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Andrew Jackson

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Thomas Sully, Andrew Jackson (1845). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Thomas Sully wahooart.com/no/artists/thomas-sully_no/
Kunstnerens levetid
1783 – 1872
Malt
1845
Medium
Oil
Opprinnelig størrelse
52 x 44 cm
Bevegelse
Portrait Realism
Periode
19th Century
Notable elements
Velvety black garment, furrowed brow
Subject or theme
Portrait of a distinguished gentleman

I sammenheng med

Andrew Jackson — Thomas Sully

Hvor stort er det?

Originalen måler 52 × 44 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850
  9. 1860
  10. 1870

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 89 ved død.

Malt da kunstneren var 62. Kunstneren ble 89 år gammel. 62 av de 73 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Thomas Sully (1783–1872) ▲ dette verket, 1845 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1819 Hovedvirksomhetsår: 1819–1841 Senere verk: fra 1841

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/thomas-sully-andrew-jackson-D38JZN-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Driftwood #ad8857

    Katalogisert palett

    • #AD8857
    • #50331D
    • #150D09
    • #765738

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Driftwood
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Thomas Sully i løpet av de siste tolv månedene — totalt 5 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 79.7%
    2. 2 United States of America 8.1%
    3. 3 Hong Kong 5.7%
    4. 4 Singapore 5.7%
    5. 5 Romania 0.8%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Thomas Sully

    1. 1 Mrs. Edward Hudson, 1814 9.8%
    2. 2 Queen Victoria, 1838 2.6%
    3. 3 Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female 2.6%
    4. 4 John Finley, 1821 2.0%
    5. 5 Portrait of Tom Sleeping, Woman Holding Two Children, Leaning Baby, Woman's Head 2.0%
    6. 6 Cinderella at the Kitchen Fire, 1843 1.3%
    7. 7 Sarah Sully and Her Dog, Ponto, 1848 1.3%
    8. 8 Daniel Wadsworth, 1807 1.3%
    9. 9 Equestrian Portrait of George Washington, 1842 1.3%
    10. 10 The Coleman Sisters, 1844 1.3%
    11. 11 Major John Biddle 1.3%
    12. 12 Mary Anne Heide Norris, 1830 1.3%
    13. 13 Juvenile Ambition, 1825 1.3%
    14. 14 The Passage of the Delaware, 1819 1.3%
    15. 15 Portrait of Robert Fielding Stockton, 1849 1.3%
    16. 16 Mrs. Thomas Fitzgerald (Sarah Leveing Riter), 1858 1.3%
    17. 17 Portrait of Missy Kieps 1.3%
    18. 18 Margaret Siddons Kintzing 1.3%
    19. 19 Half-length portrait of a lady (recto) 1.3%
    20. — Andrew Jackson, 1845 dette maleriet 0.0%

    Sammen utgjør disse verkene 37.2% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 360 verk av denne kunstneren, hvorav 101 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Andrew Jackson — Thomas Sully

    The Presence of a Legend

    In this striking vertical portrait from 1845, Thomas Sully captures more than just the likeness of a man; he captures the very essence of an era. The painting presents the head and shoulders of Andrew Jackson, a figure whose historical weight is palpable through every brushstroke. Set against a warm, peanut-undertone background, the subject’s gaze is directed away from the viewer, looking off to the right with piercing blue eyes that seem to contemplate the heavy burdens of leadership. His face, an oval of weathered dignity, is defined by high cheekbones and a long, slightly hooked nose, framed by silvered hair that curls softly around his forehead and ears. There is an undeniable gravity in his expression, where bushy gray eyebrows gather over a furrowed brow, hinting at the tumultuous political landscape he navigated during his presidency.

    The composition utilizes a masterful play of light and shadow to pull the viewer into Jackson's personal orbit. The velvety black of his high-necked garment provides a stark, sophisticated contrast to the pale edge of a crisp white collar, lending an air of formal authority to the piece. Sully’s technique is particularly evident in the delicate rendering of texture—from the soft, tactile appearance of the gray sideburns that descend past his earlobes to the subtle vertical wrinkles framing a rounded chin. The lower portion of the canvas transitions into a dark ivory hue, a characteristic that suggests an unfinished quality, perhaps inviting the viewer to complete the story of this statesman within their own imagination.

    A Masterpiece of American Portraiture

    To understand this work is to understand the "Sir Thomas Lawrence of America." Thomas Sully, an artist whose life was as much a transatlantic journey as his subjects' histories, brought a refined English sensibility to the burgeoning American identity. Trained under the great Benjamin West, Sully possessed a unique ability to imbue his portraits with both psychological depth and a sense of theatrical character. In Andrew Jackson, we see the culmination of this skill. The painting does not merely document a president; it creates an icon. The way the light catches the silver in Jackson's hair and the intensity within his eyes serves as a testament to Sully’s ability to translate the spirit of a man into the medium of oil on canvas.

    For the discerning collector or interior designer, this reproduction offers a profound opportunity to introduce a sense of historical permanence and intellectual depth into a space. The muted, earthy palette of browns, blacks, and ivories allows the piece to integrate seamlessly into sophisticated, classic, or even modern minimalist environments, acting as a powerful focal point that commands respect without overwhelming the room. It is a work that invites long periods of contemplation, making it an ideal centerpiece for a study, a library, or a formal gallery wall where conversation and heritage are celebrated.

    Owning a piece of this caliber is about more than decoration; it is about preserving a fragment of the 19th-century American soul. The emotional impact of Sully’s work lies in its ability to bridge the gap between the past and the present, offering a window into a time of great transformation. Whether you are drawn to the technical brilliance of the brushwork or the storied legacy of the subject, this portrait stands as a timeless testament to the enduring power of fine art.

    Kunstner og museum

    Kunstner

    Thomas Sully

    Født i Horncastle, Storbritannia

    A Transatlantic Brushstroke: The Life and Art of Thomas Sully

    Thomas Sully’s journey is a remarkable tale – one that transcends mere geography, becoming a vibrant tapestry woven from artistic influences, cultural shifts, and the burgeoning spirit of America. Born in 1783 under the skies of Horncastle, Lincolnshire, England, his life wasn't simply defined by birth; it was shaped by an itinerant childhood, culminating in his arrival in Charleston, South Carolina, at the tender age of nine. This early exposure to a transient theatrical world—his parents were actors—instilled within him a keen understanding of capturing fleeting expressions and embodying character – skills that would prove invaluable as he transitioned from the stage to the canvas. Initially drawn to the allure of performance himself, briefly pursuing a career as a tumbler, Sully’s innate talent for observation and representation soon found its true expression in painting. An apprenticeship with an insurance broker provided him with a foundational understanding of detail and precision, but it was his subsequent mentorship by Charles Fraser and later Jean Belzons that ignited the flame of his artistic passion, particularly within the realm of miniature painting – a discipline he mastered before expanding his scope to larger, more ambitious works.

    From Miniature to Monumental: Forging an American Style

    Sully’s artistic development wasn't confined by national borders; it was a dynamic process of assimilation and adaptation. A pivotal moment arrived in 1808 when he embarked on a period of study in London with Benjamin West, a celebrated figure in the British art world. While West’s influence undoubtedly shaped his early technique, it was the profound impact of Thomas Lawrence that truly resonated with Sully. Lawrence's elegant style – characterized by its masterful use of light and texture, and his remarkable ability to capture both likeness and character – became a cornerstone of Sully’s artistic philosophy. Upon returning to America in 1809, he carried this aesthetic with him, earning the moniker “the Sir Thomas Lawrence of America.” However, Sully didn't simply emulate; he skillfully adapted and refined these influences, forging a distinctly American style that blended European sophistication with a uniquely New World sensibility. His portraits weren’t merely photographic reproductions; they were imbued with a sense of warmth, dynamism, and psychological depth – reflecting the evolving identity of the nation itself. He possessed an extraordinary ability to capture not just outward appearances but also the inner lives of his subjects, imbuing each portrait with a palpable sense of personality.

    The Influence of London: A Refined Technique

    Sully’s return to England in 1809 and again in 1837 proved crucial to his artistic evolution. These visits weren't merely nostalgic trips; they were deliberate opportunities for refinement and learning. His time with Benjamin West provided a solid grounding in traditional techniques, while his interactions with Thomas Lawrence exposed him to the latest innovations in portraiture – particularly the use of loose brushwork and atmospheric effects. He meticulously studied the works of other masters, absorbing their insights and incorporating them into his own practice. The experience broadened his technical skills and deepened his understanding of composition, color theory, and light. He returned to America with a renewed sense of confidence and a more sophisticated artistic vision, ready to tackle larger-scale projects and explore new avenues of expression.

    A Portrait of an Era: Notable Works and Subjects

    Sully’s prolific output spanned over seven decades, during which he created an astonishing number of portraits – estimates range from 2,300 to over 3,000! His subjects reflected the diverse tapestry of American society at the time. He painted prominent figures such as Thomas Jefferson, John Quincy Adams, Andrew Jackson, and numerous members of the wealthy elite in Philadelphia and beyond. His most celebrated work, The Passage of the Delaware (1819), stands as a testament to his ability to capture dramatic historical events with both artistic flair and technical skill. The painting depicts George Washington leading his troops across the icy Delaware River on Christmas night – an iconic moment that embodies the spirit of American independence. Beyond these grand historical scenes, Sully’s portraits captured the essence of countless individuals, preserving their likenesses for posterity and offering a glimpse into the lives and personalities of those who shaped the nation's destiny.

    Legacy and Enduring Influence

    Thomas Sully’s legacy extends far beyond his impressive body of work. He was not only a gifted painter but also a dedicated teacher, mentoring numerous aspiring artists and contributing to the development of American portraiture. His influence can be seen in the works of later generations of painters, who drew inspiration from his masterful technique and his ability to capture the human spirit. Furthermore, Sully’s commitment to cultural enrichment is evident in his involvement with the Musical Fund Society of Philadelphia – a testament to his belief that art should serve as a catalyst for social progress. His paintings continue to be exhibited in museums across the United States, captivating audiences with their beauty, elegance, and enduring power. Thomas Sully remains a pivotal figure in American art history—a painter who skillfully blended European sophistication with uniquely American sensibilities, leaving behind a rich legacy of portraits that capture the essence of an era.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Andrew Jackson

    wahooart.com/no/art/download/thomas-sully-andrew-jackson-D38JZN-en/

    Kildehenvisning for dette kunstverket

    MLA
    Sully, Thomas. Andrew Jackson. 1845, https://wahooart.com/no/art/thomas-sully-andrew-jackson-D38JZN-en/
    APA
    Sully, Thomas (1845). Andrew Jackson [Painting]. https://wahooart.com/no/art/thomas-sully-andrew-jackson-D38JZN-en/
    Chicago
    Thomas Sully. Andrew Jackson. 1845. https://wahooart.com/no/art/thomas-sully-andrew-jackson-D38JZN-en/
    Harvard
    Sully, Thomas (1845) Andrew Jackson. Available at: https://wahooart.com/no/art/thomas-sully-andrew-jackson-D38JZN-en/

    Se nærmere på

    Andrew Jackson — Thomas Sully

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: portrait, andrew jackson, 19th century. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Child Asleep (The Rosebud) (1841), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Thomas Sully var omtrent 62 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

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