x
ForhåndsvisningForhåndsvisning Se i ARSe i AR Kjøp trykk Kjøp trykkKjøp håndlaget maleri Kjøp håndlaget maleri SendSend
Vis detaljerVis detaljer Legg til i favoritter Legg til i favoritter Last ned bildetLast ned bildet Liknende objekterLiknende objekter RøntgenundersøkelseRøntgenundersøkelse LysbildefremvisningLysbildefremvisning

Salmon

  • Dato for opprettelse1877
  • Dimensjoner140.0 x 46.0 cm

Discover Takahashi Yuichi (1828-1894), a pioneer of Western-style painting (yōga) in Japan. Explore his realistic portraits, landscapes & iconic still life like 'Salmon' – bridging traditional Japanese art with modern techniques.

Kjøp et høyoppløselig, forbedret digitalt bilde som er langt bedre enn forhåndsvisningen på nettet.

Hver fil er omhyggelig klargjort av våre egne spesialister ved hjelp av avanserte verktøy og profesjonell manuell retusjering. Vi sørger for at hvert bilde har eksepsjonell klarhet, presis fargegjengivelse og fine detaljer.

Den endelige filen leveres via e-post innen 72 timer, optimalisert for umiddelbar bruk i profesjonelle, redaksjonelle og trykte miljøer. Dette er den samme kvaliteten som benyttes av ledende designstudioer, utgivere og gallerier.

Digitalt bilde

Last ned en høyoppløselig fil for personlig bruk, utskrift og kreative prosjekter. (Kjøp trykk Kjøp trykkKjøp håndlaget maleri Kjøp håndlaget maleri)

Totalbeløp

$ 24.90

Inkludert i alle bestillinger av digitale bilder

Ekspert digital levering, garantert

Når du velger WahooArt.com, får du ikke bare et bilde – du mottar et profesjonelt forbedret digitalt kunstverk, skapt med presisjon og med en garantert tilfredshetsgaranti. Her er alt som automatisk følger med din bestilling:

shipping_icon
Rask digital levering

Din høyoppløselige digitale bildefil sendes til din e-post innen 72 timer etter bestilling – klar til umiddelbar bruk.

canvas_icon
KI-forbedret digital fil

Ditt kunstverk blir profesjonelt optimalisert ved hjelp av avanserte AI-verktøy og manuell redigering, noe som sikrer maksimal detaljrikdom, klarhet og fargegjengivelse.

insurance_icon
Gratis livslang nyutlevering

Har du ved et uhell slettet eller mistet filen din? Ingen bekymring – vi sender den på nytt når som helst, helt gratis.

tax_icon
Ingen importavgifter – noen gang

Nyt ditt kunstverk umiddelbart uten toll, avgifter eller leveringskostnader – digitale nedlastinger er alltid avgiftsfrie.

color_icon
Garantert fargenøyaktighet

Vi sikrer at ditt digitale bilde gjenspeiler de originale fargene så nøyaktig som mulig ved hjelp av profesjonelle verktøy og fargehåndtering.

return_icon
60 dagers tilfredshetsgaranti

Hvis du ikke er fornøyd med ditt digitale bilde, vil vi revidere det eller refundere 100% innen 60 dager – uten spørsmål.

guarantee_icon
100% Penggaranti

Ikke fornøyd? Få full refusjon innen 60 dager etter at du har mottatt din digitale fil – uten spørsmål.

discount_icon
Rabatt ved storkjøp

Kjøp 3 bilder, spar 10% - Kjøp 5, spar 15% - Kjøp 10+, spar 20%. Ideelt for kreative prosjekter, gallerier og byråer.

An undeniable sense of presence pervades the salmon hung by a straw rope, bathed in light from the upper right. This is a foremost masterpiece in which the artist has depicted a familiar subject through sharp observation and realistic rendering of texture. Salmon is a widely known masterpiece of oil painting, which depicts a familiar subject with beautiful, lifelike realism. It entered the present collection in 1897 and was designated an Important Cultural Property in 1967. The work has been painted on Western-type paper, which has been colored brown, and, as a result of an earlier restoration, is now mounted. One of the major appeals of this painting is the beauty of its expression of texture. The artist, however, has not rendered everything in intricate detail but rather has depicted the salmon in a rhythmical manner, from its head to its tail, with appropriate procedures and methods. For example, the rope, head, and body of the fish are rather thickly painted, and their textures have been rendered by bringing out the viscosity of the paint and the brushstrokes. On the other hand, the background, the flesh of the cut surface, and the tail have been painted freely and loosely, by making use of the effect of the ground color of the paper and the color of the underpainting. In this way, Yuichi has guided the overall painting to a well-balanced, attractive harmony of color tones. The success of this realistic beauty, in which Yuichi captured forms accurately and used traditional Western chiaroscuro effectively in the appropriate places, is due to the influence of his teacher Fontanesi, as well as to Yuichi’s unwavering will to study Western-style painting — an endeavor that must still have been difficult at the time. (Writer : Naomi Sakonju Source : Selected Masterpieces from The University Art Museum, Tokyo National University of Fine Arts and Music: Grand Opening Exhibition, The University Art Museum, Tokyo National University of Fine Arts and Music, 1999)

Om kunstneren

The Pioneer of Light and Shadow: The Life of Takahashi Yuichi

In the twilight of the Edo period and the dawn of a modernizing Japan, one man stood at the precipice of a profound cultural metamorphosis. Takahashi Yuichi (1828–1894) was not merely a painter; he was a visionary who dared to bridge the ancient traditions of the samurai class with the burgeoning realism of Western oil painting. Born into a prestigious lineage as a descendant of the Hotta clan, Yuichi’s early life was steeped in the disciplined aesthetics of the Kanō school. This foundation in meticulous brushwork and symbolic representation provided him with a technical rigor that would later serve as the bedrock for his revolutionary experiments with light, texture, and volume.

As Japan opened its borders during the Bakumatsu period, Yuichi became captivated by the arrival of European lithographs and Western artistic perspectives. This curiosity was not a rejection of his heritage but an expansion of it. While many of his contemporaries remained tethered to the flat, decorative elegance of traditional Japanese styles, Yuichi sought to capture the tangible essence of the physical world. His journey led him to the Bansho Shirabesho, where he studied under influential figures like Kawakami Togai and even received direct instruction from Westerners such as Charles Wirgament. This period of intense cross-cultural study allowed him to master the nuances of oil pigments, enabling him to translate the subtle gradations of shadow and the visceral textures of nature onto a canvas.

A Masterpiece of Realism: The Legacy of Salmon and Beauty

The true genius of Takahashi Yuichi lies in his ability to synthesize disparate worlds into a singular, cohesive language. His most iconic works serve as profound testaments to this synthesis. Consider his seminal still life, "Salmon" (Sake). In this breathtaking achievement, the artist moves beyond mere representation to capture the very soul of the subject. Through the masterful application of oil paint, he renders the glistening scales, the moist flesh, and the heavy, organic weight of the fish with a startling realism that was unprecedented in Japan. It is a work that demands the viewer acknowledge the physical presence of the object, marking a definitive departure from the more stylized depictions of the past.

In his portraiture, such as the hauntingly beautiful "Beauty (Courtesan)", Yuichi demonstrates an equally profound command over human form and atmosphere. Here, the influence of his traditional training meets the Western pursuit of anatomical accuracy and chiaroscuro. He does not merely paint a figure; he creates a presence that breathes within the frame, utilizing light to sculpt the delicate features and rich fabrics of his subject. His work during this era was characterized by a sense of yōga—a new way of seeing that embraced the depth and dimensionality of the Western tradition while retaining a uniquely Japanese sensibility toward composition and grace.

Architect of a New Artistic Era

Beyond the canvas, Takahashi Yuichi’s historical significance is found in his tireless advocacy for the institutionalization of modern art. He understood that for Western-style painting to flourish in Japan, it required more than individual talent; it required infrastructure. To this end, he took on roles as an educator and a promoter, opening his own painting school, Tenkairo, and publishing influential art magazines like Gayu Sekichin. His ambitions were grand, encompassing the dream of establishing dedicated art museums to foster public appreciation for these new techniques.

His achievements reached the global stage when he presented works such as Fugaku Taizu at the World Expo in Vienna and showcased his oil paintings at the Paris World Expo. These international engagements were crucial in asserting that Japanese artists could participate in the global artistic dialogue on equal footing. Even as he was commissioned to paint the portrait of the Meiji Emperor, Yuichi remained a pioneer who refused to be confined by borders—be they geographical or stylistic. His life remains a powerful narrative of innovation, proving that true progress is found when we honor our roots while fearlessly embracing the unknown.

takahashi yuichi

takahashi yuichi

1828 - 1894 , Japan

Kort om kunstneren

  • Artistic Movement Or Style: Yōga painting
  • Artists Or Movements Influenced By This Artist: ['Shiba Kōkan']
  • Artists Who Influenced This Artist: ['Kanō School']
  • Date Of Birth: Tokyo, Japan (1828)
  • Date Of Death: 1894
  • Full Name: Takahashi Yuichi
  • Nationality: Japanese
  • Notable Artworks:
    • Beauty (Courtesan)
    • Salmon
  • Place Of Birth: Tokyo