Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. ( Koop handgeschilderd kunstwerk
Schakel over naar digitale afbeeldingen)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (22 september)
James Topham Brady
Formaat reproductie
Joseph Alexander Ames (1816–1872) was an American artist primarily celebrated for his skill in portrait and genre painting. Born originally as Joseph Emes, he left a lasting mark on the 19th-century American art scene.
Ames was born in Roxbury, New Hampshire, and demonstrated artistic talent from a very young age. His abilities were recognized early; at just twelve years old, Henry Theodore Tuckerman wrote about one of his paintings, signaling the promise of a burgeoning career. After achieving moderate success locally in Saugus, Massachusetts, Ames moved to Boston in 1841 to further develop his artistic skills.
During his time in Boston, Ames actively sought to refine his style, initially drawing inspiration from the work of Washington Allston. He aimed to replicate Allston’s romantic and dramatic approach to painting. This period was crucial in shaping his artistic foundation. In 1848, Ames embarked on a transformative journey to Rome, where he painted a portrait of Pope Pius IX. This work gained significant recognition when it was exhibited at the National Academy of Design in 1850.
Upon his return from Italy, Ames’s reputation grew rapidly, leading to prestigious commissions from prominent figures such as Rufus Choate, Daniel Webster, and Abraham Lincoln. He established studios in Boston, first in Amory Hall (circa 1849), then on Tremont Street (circa 1856), and later on Summer Street. Ames actively exhibited his work at esteemed institutions including the Boston Athenæum, the National Academy of Design, and the Pennsylvania Academy.
Eventually, Ames relocated to Baltimore and then New York City, where he tragically died of a “brain fever” on October 30, 1872. His contributions to American art were recognized during his lifetime through his membership in key artistic organizations.
Ames came from a family with diverse talents. His brother, Nathan Ames, was a poet and patent solicitor who invented numerous machines, including the escalator. His wife, Sarah Fisher Ames, was also an accomplished artist – a sculptor.
1816 - 1872 , United States of America