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Herald, The Ten Commandments

Dramatic vintage movie poster art depicting the parting of the Red Sea, masterfully captured by Edward Steichen; discover this epic scene today.

"meta_description": "Edward Steichen: Van Pictorialisme naar modefotografie en curator van 'The Family of Man'. Een invloedrijke kunstenaar die de wereld van fotografie en beeldende kunsten veranderde."

Giclée / Kunstafdruk

Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties.

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

Standard
custom
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INCH

Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

breedte
hoogte

U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.

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Totaalprijs

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reproduction

Herald, The Ten Commandments

Giclée / Kunstafdruk

Afmetingen reproductie

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Eindtotaal

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Snelle feiten

  • Medium: Vintage Movie Poster Illustration
  • Subject or theme: Biblical event (Ten Commandments)
  • Year: 1925
  • Title: Herald, The Ten Commandments
  • Artist: Edward Steichen

Kunstquiz

Er is slechts één correct antwoord op elke vraag.

Vraag 1:
What is the primary subject matter depicted on this vintage movie poster?
Vraag 2:
What is the title prominently displayed on the poster?
Vraag 3:
What is the approximate date associated with this movie poster?
Vraag 4:
Which element of the scene emphasizes the grandeur and scale of the event?
Vraag 5:
What is the overall style of the artwork, as suggested by its purpose?

Beschrijving verzamelobject

The Grand Spectacle of Divine Power

This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across millennia to a pivotal moment in religious scripture. The sheer scale suggested by the illustration—the vast expanse of water cleaved apart, the multitude of people following through the dry passage—speaks to the enduring power of foundational stories.

A Study in Cinematic Grandeur and Illustration

While the subject matter is deeply sacred, the presentation itself carries the unmistakable weight of early 20th-century cinematic promotion. The text elements, proclaiming "The Mightiest Spectacle of All the Ages," anchor the piece within a context of popular, large-scale spectacle, characteristic of grand movie posters from the era of Cecil B. DeMille. This blending of high religious narrative with the visual language of blockbuster cinema creates a fascinating tension. Artistically, the style is highly illustrative and dramatic, utilizing strong contrasts between the earthy tones of the desert and the deep blues and reds of the tumultuous sea. The technique employed suggests rich, layered printing processes common to vintage ephemera, giving the reproduction an immediate sense of historical patina.

Symbolism and Emotional Resonance

At its heart, this artwork is a profound meditation on liberation, faith, and divine promise. The parting waters are more than just water; they symbolize passage—the transition from bondage to freedom. Moses leading his people through the breach represents guidance through seemingly insurmountable obstacles. For the modern collector or designer, owning such a piece offers an immediate connection to themes of resilience and breakthrough. It is inherently dramatic art, capable of infusing any space with a sense of awe and monumental significance.

Historical Context for the Connoisseur

Dating from around 1925, this poster serves as a fascinating artifact bridging early cinema history with biblical storytelling. It speaks to a time when Hollywood was mastering the art of myth-making on a grand scale. The visible credits and studio markings ground the piece in a specific cultural moment—the burgeoning power of the motion picture industry to interpret and disseminate epic narratives. For those who appreciate decorative arts that tell stories, this reproduction offers not just decoration, but a tangible piece of cinematic history.


Biografie van de kunstenaar

A Life Bridging Worlds: The Artistic Odyssey of Edward Steichen

Edward Steichen, later known as Edward Steichen, was a figure who transcended simple categorization. Born in 1879 in the small village of Bivange, Luxembourg, his life became an extraordinary journey from European roots to becoming one of America’s most influential artists – not merely as a photographer, but as a painter, curator, and visionary who reshaped how we perceive visual culture. The early years were marked by a significant relocation; in 1881, the Steichen family emigrated to Hancock, Michigan, seeking new opportunities. This move instilled in young Edward a sense of displacement and perhaps, a heightened sensitivity to observation – qualities that would profoundly shape his artistic vision. Even as a child, an innate talent for drawing was evident, nurtured by supportive parents who recognized and encouraged his creative inclinations. The pivotal moment arrived at sixteen when he received his first camera, initiating a period of largely self-directed learning through relentless experimentation. This wasn’t merely about mastering technique; it was about discovering a new language, a way to capture the world with an immediacy and intimacy previously unattainable.
  • Early Influences & Artistic Beginnings: From his childhood fascination with drawing—fueled by his mother’s encouragement—to his apprenticeship as a lithographer in Milwaukee, Steichen cultivated a diverse skillset that would prove invaluable to his artistic pursuits. His early exposure to Impressionism and Tonalism instilled in him a deep appreciation for tonal harmonies and atmospheric depth.
  • Pictorialist Roots & Alfred Stieglitz’s Patronage: Steichen’s artistic trajectory intersected with the Pictorialist movement, where he embraced soft focus and painterly effects to elevate photography beyond mere documentation. His collaboration with Alfred Stieglitz—a kindred spirit who championed photography as a legitimate art form—established the Photo-Secession and cemented their role in shaping American visual culture.
  • The Photo-Secession & Camera Work: Together, Steichen and Stieglitz founded *Camera Work*, a groundbreaking photographic journal that disseminated innovative ideas and showcased pioneering images. This publication served as a catalyst for challenging conventional artistic boundaries and fostering dialogue between European and American art movements.
  • The Birth of Modern Photography & The 291 Gallery: Steichen’s unwavering belief in photography's potential led to the establishment of *The 291* gallery in New York City—a space that bravely presented avant-garde European art alongside photography, sparking cultural exchange and redefining artistic aesthetics.
  • World War I & Straight Photography: The upheaval of World War I prompted Steichen’s decisive shift towards “Straight Photography,” characterized by sharp focus, precise detail, and an unadorned representation of reality—a reaction against the sentimentalism prevalent in Pictorialist art.

A Master of Many Mediums: Fashion, Film & The Human Condition

Steichen’s artistic versatility extended far beyond photography. He seamlessly transitioned between painting and filmmaking, demonstrating a remarkable ability to adapt his creative vision to diverse contexts. His work in fashion photography revolutionized the industry during the 1920s and 30s, elevating it from mere visual merchandising to sophisticated storytelling—capturing not just style but also personality and emotion with masterful lighting and composition. He became recognized as the most popular and highest-paid photographer in the world. During World War II, Steichen served his adopted country by directing *The Fighting Lady*, an acclaimed documentary film for the U.S. Navy that offered a visceral portrayal of aerial combat. However, his enduring legacy resides in *The Family of Man*, curated at the Museum of Modern Art in 1955—a monumental exhibition featuring photographs from sixty-eight countries that explored universal human experiences—love, birth, death, joy, sorrow—transcending cultural and geographical divisions. UNESCO recognized it as a “Memory of the World” site, affirming its significance as a testament to Steichen’s conviction in photography's capacity to unite humanity.

Notable Works

  • *The Pond–Moonlight* (1904): This landmark Pictorialist photograph exemplifies Steichen’s mastery of tonal richness and atmospheric depth—a record-breaking auction price attests to its enduring appeal.
  • *The Flatiron* (1904): Another significant early work showcases Steichen's photographic technique and compositional prowess, achieving remarkable recognition at auction.
  • Portraits of Celebrities: A vast collection capturing the essence of prominent figures in art, literature, and entertainment with insightful sensitivity—demonstrating Steichen’s profound understanding of human psychology.
  • *The Fighting Lady* (1944): This gripping documentary film for the U.S. Navy powerfully conveys the realities of aerial warfare—a testament to Steichen's directorial skill.
  • *The Family of Man* (1955): The monumental exhibition at MoMA solidified Steichen’s position as a visionary curator and reaffirmed his belief in photography’s ability to foster empathy and global understanding.

Legacy & Influence

Edward Steichen died in 1973, leaving behind an extraordinary body of work that continues to inspire artists and scholars alike. His influence is multifaceted—he fundamentally altered perceptions of photography, elevating it from a mere technical process to a recognized art form. He revolutionized fashion photography, establishing new standards for visual storytelling within the industry. Furthermore, *The 291* gallery played a crucial role in introducing American audiences to European modernism—promoting cross-cultural dialogue and challenging artistic conventions. Steichen’s unwavering commitment to experimentation and innovation cemented his place as one of the most important figures in twentieth-century art history.
Edward Steichen

Edward Steichen

1900 - 1973 , Luxemburg

Belangrijkste feiten

  • Artistic Movement Or Style: Pictorialisme, Straight Photography
  • Artists Or Movements Influenced By This Artist: ['Modernisme']
  • Artists Who Influenced This Artist: ['Alfred Stieglitz']
  • Date Of Birth: 27 maart 1879
  • Full Name: Edward Jean Steichen
  • Nationality: Amerikaans
  • Notable Artworks:
    • De Pond–Moonlight
    • De Flatiron
  • Place Of Death: West Redding (Connecticut)
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