De kunstwerken die op deze pagina worden weergegeven, zijn beschermd door de auteursrechtwetgeving, wat betekent dat het ons wettelijk niet is toegestaan om identieke reproducties te maken of te verkopen. Deze bescherming wordt gehandhaafd onder internationale overeenkomsten zoals de Conventie van Bern en door nationale wetgeving, waaronder de bepalingen van de Amerikaanse auteurswet - Titel 17. Alle rechten voorbehouden. Reproduceren of distribueren van afbeeldingen is niet toegestaan zonder uitdrukkelijke schriftelijke toestemming van WahooArt.com en de rechthebbenden.
Deze methode voldoet volledig aan de auteursrechtwetgeving, omdat het niet gaat om het kopiëren of dupliceren van het beschermde kunstwerk. In plaats daarvan is er sprake van een creatieve herinterpretatie — een nieuw schilderij dat door het origineel wordt geïnspireerd, maar er niet identiek aan is.
Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. ( Bestel handgeschilderde reproductie
Schakel over naar digitale afbeeldingen)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
Voer de gewenste breedte en hoogte in, passend bij uw lijst of muur. Een afdruk kan alleen worden ingekort en nooit groter worden gemaakt dan het origineel; een formaat met andere verhoudingen zal daarom een deel van de afbeelding verliezen. Wij sturen u een digitaal mockup ter goedkeuring voordat we tot drukwerk overgaan. De afbeelding op deze pagina toont niet de werkelijke uitsnede — dit is alleen te zien op het mockup.
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Born in Lagos, Nigeria, in 1981, Soji Adesina is a compelling contemporary artist whose work delves into the complexities of memory, identity, globalization, and conflict. His practice, rooted deeply within Nigerian culture yet reaching outwards to engage with universal themes, has quickly established him as a significant voice in both African and international art scenes. Adesina’s journey began with a Higher National Diploma in Painting from Yaba College of Technology, Lagos – an institution renowned for nurturing artistic talent – providing him with a foundational understanding of technique and visual language that he would later radically transform.
Central to Adesina's artistic vision is a deliberate interrogation of the self. He doesn’t simply depict subjects; he excavates them, layering narratives and challenging conventional representations. His work frequently features figures rendered in abstracted hues, prompting viewers to confront fundamental questions about perception – particularly the often-overlooked “color of skin.” This exploration extends beyond mere aesthetics, serving as a gateway to broader inquiries into culture, colonialism, and the enduring legacy of historical power dynamics.
What immediately distinguishes Adesina’s work is his unique application of paint. He has developed a highly distinctive impasto technique – building up layers of thick, textured paint to create surfaces that are both visually arresting and deeply tactile. This isn't merely decorative; it’s a deliberate strategy for conveying emotion and meaning. He describes this process as an exploration, constantly experimenting with materials and pushing the boundaries of what painting can achieve. Adesina’s early influences included artists like Frank Frazetta and Mike Omoighe, but he quickly forged his own path, incorporating elements of Wangechi Mutu and Egin Schieles into his distinctive style.
The physicality of his technique mirrors the intensity of the themes he explores. Figures appear involved, sometimes deconstructed, occasionally afflicted, and at other times brazenly confident – reflecting a complex interplay of vulnerability and strength. This deliberate distortion and exaggeration is not simply stylistic; it’s a means of amplifying the emotional weight of his subjects.
Adesina's work consistently grapples with the forces shaping contemporary society, particularly the impact of globalization and conflict. He employs irony, metaphor, and paradox to dissect how these dynamics influence radicalization, statehood, migration, and sexuality. His paintings aren’t simply representations; they are critical commentaries on the world around us, prompting viewers to consider the often-uncomfortable truths beneath the surface.
He draws inspiration from a wide range of sources – historical events, social issues, and personal experiences – weaving them together into layered narratives that demand engagement. His exploration of memory is particularly potent, suggesting that our understanding of the present is inextricably linked to the past. Adesina’s work has been collected by private individuals, art enthusiasts, and corporate organizations both in Nigeria and abroad, a testament to its growing recognition within the art world.
Soji Adesina's artistic journey has been marked by significant exhibitions both within Nigeria and internationally. He has showcased his work in major cities such as New York, Paris, London, and São Paulo, solidifying his position as a rising star on the global art scene. His commitment to pushing boundaries and exploring complex themes ensures that he will continue to be a vital voice in contemporary art for years to come.
His work is held in esteemed private and corporate collections worldwide, reflecting its enduring appeal and critical acclaim. Adesina’s ongoing exploration of identity, memory, and the human condition promises to yield further compelling works that resonate with audiences across cultures.
1981 - , Nigeria