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Ideochrome

Il giardino dei Finzi-Contini is een Italiaanse dramafilm uit 1970 onder regie van Vittorio De Sica. De film is gebaseerd op de gelijknamige roman uit 1962 van de Italiaanse auteur Giorgio Bassani. De Sica won met deze film de Oscar voor beste anderstalige film en de Gouden Beer op het Filmfestival van Berlijn. == Verhaal == Aan het einde van de jaren '30 woont een Joodse patricieuze familie op

Giclée / Kunstafdrukken

Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. (Bestel handgeschilderde reproductie Bestel handgeschilderde reproductieSchakel over naar digitale afbeelding Schakel over naar digitale afbeelding)

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Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

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U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.

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Ideochrome

Giclée / Kunstafdrukken

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Eindtotaal

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Ennio Finzi (1931) considers painting first and foremost as color, which translates into a need to unfold its unexplored possibilities in search of the very meaning of the art of painting. The color-gesture becomes a medium of metaphorical values and not only an impulse bearer of existential tensions. In

Biografie van de kunstenaar

Ennio Finzi: A Venetian Pioneer of Abstract Expressionism

Ennio Finzi (1931 – Present) emerged from the vibrant artistic landscape of Venice, Italy, establishing himself as a singular voice within the burgeoning field of abstract expressionism. His formative years were marked by an early fascination with both painting and music—a duality that would profoundly shape his artistic vision and inform his distinctive approach to visual language. Following brief studies at the Institute of Art in Venice, Finzi swiftly abandoned conventional representation for exploration of new artistic paradigms, driven by a desire to transcend the limitations of depicting reality as perceived by the eye. His initial exposure to Cubist structural disarrangement proved pivotal, liberating him from the constraints of mimetic accuracy and propelling him toward a more conceptual understanding of art. This encounter ignited his passion for delving into uncharted artistic territories—a characteristic that would define his entire oeuvre. He recognized the transformative power of dodecaphonic music—a discipline that captivated Finzi’s intellect—and embraced dissonance as a cornerstone of his artistic practice, mirroring its complex harmonic structure in his visual compositions. This deliberate choice reflected a broader philosophical stance: Finzi sought to disrupt established conventions and challenge viewers' expectations, prioritizing emotional resonance over literal depiction. The Biennale Catalyst: The reopening of the Historic Archives of Contemporary Arts in Venice following 1948 provided Finzi with invaluable resources for scholarly research, fostering connections with luminaries like Atanasio Soldati who undoubtedly stimulated his creative thinking and influenced subsequent works characterized by luminous chromatics and meticulous formal symmetry. Soldati’s intellectual fervor instilled in Finzi a commitment to rigorous analysis and conceptual exploration—a dedication that permeated his artistic endeavors. His early explorations centered on rhythm, color, light and tone – elements he considered fundamental to artistic expression. Virgilio Guidi's ideological fervor and Emilio Vedova’s forceful brushstrokes served as significant inspirations during this formative period, shaping Finzi’s stylistic trajectory. Vedova’s expressive gesture—a deliberate rejection of academic restraint—resonated deeply with Finzi’s own desire for visceral impact—a conviction that fueled his artistic experimentation throughout his career. The discovery of musical timbre—a concept he considered paramount to conveying emotion—allowed him to liberate his artistic impulse from rigid stylistic boundaries, fostering spontaneity and embracing serendipitous discoveries. From 1956 onwards, Finzi’s artistic research progressed in stages marked by a gradual shift away from turbulent dynamism toward contemplative reflection. He investigated Gestalt theories on perception, seeking to capture the essence of visual experience—a preoccupation that would inform his approach to color and form for decades to come. His works are characterized by an obsessive pursuit of stylistic innovation—rejecting preconceived formulas in favor of uncompromising experimentation and catharsis. Finzi’s distinctive technique involved layering colors with deliberate precision—creating textured surfaces that conveyed both visual richness and emotional depth. He utilized black as a conduit for conveying emptiness, silence, and profound introspection—a symbolic gesture reflecting his belief in the transformative power of artistic contemplation. Throughout his prolific output spanning painting, sculpture, engraving, and ceramics, Finzi consistently pursued stylistic advancement—rejecting established norms in favor of an unwavering commitment to experimentation and catharsis. His art serves as a testament to his lifelong quest for truth and meaning—a mirror of the world capturing its complexities and conveying its beauty. Ennio Finzi’s legacy resides in his pioneering contribution to abstract expressionism and his enduring influence on contemporary artists who continue to grapple with questions of form, color, and perception. He remains an exemplar of artistic integrity—a visionary artist whose work transcends stylistic boundaries and speaks directly to the human spirit.
Ennio Finzi

Ennio Finzi

1931 - , Italië

Belangrijkste feiten

  • Artistic Movement Or Style: Abstract Art
  • Artists Who Influenced This Artist:
    • Lucio Fontana
    • Emilio Vedova
  • Date Of Birth: 1931
  • Full Name: Ennio Finzi
  • Nationality: Italian
  • Notable Artworks:
    • Scale cromatiche
    • Ritmi vibrazione
    • Bianco su bianco
  • Place Of Birth: Venice, Italy