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Samovar

Dimensjoner
80.0 x 80.0 cm

A cozy Post-Impressionist scene featuring a woman with a samovar by Igor Emmanuilovich Grabar captures intimate warmth through masterful divisionist techniques, inviting you to bring this timeless masterpiece home.

Igor Grabar (1871-1960) var en fremtredende russisk etterimpressionist maler kjent for sine snøkrengete landskap og viktig rolle i å modernisere Tretyakov-galleriet. Utforsk hans arv!

Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.

Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

Standardformat
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INCH

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høyde

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Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (12 November)

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Rabatt ved flere kjøp

Totalpris

Nkr 657

Samovar

Giclée / Kunsttrykk

Størrelse på reproduksjon

-

Totalpris for valgte alternativer

Nkr 657

Kort om verket

  • Artist: Igor Emmanuilovich Grabar
  • Year: 1905
  • Influences:
    • Ilya Repin
    • Anton Ažbe
  • Subject or theme: Woman at a table with a samovar
  • Notable elements or techniques: Divisionist technique, pointillism

A Moment Frozen in Light: The Soul of Samovar

In the quiet corners of art history, few works capture the essence of domestic intimacy as tenderly as Igor Emmanuilovich Grabar’s Samovar. Painted in 1905, this exquisite oil on canvas serves as a window into a bygone era of warmth and communal connection. The scene unfolds within a cozy dining area, where a woman sits poised at a table, her presence anchored by the iconic silhouette of a samovar. As she holds a small piece of bread, there is a profound sense of stillness, as if the world outside has ceased to exist, leaving only the soft glow of the meal and the quiet companionship of the moment. For collectors and interior designers alike, this piece offers more than just decoration; it provides an emotional anchor, inviting a sense of peace and nostalgia into any curated space.

The technical mastery displayed in Samovar is a testament to Grabar’s unique position within the Post-Impressionist movement. Having studied under the legendary Ilya Repin in Saint Petersburg and Anton Ažbe in Munich, Grabar synthesized classical training with the avant-garde experimentation of his time. He employs a sophisticated divisionist technique—a method bordering on pointillism—where small, distinct strokes of color are applied to the canvas to create a shimmering, vibrant texture. This approach allows light to dance across the surface, illuminating the wine glasses and the metallic sheen of the samovar with an almost rhythmic energy. The result is a painting that feels alive, breathing with a soft, luminous vitality that draws the viewer into its warm embrace.

Beyond its technical brilliance, the painting is a masterclass in atmosphere and symbolism. The arrangement of objects—the scattered wine glasses, the solitary cup, and the bread—suggests a narrative of shared life and the beauty found in everyday rituals. Grabar uses a palette of warm tones to evoke a sense of comfort and safety, making the artwork an ideal centerpiece for rooms designed for relaxation and conversation. To possess a reproduction of this work is to bring a piece of Russian Post-Impressionist history into the modern home, offering a timeless elegance that complements both classical and contemporary interiors. It is a celebration of the quiet, beautiful fragments of life that define our most cherished memories.

Spørsmål og svar

Hvilket motiv og hvilken atmosfære forener "Samovar" av Igor Emmanuilovich Grabar?

"Samovar" av Igor Emmanuilovich Grabar skildrer post-impressionism, samovar, still life, portrait, dining scene, divisionism, russian art i en Nostalgic stemning. Motiv og atmosfære beskriver verket sammen.

Hva forestiller "Samovar" av Igor Emmanuilovich Grabar?

"Samovar" av Igor Emmanuilovich Grabar avbilder: post-impressionism, samovar, still life, portrait, dining scene, divisionism, russian art.

Hvordan harmonerer fargene i "Samovar" med hverandre?

Fargene i "Samovar" av Igor Emmanuilovich Grabar utviser en Discordant Palette harmoni. Harmoni beskriver hvordan fargene samspiller med hverandre.


Om kunstneren

Early Life and Education

Igor Emmanuilovich Grabar (Russian: И́горь Эммануи́лович Грабарь, 25 March 1871 – 16 May 1960) was a Russian Post-Impressionist painter, publisher, restorer and historian of art. Grabar, descendant of a wealthy Rusyn family, was trained as a painter by Ilya Repin in Saint Petersburg and by Anton Àžbe in Munich. He reached his peak in painting between 1903–1907 and was notable for a peculiar technique bordering on pointillism and his rendition of snow. His early life unfolded amidst the turbulent currents of late nineteenth-century Russia, shaped profoundly by his family’s fervent devotion to Rusyn heritage and traditions—a connection that instilled in him a deep appreciation for Russian culture. Born in Budapest (then Austro-Hungarian Empire), Grabar's father, Emmanuil Hrabar, was an ethnic Rusyn lawyer and politician who maintained close ties with the Russian embassy, fostering an environment steeped in imperial influence. From a young age, Igor’s fascination with art ignited during his formative years in Egoryevsk, where he attended high school—a period marked by exposure to influential publications documenting the assassination of Tsar Alexander II, which galvanized his artistic sensibilities. He continued his education at Mikhail Katkov's boarding school in Moscow, establishing connections with fellow students from the Moscow School of Painting, Sculpture and Architecture, nurturing a collaborative spirit that would characterize much of his subsequent career.

Artistic Career and Notable Works

Grabar’s artistic journey commenced under the tutelage of Ilya Repin in Saint Petersburg and Anton Àžbe in Munich—experiences that honed his skills and broadened his artistic horizons. He swiftly ascended to prominence between 1903 and 1907, achieving mastery of divisionist painting technique, a method characterized by applying small dots of color onto the canvas—a stylistic choice that brilliantly captured the ethereal beauty of snow landscapes. Among Grabar’s most celebrated works are:
  • Landscape with a Haystack: This evocative piece exemplifies his ability to convey atmospheric depth and textural nuances, immersing viewers in the serene stillness of rural Russia.
  • The Embroideress: Reflecting the realist traditions prevalent during the Victorian era, this portrait captures the dignity and quiet contemplation of its subject—a testament to Grabar’s meticulous observation and artistic sensitivity.
  • Going to Work: This poignant depiction portrays the daily life of ordinary Russians, imbued with a humanist spirit that underscores Grabar's commitment to portraying authentic human experience.

Museum and Art Restoration

In 1913, Igor Grabar was appointed executive director of the Tretyakov Gallery in Moscow—a pivotal moment that propelled him into the vanguard of Russian art administration and scholarship. Recognizing the imperative for broadening the gallery’s scope beyond traditional artistic representations, he championed the inclusion of modern art movements, culminating in the publication of its inaugural comprehensive catalogue in 1917—a landmark achievement that established a new standard for scholarly discourse on Russian visual culture. Furthermore, Grabar served as professor of art restoration at Moscow State University (1921), shaping generations of artists and fostering a profound understanding of conservation principles. His influence extended beyond the academic realm, informing his role in overseeing the redistribution of confiscated church artworks following the Bolshevik Revolution—a task undertaken with unwavering dedication to preserving cultural heritage.

Legacy and Later Life

Grabar’s artistic legacy endured throughout his lifetime, culminating in his passing on May 16, 1960. He continued to champion art restoration workshops (present-day Grabar Centre) from 1918–1930 and from 1944 to 1960—a testament to his lifelong devotion to safeguarding artistic treasures. Notably, he advised Joseph Stalin on the preservation of architectural heritage during World War II—demonstrating his unwavering commitment to protecting Russia’s cultural patrimony. Igor Grabar's contributions to Russian art history and visual culture remain indelible, securing his place as one of the foremost figures of the Post-Impressionist movement.
  • View more of Grabar's work on WahooArt
  • Learn more about the Tretyakov Gallery on WahooArt
  • Discover the novokuznetsk art museum's collection on WahooArt
Igor Emmanuilovich Grabar

Igor Emmanuilovich Grabar

1871 - 1960 , Ungarn

Kort om kunstneren

  • Artistic Movement Or Style: Post-Impressionism
  • Artists Who Influenced This Artist:
    • Ilya Repin
    • Anton Àžbe
  • Date Of Birth: March 25, 1871
  • Date Of Death: May 16, 1960
  • Full Name: Igor Emmanuilovich Grabar
  • Nationality: Russisk
  • Notable Artworks:
    • Landscape with a haystack
    • The Embroideress
    • Going to work
  • Place Of Birth: Budapest, Hungary