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White Deer (Oshika)

A mesmerizing nighttime scene featuring Kohei Nawa's White Deer sculpture under a starlit sky, blending digital illusion with organic form to create a breathtaking masterpiece available for your collection.

Kohei Nawa is a leading Japanese contemporary artist known for his surreal multimedia works exploring the intersection of science, digital culture & spirituality. Famous for his 'PixCell' series—found objects covered in glass beads—Nawa challenges pe

Giclée / Kunstafdrukken

Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. (Bestel handgeschilderde reproductie Bestel handgeschilderde reproductieKoop afbeelding Koop afbeelding)

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Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

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U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.

Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (3 september)

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Totaalprijs

$ 69

reproduction

White Deer (Oshika)

Giclée / Kunstafdrukken

Afmetingen reproductie

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Eindtotaal

$ 69

Snelle feiten

  • Title: White Deer (Oshika)
  • Artistic style: Contemporary, Surrealism
  • Subject or theme: Deer statue under a starry night sky
  • Artist: Kohei Nawa
  • Notable elements or techniques: Wood sculpture, pixelated illusion

A Celestial Encounter: The Ethereal Presence of White Deer

In the quiet intersection where the organic world meets the digital frontier, Kohei Nawa’s White Deer (Oshika) emerges as a breathtaking spectacle of light and form. This monumental installation, dating from 2017, invites the viewer into a nocturnal dreamscape where the boundaries of reality begin to dissolve. At first glance, the sculpture presents the majestic silhouette of a deer, its antlers reaching upward toward an infinite expanse. Yet, as one lingers before its presence, the true magic of Nawa’s vision reveals itself. The piece is not merely a representation of nature, but a profound meditation on how we perceive life through the lens of modern technology and cosmic scale.

The scene captured in this work is nothing short of cinematic. Set against a deep, star-studded sky, the deer stands as a silent sentinel of the night. The way the light interacts with the sculpture’s surface creates an illusion of depth and texture that mimics the very essence of living tissue, yet possesses a crystalline, almost pixelated quality characteristic of Nawa’s signature style. This interplay between the tangible wood-like structure and the ephemeral starlight evokes a sense of wonder, making it a centerpiece that commands attention in any high-end gallery or sophisticated interior space.

The Art of Pixelated Illusion and Materiality

To understand White Deer (Oshika), one must delve into the technical mastery of Kohei Nawa. A leading figure in contemporary Japanese art, Nawa is renowned for his ability to manipulate materials to challenge human perception. In this work, he utilizes a technique that bridges the gap between the physical and the virtual. By meticulously crafting the form to catch and refract light, he creates a "pixelated" effect that suggests the deer is composed of tiny fragments of information or light particles. This approach transforms a traditional subject—the forest animal—into a digital specter, reflecting our contemporary existence where much of our reality is mediated by screens and data.

For collectors and interior designers, this piece offers a unique opportunity to introduce a conversation starter into a curated environment. The sheer scale of the work, measuring an impressive 632 x 448 cm in its original installation context, speaks to a grand architectural ambition. Even as a high-quality reproduction, the essence of this technique remains palpable. The way the sculpture interacts with ambient lighting allows it to shift moods throughout the day, moving from a soft, naturalistic presence in daylight to a glowing, otherworldly icon under artificial evening lights.

Symbolism and the Spiritual Connection

Beyond its technical brilliance, White Deer (Oshika) carries deep symbolic weight. In many cultures, particularly within Japanese tradition, the deer is seen as a messenger of the gods or a symbol of longevity and grace. Nawa takes this ancient symbolism and recontextualizes it for the twenty-first century. By placing the deer beneath a vast, star-filled cosmos, he connects the biological life of Earth to the infinite expanse of the universe. The small human figures present in the scene serve as a vital scale reference, emphasizing our own role as observers—tiny participants in a much larger, more mysterious cosmic drama.

The emotional impact of the work is one of profound tranquility mixed with existential awe. It encourages a moment of stillness, urging the viewer to look upward and outward. For those seeking to decorate a space with art that inspires contemplation and peace, this piece serves as a window into the sublime. It is an invitation to rediscover the magic in the natural world through the transformative power of contemporary innovation, making it an invaluable acquisition for anyone dedicated to the pursuit of beauty and intellectual depth in art.


Biografie van de kunstenaar

The Architect of Digital Flesh: The Visionary World of Kohei Nawa

In the quiet, culturally rich landscape of Kyoto, where tradition and modernity exist in a delicate, perpetual dance, the work of Kohei Nawa emerges as a profound meditation on the boundaries of existence. Born in Osaka in 1975, Nawa has ascended to the forefront of contemporary Japanese art by masterfully navigating the liminal space between the organic and the artificial. His practice is not merely an exploration of sculpture, but a deep, philosophical inquiry into how we perceive reality in an era increasingly defined by digital mediation. To encounter a Nawa piece is to witness a collision of worlds: where the biological cell meets the digital pixel, and where the tangible weight of matter dissolves into a shimmering, illusory haze.

Nawa’s artistic journey was forged through rigorous academic discipline at the Kyoto City University of Arts, where he earned both his Bachelor’s and Ph.D. in Fine Art Sculpture. This deep grounding in classical sculptural techniques provided him with the technical mastery required to manipulate complex materials, yet his spirit remained restless, seeking to transcend the traditional limits of form. His early explorations were marked by a fascination with how individual components—be they biological cells or digital units—aggregate to create a cohesive, living whole. This conceptual preoccupation would eventually evolve into a sophisticated visual language that challenges the viewer to question whether what they see is a physical object or a mere projection of light and data.

The PixCell Phenomenon: Dissolving Reality

Perhaps Nawa’s most iconic contribution to the contemporary canon is his celebrated PixCell series. In these mesmerizing installations, the artist takes ordinary, often found objects and encrusts them with thousands of tiny, translucent glass beads. The effect is nothing short of transformative; the solid geometry of a seashell, a fruit, or an animal sculpture is fractured into a mosaic of light. This technique serves as a brilliant linguistic pun, merging the concept of the 'Pixel'—the fundamental unit of digital imagery—with the 'Cell'—the fundamental unit of biological life. Through this metamorphosis, Nawa creates a sense of "digital flesh," where the texture of the physical world is reinterpreted through the lens of a screen.

This manipulation of texture and light extends far beyond the glass beads of his PixCell works. Nawa has demonstrated an extraordinary ability to work with highly viscous liquids, capturing the ephemeral tension of gravity and motion. In his Ether series, he utilizes 3D modeling to freeze the precise, split-second moment a liquid droplet strikes a surface, turning a transient event into a permanent, sculptural monument. Similarly, his Direction paintings utilize the natural flow of ink pigment on tilted canvases, allowing time and gravity to act as co-creators in the artistic process. In each of these endeavors, Nawa seeks to reveal the hidden rhythms of nature through the precision of technological intervention.

A Legacy of Synthesis and Innovation

The significance of Kohei Nawa’s oeuvre lies in its ability to provide a visual vocabulary for the 21st-century condition. As we navigate an increasingly virtual existence, his work reflects our collective struggle to maintain a sense of connection to the physical world. His achievements have been recognized on the grandest stages, from solo exhibitions at the prestigious Musée du Louvre in Paris to major presentations at Pace Gallery in New York and Hong Kong. He has been honored with prizes such as the Grand Prize at the 14th Asian Art Biennale Bangladesh, cementing his status as a global cultural figure.

Beyond his individual sculptures, Nawa’s influence extends to his role as a mentor and collaborator. As an Associate Professor at the Kyoto University of Art and Design and the director of SANDWICH—a creative platform designed to foster multidisciplinary production—he actively nurtulates the next generation of innovators. His work remains a testament to the power of synthesis: the belief that by breaking down the barriers between science, technology, and spirituality, we might arrive at a more profound understanding of our place within the vast, complex structure of the universe.

kohei nawa

kohei nawa

1975 - , Japan

Belangrijkste feiten

  • Artistic Movement Or Style: Surreal multimedia
  • Artists Or Movements Influenced By This Artist: ['John James Audubon']
  • Artists Who Influenced This Artist:
    • Hiragushi Denchū
    • Akira Matsumoto
  • Date Of Birth: Osaka, Japan (1975)
  • Date Of Death: Living
  • Full Name: Kohei Nawa
  • Nationality: Japanese
  • Notable Artworks:
    • White Deer(Meiji Jingu)
    • PixCell
    • Prism
  • Place Of Birth: Osaka