Winter daybreak door Waller Hugh Paton, handgeschilderde olieverfreproductie door een meesterkunstenaar
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Winter daybreak Met de hand geschilderde olieverfreproductie

A master of Scottish Romantic landscape painting, Waller Hugh Paton captured the serene beauty of works like The Bridge of Broigas through evocative en plein air techniques that invite you to discover his tranquil vistas.

Handgemaakte olieverfreproductie

Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. ( Schakel over naar print Schakel over naar digitale afbeeldingen)

Standaardformaat
op maat gemaakt
CM
INCH

Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

breedte
hoogte

Voer de breedte en hoogte in die u nodig heeft, passend bij uw lijst of uw muur. Omdat dit handgeschilderd is, kan de kunstenaar bij een afmeting met een andere beeldverhouding iets meer rondom het schilderij schilderen of juist iets meer weglaten — u kiest zelf. Wij sturen u een digitaal mockup ter goedkeuring voordat het schilderwerk begint. De afbeelding die op deze pagina wordt getoond, is niet het uiteindelijke resultaat — alleen de mockup geeft dit weer.

Voorbeelden van aanpassingen: Vervang het gezicht met een eigen foto; Voeg een huisdier toe (bijv. vervang de kat door een hond); Verwerk een verborgen boodschap in de achtergrond; Wijzig het landschap of andere elementen in de achtergrond.
Na de bestelling zal het team van WahooArt.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.

Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (7 november). Zonder concessies aan de kwaliteit.

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Totaalprijs

€ 243

Winter daybreak

Druktechniek

Afmetingen reproductie

-

Eindtotaal

€ 243


Biografie kunstenaar

A Legacy of Scottish Light and Landscape

Born in the historic Wooer's Alley in Dunfermline, United Kingdom, Waller Hugh Paton emerged as a profound voice in the landscape painting of the second half of the nineteenth century. Coming from a family deeply rooted in the arts, he was the son of the damask designer Joseph Neil Paton, and his siblings, including Joseph Noel Paton and Amelia Robertson Hill, were also accomplished artists. This rich, creative environment undoubtedly shaped his early sensibilities. Before finding his true calling in the vastness of the outdoors, Paton spent his teenage years working alongside his father as a damask designer, a period that likely instilled in him a meticulous eye for detail and pattern—qualities that would later manifest in the intricate textures of his natural scenes.

His formal artistic journey took a decisive turn at age twenty when he began training under the mid-nineteenth century artist John Houston. This mentorship provided the foundation for a career defined by a rare dedication to en plein air painting. While many of his contemporaries preferred the controlled, comfortable environment of a studio to complete their landscapes, Paton sought the raw, unmediated truth of nature. He braved the elements to capture the shifting light and atmosphere of the Scottish countryside, finding particular inspiration in the rugged terrains of Perthshire, Aberdeenshire, and the evocative Isle of Arran. His ability to translate the fleeting moments of the natural world onto canvas became his artistic hallmark.

Mastery of Atmosphere and Technique

The work of Waller Hugh Paton is often celebrated for its emotional resonance and its ability to evoke a sense of profound tranquility or dramatic tension. He possessed a singular talent for capturing the sky, particularly through his signature use of rich purple sunsets that bathe his landscapes in a romantic, twilight glow. Whether depicting the serene, rural charm of a Cottage in Upper Carnoch, Glencoe or the more somber, weathered majesty of The Bridge of Broigas, Paton’s compositions are masterfully balanced. His use of muted tones and light creates an immersive experience, inviting the viewer to step into a world where the elements feel palpable.

His technical prowess extended across various mediums, earning him prestigious recognition within the artistic community. His achievements include:

  • Election as an Associate of the Royal Scottish Academy (ARSA) in 1857, followed by his elevation to a full member (RSA) in 1865.
  • Membership in the Royal Society of Watercolourists (RSW), attained in 1878, showcasing his versatility beyond oil painting.
  • Contribution to illustration, notably working with his brother to illustrate William Edmondstoune Aytoun's Lays of the Scottish Cavaliers.

Through these accolades, Paton solidified his position as a significant figure in the Scottish landscape tradition. His life, which saw him move from the creative circles of Edinburgh to traveling the Continent, was a testament to his devotion to the landscape. Even as he faced the physical toll of illness later in life, his commitment to capturing the enduring spirit of the Scottish wilderness remained undiminished, leaving behind a body of work that continues to resonate with its quiet strength and atmospheric beauty.

Waller Hugh Paton

Waller Hugh Paton

1828 - 1895 , United Kingdom

Belangrijkste feiten

  • Artistic Movement Or Style: Landscape, Romanticism
  • Artists Who Influenced This Artist: ['John Houston']
  • Full Name: Waller Hugh Paton
  • Nationality: Scottish
  • Notable Artworks:
    • Cottage in Upper Carnoch, Glencoe
    • The Bridge of Broigas
    • On the Cree at Newton Stewart
  • Place Of Birth: Dunfermline, United Kingdom
  • Date Of Birth: 1828
  • Date Of Death: 1895