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Self-Portrait

This 1909 Expressionist oil painting by Max Ernst captures a melancholy mood. Discover this contemplative masterpiece today.

A German expressionist painter known for his landscapes and portraits. Discover the evocative works of Max Kaus today.

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Corner sample of the P118B picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: gegoten polystyreen, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: gegoten polystyreen, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: gegoten polystyreen, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: gegoten polystyreen, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: massief hout, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: massief hout, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: massief hout, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: massief hout, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: massief hout, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: massief hout, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: massief hout, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massief hout, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: massief hout, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: massief hout, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: massief hout, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: massief hout, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: massief hout, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: massief hout, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: massief hout, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: massief hout, 6 cm wide and 3.5 cm thick
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Self-Portrait

Giclée / Kunstafdrukken

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Snelle feiten

  • Notable elements or techniques: Brushstroke texture
  • Artistic style: Expressionist
  • Subject or theme: Self-portrait, melancholy mood
  • Medium: Oil on canvas
  • Artist: Max Ernst

Kunstquiz

Er is slechts één goed antwoord op elke vraag.

Vraag 1:
What is the medium of the photograph described in the image description?
Vraag 2:
In the photograph, where are the three women located?
Vraag 3:
What is the color palette of the photograph?
Vraag 4:
What is the activity of the woman on the right in the photograph?
Vraag 5:
What is the lighting described in the photograph?

A Glimpse into the Soul

In 1909, a young Max Ernst turned the gaze inward. This Self-Portrait is a study of the face as a landscape of early psychological inquiry. The oil on canvas captures a melancholy mood, where the brushstroke texture reveals a contemplative figure. It is a moment of quiet introspection, caught before the disruptions of the coming decades. The warm color palette settles over the features, grounding the subject in a soft, emotive light. A sense of solitude resides in the eyes.

The Weight of Expression

The work belongs to the early currents of Expressionism, Dadaism, and Surrealism. It captures a transition in the history of modern art. The subject is not a mere likeness but an exploration of the internal self. Through the medium of oil, the artist uses a heavy, tactile application to define the contours of his own identity. The composition focuses on the tension between the physical presence of the man and the invisible weight of his thoughts. A single, steady gaze meets the viewer.

Veelgestelde vragen

Welke emotionele toon gaat gepaard met de Surrealism-stijl van "Self-Portrait"?

Binnen de Surrealism-stroming is "Self-Portrait" vastgelegd met een Reflective toon.

Met welk medium is "Self-Portrait" door Max Kaus uitgevoerd?

Max Kaus gebruikte de Oil On Canvas-techniek voor "Self-Portrait". De techniek bepaalt de materiële aard van het originele werk.

Is "Self-Portrait" door Max Kaus een licht of een donker kunstwerk?

Wat betreft de waargenomen helderheid is "Self-Portrait" door Max Kaus bright.


Biografie kunstenaar

The Life and Art of Max Kaus

Max Kaus was a German painter, printmaker, graphic artist, and lithographer. Born in Berlin, Germany, his early training took place at the Study Institute of the Decorative Arts Museum in Berlin between 1908 and 1913. During the First World War, he served as a medical orderly and ambulance driver in western Flanders. It was during this time in Ostend that he learned to make lithograph prints, utilizing a printing press constructed from timber recovered from a destroyed railway station. Upon returning to Berlin in 1918, he acquired his own lithography equipment, which became a foundation for much of his subsequent artistic output.

His career saw significant shifts in subject matter and style. While he was widely recognized for his landscape works—drawing inspiration from travels within Germany, Austria, and northern Italy—he also worked extensively on portraiture. His post-war output was characterized by a shift where form began to dominate content. His later creative years included several distinct categories of work:

Academic Influence and Legacy

Beyond his personal practice, Kaus was an influential teacher. He held a professorship teaching landscape art at the Kunstgewerbe- und Handwerkerschule in Berlin, and later served as a professor and head of the department for "Freie Kunst" at the Hochschule für Bildende Künste in Berlin. He also served as the deputy director at the academy.

Kaus was a member of the German Artists' Association, serving on its executive board and as deputy chair. His surviving works are catalogued and indexed, with his literary estate held at the German National Arts Archive in Nuremberg.

Max Kaus

Max Kaus

1891 - 1977 , Germany

Belangrijkste feiten

  • Artistic Movement Or Style: Expressionism
  • Artists Or Movements Influenced By This Artist: ['Sabine Sieler']
  • Artists Who Influenced This Artist:
    • Erich Heckel
    • Ernst Ludwig Kirchner
  • Full Name: Max Kaus
  • Nationality: German
  • Notable Artworks: ['Portrait of a woman in the mirror']
  • Place Of Birth: Berlin, Germany
  • Date Of Birth: 1891
  • Date Of Death: 1977