s trajectory—most notably David Glasgow Farragut, his foster brother.
Naval Beginnings & Mexican War Service: At just ten years old, Porter embarked on his naval journey alongside his father aboard the frigate USS John Adams. He honed his skills during service in the Mexican War, demonstrating courage and strategic acumen as he commanded the *Libertad* during the siege of Vera Cruz.
Civil War Leadership & Strategic Brilliance: The outbreak of the Civil War witnessed Porter seize command of the USS Powhatan without explicit authorization to reinforce Fort Pickens—a bold move that underscored his commitment to preserving the Union. His masterful orchestration of mortar boats at New Orleans and his pivotal role in Grant’s Vicksburg Campaign cemented his reputation as a visionary leader.
Postwar Reforms & Artistic Expression: Following the war, Porter ascended to Vice Admiral and championed vital naval reforms aimed at bolstering professionalism and efficiency. Simultaneously, he pursued photography with fervor—creating concert photographs, band portraits, and event scenes that offered a unique glimpse into 1890s American society.
Legacy & Recognition: David Dixon Porter’s contributions resonate far beyond his military career. He secured the rank of Admiral, becoming only the second person in U.S. Naval history to achieve this distinction—after Farragut—leaving an indelible mark on the structure and leadership of the Navy. His photographs stand as a testament to his multifaceted talent and serve as captivating windows into a transformative era.

Porter’s story is one of unwavering dedication, familial pride, and an astonishing ability to blend naval prowess with artistic creativity—a narrative that continues to inspire admiration for its complexity and enduring significance.

David Dixon Porter

1813 - 1891 , Stany Zjednoczone

Kluczowe informacje

Artistic Movement Or Style: Fotografia koncertowa
Artists Or Movements Influenced By This Artist: ['Fotografia']
Artists Who Influenced This Artist: ['David G. Farragut']
Date Of Birth: 8 czerwca 1813
Date Of Death: 13 lutego 1891
Full Name: David Dixon Porter
Nationality: Amerykański
Notable Artworks: ['Koncertowe zdjęcia']
Place Of Birth: Chester, Pennsylvania

Two Boobs (sign)

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