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Untitled (Trace 1, 2 & 3) (Trace 2)

Discover Ingrid Calame's vibrant abstract work capturing urban detritus through layered pastel lines; own a piece of found-texture artistry from 2006.

Discover Ingrid Calame's abstract paintings (b.1965), inspired by 'micro-mapping' & urban traces. Her map-like works are in MoMA, LACMA & more. Explore her unique style!

Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.

Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.

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Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

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Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (8 November)

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Nkr 660

Untitled (Trace 1, 2 & 3) (Trace 2)

Giclée / Kunsttrykk

Størrelse på reproduksjon

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Totalpris for valgte alternativer

Nkr 660

Kort om verket

  • Artistic style: Abstract
  • Medium: Mixed media/Painting
  • Title: Untitled (Trace 1, 2 & 3) (Trace 2)
  • Year: 2006

Kunnequiz om kunst

Det er kun ett riktig svar på hvert spørsmål.

Spørsmål 1:
What is the primary inspiration for Ingrid Calame's artwork?
Spørsmål 2:
What material does Calame often use to trace her findings directly from found textures?
Spørsmål 3:
The artwork, Untitled (Trace 1, 2 & 3), is described as featuring what kind of lines and colors?
Spørsmål 4:
Which artistic element does the description suggest Calame emphasizes by using negative space?
Spørsmål 5:
What is the general style or technique evident in the photo description of the piece?

The Ephemeral Language of the City

Ingrid Calame’s work invites us into an intimate dialogue with the overlooked textures of modern urban life. This piece, Untitled (Trace 1, 2 & 3) (Trace 2), is not merely a painting; it is a cartography of memory, a vibrant record compiled from the accidental poetry found on city streets. Calame’s unique practice involves physically tracing markings—the grooves, the stains, the spontaneous graffiti—found on various urban surfaces directly onto Mylar. This labor-intensive process imbues every line with the weight of its origin, connecting the grand sweep of metropolitan existence to the delicate gesture of a single passing shoe or spilled liquid. The resulting artwork is a mesmerizing tapestry where the detritus of daily routine is elevated to high art.

A Symphony in Overlapping Color and Movement

Visually, the piece explodes with controlled chaos. Against a deep, resonant blue background, Calame layers soft pastels alongside vivid primary colors—greens, purples, yellows, and oranges—that seem to vibrate against one another. The composition is defined by intertwining, overlapping lines that swirl endlessly, suggesting an ongoing, restless movement. It feels as if the viewer has stumbled upon a moment of pure kinetic energy captured on canvas. These markings do not simply exist; they interact, creating new hues where they meet and developing complex visual narratives through their sheer density. The careful interplay between these vibrant marks and the negative space surrounding them is what gives the piece its profound sense of breath and quietude.

Technique: Tracing Time Itself

The technical mastery displayed here is remarkable. Calame’s method transforms found ephemera into permanent, luminous art. By tracing directly from real-world textures, she bypasses traditional pictorial representation in favor of a more immediate, almost forensic documentation of surface life. The resulting mixed media quality suggests both the spontaneity of street art and the meticulous care of an archival study. For collectors or designers seeking reproduction, understanding this process is key: owning this piece means acquiring a tangible echo of urban passage, rendered with painstaking devotion to detail.

Symbolism and Emotional Resonance

What does it mean to trace what has already been left behind? Symbolically, Calame’s work speaks to the transient nature of existence in densely populated areas. The lines are traces—remnants of human activity that fade but never entirely disappear. They evoke a sense of beautiful melancholy; we are confronted with the beauty inherent in things that are imperfect, temporary, and constantly being overwritten by the next moment. Emotionally, the piece is both exhilarating due to its vibrant energy and deeply calming because it forces us to slow down, to look closely at what we usually walk past without seeing. It invites contemplation on pattern, passage, and persistence.

Spørsmål og svar

Hvordan er fargekomposisjonen i "Untitled (Trace 1, 2 & 3) (Trace 2)" av Ingrid Calame bygget opp?

Fargekomposisjonen i "Untitled (Trace 1, 2 & 3) (Trace 2)" av Ingrid Calame forener en Balanced kontrast med en Discordant Palette harmoni.

Finnes det verk som ligner på "Untitled (Trace 1, 2 & 3) (Trace 2)"?

Finn lignende kunstverk til "Untitled (Trace 1, 2 & 3) (Trace 2)" av Ingrid Calame på verkets Lignende verk-side.

Fremstår fargene i "Untitled (Trace 1, 2 & 3) (Trace 2)" som sterke eller duse?

Fargene i "Untitled (Trace 1, 2 & 3) (Trace 2)" av Ingrid Calame har en Balanced intensitet.


Om kunstneren

Ingrid Calame: A Life in Traces

Early Life and Education

  • Born in 1965 in The Bronx, New York, Ingrid Calame spent her formative years in Westchester County.
  • Her parents worked in the fields of physical education and physical therapy, providing a practical backdrop to her developing artistic sensibilities.
  • Initially drawn to dance, Calame later shifted her focus to painting, recognizing its potential for expressing her creative vision.
  • She earned a Bachelor of Fine Arts from the State University of New York at Purchase and further honed her skills with a Master of Fine Arts degree from the California Institute of the Arts.

Artistic Development and Influences

  • Calame’s artistic journey began to take shape after earning her MFA in 1996, marked by an exploration of accidental spills on her studio floor. She re-presented these spontaneous occurrences as deliberate art.
  • A pivotal moment came with revelations about her grandmother's death, prompting a deeper investigation into themes of mortality and the traces humans leave behind.
  • Her work is influenced by a desire to capture the ephemeral nature of existence and the often-overlooked details of everyday life.
  • While not directly tied to a specific movement, Calame’s abstract style aligns with Abstract Expressionism, emphasizing process and emotional resonance.

Key Themes and Techniques

  • Calame is renowned for her unique technique of tracing marks found in public spaces – stains, cracks, tire tracks, graffiti – transforming them into complex abstract compositions.
  • Her paintings often resemble maps, though she emphasizes that they are not literal representations but rather explorations of “micro-mapping” and the inherent cartographic impulse within us.
  • Human detritus serves as a central theme, prompting reflection on our presence in the world and the traces we inevitably leave behind.
  • She employs layering techniques, building up tracings to create richly textured and visually compelling surfaces.

Major Achievements and Exhibitions

  • Calame’s work has been exhibited internationally, gaining recognition in prestigious institutions such as the Los Angeles Museum of Contemporary Art (LACMA), the Whitney Museum of American Art, and the Museum of Modern Art (MoMA) in New York City.
  • She was included in the 2000 Whitney Biennial, a significant platform for contemporary American art.
  • Notable exhibitions include site-specific commissions at the Indianapolis Museum of Art (“Ingrid Calame: Traces of the Indianapolis Motor Speedway”) and an artist residency at the Albright-Knox Art Gallery, where she traced marks throughout Buffalo, New York.

Historical Significance and Legacy

  • Ingrid Calame’s work challenges traditional notions of representation and abstraction, offering a unique perspective on the relationship between art and everyday life.
  • Her exploration of overlooked details and ephemeral traces encourages viewers to reconsider their surroundings and appreciate the beauty in the mundane.
  • By transforming accidental marks into deliberate artworks, she raises questions about authorship, intention, and the nature of artistic creation.
  • Calame’s influence can be seen in contemporary artists who explore similar themes of site-specificity, abstraction, and the human impact on the environment.
Ingrid Calame

Ingrid Calame

1965 - , United States of America

Kort om kunstneren

  • Name: Ingrid Calame
  • Movement:
    • Abstract art
    • Abstract expressionism
  • Birth Date: 1965
  • Birth Place: The Bronx, New York City, United States
  • Nationality: American
  • Date Of Birth: 1965
  • Notable Works:
    • Untitled (Trace 1, 2 & 3)
    • Traces of the Indianapolis Motor Speedway
  • Place Of Birth: The Bronx, United States of America