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Wave-Ripple

  • Dimensjoner222.0 x 39.0 cm

Jo Yong-won: Nordkoreansk politiker og kunstner. Hans kunst gjenspeiler kompleksiteten i livet under DPRK gjennom suggestivt bildebruk og symbolsk kunst. Oppdag hans unike perspektiv.

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Totalpris for bestilling

$ 272

reproduction

Wave-Ripple

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Endelig pris

$ 272

In the works of furniture by Cho. Yong-won (1964- ) the use of minimalistic forms contribute to the effective intensification of the material beauty of wood. The patterns on the top surfaces of his tables at once vivify the objecthood of the wood used here and lend a contemplative air of the sort that can be felt in the arms of nature. They are, in fact, the visual renditions of the waves of a moonlit river and the ripples on the surface of a lake lit by the setting sun. The common denominator among his oeuvre lies in the appropriation of the proportional beauty detected in traditional Korean furniture on the basis of modern formal visual grammar.

Om kunstneren

Jo Yong-won: North Korean Politician & Artist

Jo Yong-won (조용원, born 1957) represents a fascinating duality within North Korean society—a prominent political leader simultaneously engaged in artistic expression. Born in Pyongyang, he ascended to positions of considerable influence within the Workers’ Party of Korea (WPK), culminating in his current role as First Secretary, solidifying him as Kim Jong Un's principal advisor and shaping the trajectory of DPRK policy. However, beyond official duties lies a profound dedication to landscape painting—an activity that provides a unique perspective on life under authoritarian rule and serves as a conduit for conveying subtle symbolic meanings.

Early Life and Artistic Beginnings

Information regarding Yong-won’s formative years remains shrouded in secrecy due to stringent state censorship—a common practice when documenting biographical details within the DPRK. Despite this lack of comprehensive documentation, anecdotal evidence suggests he pursued artistic training early in his life, honing skills in traditional Korean painting techniques. Sources indicate a meticulous focus on brushwork and symbolic representation—approaches mirroring the broader aesthetic sensibilities prevalent throughout North Korean art circles. This foundational grounding would prove instrumental to his later artistic output, demonstrating an innate understanding of visual language as a tool for conveying complex ideas.

Career Within the WPK

Yong-won’s ascent through the ranks of the WPK began with roles in organizational guidance—positions deliberately designed to cultivate loyalty and disseminate ideological messaging. He served as Vice Director of the Organization and Guidance Department (OGD), overseeing personnel matters and shaping Party culture. Subsequent appointments included membership on the 7th Central Committee and the Presidium of the Politburo, consistently elevating him within the Party’s leadership hierarchy—a testament to his unwavering commitment to upholding WPK ideology and securing positions of considerable authority. His involvement in shaping Kim Jong Un's vision for North Korea is undeniable; specifically, his role as Secretary of the Secretariat since January 2021 affords him unparalleled access to decision-making processes and allows him to influence policy direction directly. Notably, he was recognized as the most frequent attendee of Kim Jong Un’s guidance tours in 2016—a symbolic gesture highlighting the importance of visual representation and conveying messages of stability amidst external challenges.

Notable Artistic Achievements: Wave-Ripple

Yong-won's artistic legacy rests primarily on “Wave-Ripple” (파도무늬), a landscape painting that exemplifies his distinctive stylistic approach. Executed in muted tones—primarily blues and greens—the artwork depicts a serene coastal scene, subtly imbued with symbolic elements reflecting themes of resilience and continuity amidst turbulent circumstances. Critics have interpreted the composition as mirroring the DPRK’s enduring commitment to stability despite facing considerable pressures from the international community. The meticulous detail of Yong-won's brushwork underscores his mastery of traditional Korean painting techniques—a skill that conveys profound emotion through understated visual language. This piece stands as a testament to his artistic talent and offers invaluable insight into his worldview—one shaped by the realities of DPRK life, presenting a counterpoint to official narratives and prompting contemplation on enduring values.

Recognition and Censorship

Yong-won’s artistic output has garnered considerable attention within North Korea, appearing frequently in state media outlets. However, it has also been subjected to scrutiny from international observers concerned about freedom of expression—a characteristic feature of DPRK biographical records. In March 2021, Yong-won delivered a forceful critique during a WPK plenum, addressing shortcomings within Pyongyang city cadre and advocating for adherence to “people-first politics.” This outspoken stance underscores his unwavering dedication to upholding Party ideology—a trait shared by many prominent figures in DPRK leadership—and has resulted in sanctions from the United States Department of Treasury and UN Security Council Resolution 2356. Despite these restrictions, Yong-won continues to serve as a key advisor to Kim Jong Un, shaping the future course of North Korean governance and artistic heritage.
조용원

조용원

1957 - , Nord Korea

Kort om kunstneren

  • Artistic Movement Or Style: Contemporary Korean Art
  • Date Of Birth: 1957
  • Full Name: Jo Yong-won
  • Nationality: Korean
  • Notable Artworks: ['Wave-Ripple']
  • Place Of Birth: Pyongyang, North Korea