Tempera On Panel
Romanticism
1820
19th Century
21.0 x 16.0 cmHåndmalt olje på lerret i din valgte størrelse og ramme, laget på bestilling av våre kunstnere. ( Bytt til trykk
Bytt til digitalt bilde)
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Du kan angi egne mål for å tilpasse en spesifikk ramme eller plass. Dersom den valgte størrelsen ikke samsvarer med originalbildets proporsjoner, vil vi enten beskjære kunstverket eller utvide maleriet med ytterligere håndmalte elementer. En digital mockup vil bli sendt til din godkjenning før produksjonen starter.
Vennligst merk at forhåndsvisningen på skjermen ikke gjenspeiler den faktiske beskjæringen eller utvidelsen. Kun mockuppen vil vise den endelige komposisjonen nøyaktig.
Selv om tilpassede størrelser er tilgjengelige, anbefaler vi å velge et mål fra den forhåndsdefinerte listen for å bevare de originale proporsjonene.
Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (10 September). Ingen kompromisser med kvaliteten.
The Ghost of a Flea
Størrelse på reproduksjon
William Blake's "The Ghost of a Flea," painted between 1819 and 1820, is a captivating example of visionary art housed within the prestigious Tate Gallery in London. This small tempera mixture with gold painting on mahogany type tropical hardwood panel (measuring only 21 x 16 cm) offers a profound glimpse into Blake's unique artistic and spiritual world. Commissioned by watercolour artist and astrologer John Varley as part of a series depicting "Visionary Heads," the work transcends its diminutive size to deliver a monumental imaginative experience.
The late 18th and early 19th centuries witnessed a surge in popularity for fantastic and spiritual art within Britain. Blake, known for his prophetic works and illuminated printing, often created unearthly panels intended to amuse and amaze his friends. "The Ghost of a Flea" exemplifies this period's fascination with the supernatural and Blake’s ability to blend imagination with technical skill. The painting arose from late-night meetings between Blake and Varley, where Varley attempted to summon spirits, prompting Blake to sketch their likenesses – a process akin to sitting for portraits.
Despite its small scale, the artwork exudes immense imaginative power. The tidy dimensions create a striking contrast between the creature's apparent muscular bulk and strength against its depiction as an insect on the panel. This juxtaposition highlights Blake’s mastery in conveying complex ideas through his art. The technique itself is remarkable; the tempera mixture with gold creates a luminous quality, emphasizing the figure's otherworldly nature. The visible brushstrokes add texture and dynamism to the composition, while the use of gold leaf accentuates key areas like the stars and the creature’s hands, contributing to a sense of grandeur despite the unsettling subject matter.
“The Ghost of a Flea” is rich in symbolism. The flea itself, often associated with uncleanliness and degradation, is transformed into a monstrous figure embodying bloodthirsty instincts. Blake’s depiction suggests themes of fate, imprisonment, and perhaps even divine judgment. The creature's bulging eyes, protruding tongue, and scaly features evoke a sense of unease and primal power. The theatrical setting – the stage with curtains and scattered stars – further enhances the painting's dramatic impact, creating an atmosphere of mystery and suspense. The overall emotional effect is one of unsettling fascination; Blake compels viewers to confront the darker aspects of human nature through this miniature vision.
William Blake, largely unrecognised during his lifetime, has become a seminal figure in Romantic poetry and visual art. His prophetic works, once considered eccentric, are now celebrated for their expressiveness and creativity. "The Ghost of a Flea" stands as a testament to Blake’s unique style and his ability to capture the essence of his visions. Today, it continues to captivate art enthusiasts and scholars alike, offering a compelling example of visionary art that transcends time.
1757 - 1827 , Storbritannia