De kunstwerken die op deze pagina worden weergegeven, zijn beschermd door de auteursrechtwetgeving, wat betekent dat het ons wettelijk niet is toegestaan om identieke reproducties te maken of te verkopen. Deze bescherming wordt gehandhaafd onder internationale overeenkomsten zoals de Conventie van Bern en door nationale wetgeving, waaronder de bepalingen van de Amerikaanse auteurswet - Titel 17. Alle rechten voorbehouden. Reproduceren of distribueren van afbeeldingen is niet toegestaan zonder uitdrukkelijke schriftelijke toestemming van WahooArt.com en de rechthebbenden.
Als een respectvol en legaal alternatief bieden wij op maat gemaakte, handgeschilderde kunstwerken aan die geïnspireerd zijn op het origineel. Onze bekwame en professionele kunstenaars bestuderen zorgvuldig de stijl, sfeer en artistieke essentie van het origineel om een nieuw, uniek werk te creëren dat dezelfde emotie oproept – terwijl het een op zichzelf staande, originele creatie blijft.
Deze methode voldoet volledig aan de auteursrechtwetgeving, omdat het niet gaat om het kopiëren of dupliceren van het beschermde kunstwerk. In plaats daarvan is er sprake van een creatieve herinterpretatie — een nieuw schilderij dat door het origineel wordt geïnspireerd, maar er niet identiek aan is.
Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. ( Schakel over naar print
Schakel over naar digitale afbeeldingen)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
Voer de breedte en de hoogte in die u nodig heeft, passend bij uw lijst of uw muur. Dit is handgeschilderd, dus bij een afmeting met een andere vormverhouding kan de kunstenaar iets meer rondom het schilderij schilderen of juist iets meer weglaten — u kiest zelf. Wij sturen u een digitaal mockup ter goedkeuring voordat het schilderwerk begint. De afbeelding die op deze pagina wordt getoond, is niet het uiteindelijke resultaat — alleen de mockup geeft dit weer.
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Migration #2
Formaat reproductie
In the ethereal realm of Migration #2, Caryl Bryer Fallert-Gentry invites the viewer into a breathtaking experience that transcends the boundaries of traditional textile art. Created in 1995, this masterpiece is far more than a mere depiction of birds in flight; it is an immersive journey through light and motion. The artwork captures a sense of profound wonder, utilizing the medium of quilt art to elevate fabric into a vessel for sophisticated visual storytelling. As one gazes upon the scattered silhouettes of at least thirteen birds traversing a vibrant sky, there is an immediate, palpable sensation of being swept up in a celestial dance. These are not birds of any specific species, but rather creatures of the imagination, designed to evoke the very feeling of soaring alongside a migrating flock.
The artist’s technical mastery is evident in her ability to manipulate light and texture through the delicate layering of fabrics. Fallert-Gentry employs organic seam designs—patterns that eschew rigid geometric constraints in favor of flowing, natural forms reminiscent of ripples in water or branching limbs. This technique, combined with strategic perforations and hand-dyed cottons, creates a luminous, "inner glow" that mimics the atmospheric subtleties of Impressionism. The way light seems to dance across the surface of the piece suggests a depth that defies conventional perspective, making the colorful background feel as though it is breathing with an internal vitality.
Beyond its visual splendor, Migration #2 carries deep symbolic weight, making it a profound choice for collectors seeking art with emotional resonance. The imagery of birds serves as a universal emblem of freedom, aspiration, and spiritual transcendence. Their scattered positions across the canvas represent journeys undertaken both physically and metaphorically, articulating a belief in embracing change and pursuing personal growth. This sense of movement is mirrored in the historical context of the piece; emerging from the mid-1980s quilt art movement, the work stands as a warm, textural reaction against the austere minimalism of previous decades.
For the interior designer or art enthusiast, this piece offers an unparalleled opportunity to introduce warmth and dynamic energy into a space. The vibrant color palette and the interplay of light and shadow create an eye-catching focal point that can transform a room into a sanctuary of peace and inspiration. Whether viewed as a celebration of Kentucky's rich quilting heritage or as a contemporary exploration of motion, Migration #2 remains a timeless testament to the power of textile art to capture the ephemeral beauty of the natural world.
"Migration #2" door Caryl Bryer Fallert-Gentry is een Square compositie. Het is raadzaam de verhoudingen te controleren voordat u een afmeting voor de print kiest.
De kunstenaar achter "Migration #2" is Caryl Bryer Fallert-Gentry. Het werk is gecatalogiseerd onder de naam van Caryl Bryer Fallert-Gentry.
De Röntgenanalyse-pagina van "Migration #2" door Caryl Bryer Fallert-Gentry is een interactieve viewer waarmee u door elf optische lagen van de afbeelding van het kunstwerk kunt glijden, inclusief een weergave in röntgenstijl.
Born in the heart of Paducah, Kentucky, in 1951, Caryl Bryer Fallert-Gentry has spent decades redefining the boundaries of textile art. Her journey began not with a grand vision of international acclaim, but with the humble, rhythmic stitches of her very first quilt, Rail Fence: My First Quilt, completed in 1976. Rooted deeply in the rich quilting heritage of her Kentucky upbringing, she possessed an innate understanding of how fabric could be transformed from mere utility into a medium for profound expression. As her hands moved through cloth, she began to move away from the rigid, geometric constraints of traditional patterns, seeking instead a way to capture the ephemeral qualities of the natural world.
The true metamorphosis of her artistry arrived in 1983 with the creation of Red Poppies. This piece served as a pivotal milestone, marking her first foray into the use of curved seams—a technique that would become her most enduring signature. By abandoning the straight line, Fallert-Gentry unlocked a new dimension of visual storytelling, allowing her to manipulate the viewer's perception of depth and motion. Through these organic, flowing contours, she began to engineer quilts that do not merely sit upon a wall but seem to breathe with an internal vitality, mimicking the way light dances across a landscape or how shadows shift during a solar eclipse.
To observe a Fallert-Gentry original is to enter a world where color functions as much more than pigment; it is a structural element used to evoke emotion and atmosphere. Her mastery lies in the delicate layering of hues, often achieved through the meticulous process of hand-dyeing or painting fabrics in gradual progressions from light to dark. This technique creates a luminous, "inner glow" that mimics the Impressionist fascination with sunlight. Influenced by the emotive power of Expressionism and the atmospheric subtleties of Impressionism, her work often evokes a sense of mystery, excitement, or quiet joy.
Her technical prowess is most evident in her ability to create illusions of light and depth through what she calls "scintillating" color use. Her quilts are celebrated for their:
The impact of Caryl Bryer Fallert-Gentry’s career is measured by both the accolades she has received and the global reach of her influence. Her quilt Corona II: Solar Eclipse was famously voted one of the hundred best quilts of the 20th Century, a testament to her lasting significance in the medium. Her achievements are punctuated by prestigious honors, including induction into the Quilters Hall of Fame in 2011 and receiving the Masterpiece Quilt Award from the National Quilting Association. From winning Best of Show at the International Quilt Festival to being named one of the 30 Most Influential Quiltmakers in the World, her reputation for excellence is undisputed.
Beyond the walls of museums and private collections, which span across North America, Europe, Japan, and Brazil, Fallert-Gentry has dedicated much of her life to the education of others. For thirty years, she traveled extensively, conducting workshops and lectures that shared her secrets of curved seam construction and color theory. Through her studio, Bryerpatch, and her numerous publications, she continues to inspire a new generation of fiber artists to look beyond the traditional and embrace the infinite possibilities of light, line, and cloth.
1951 - , United States of America