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1933 (design)

An intriguing abstract composition featuring a whimsical fish between red and white circles by Ben Nicholson OM from 1933, offering a unique glimpse into modern geometric design for your private collection.

Paul Nicholson (Newcastle upon Tyne, 10 mei 1979) is een in Engeland geboren Australische darter, zijn bijnaam is 'The Asset'. Op 30 april 2012 stond hij 16e op de PDC wereldranglijst. == Biografie == Nicholson is geboren in 1894 in Denham (Buckinghamshire), hij was de zoon van de kunstschilder William Nicholson en Mabel Pryde, en de broer van Nancy Nicholson.

Handgemaakte olieverfreproductie

Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. (Bestel print Bestel printKoop afbeelding Koop afbeelding)

Standaardformaat
op maat gemaakt
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INCH

Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

breedte
hoogte

U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.

Voorbeelden van aanpassingen: Vervang het gezicht met een eigen foto; Voeg een huisdier toe (bijv. vervang de kat door een hond); Verwerk een verborgen boodschap in de achtergrond; Wijzig het landschap of andere elementen in de achtergrond.
Na de bestelling zal het team van WahooArt.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.

Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (5 september). Zonder concessies aan de kwaliteit.

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Totaalprijs

$ 272

reproduction

1933 (design)

Druktechniek

Afmetingen reproductie

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Eindtotaal

$ 272

Snelle feiten

  • Dimensions: 25 x 52 cm
  • Notable elements: Red and white circles, fish motif
  • Artistic style: Abstract
  • Title: 1933 (design)
  • Year: 1933
  • Location: Laing Art Gallery, Newcastle

A Geometric Dance: The Whimsical Abstraction of Ben Nicholson

In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating pen-drawn piece serves as a window into a pivotal moment in art history, where the rigid structures of Cubism began to breathe with a new, rhythmic vitality. At first glance, the viewer is met with a striking simplicity: two primary circles, one a bold, visceral red and the other a serene, stark white, anchored by the unexpected presence of a fish navigating the space between them. It is a composition that refuses to be mere decoration, instead inviting the eye into a meditative exploration of balance, weight, and movement.

The technique employed in this 1933 masterpiece reflects Nicholson’s mastery over line and form. Using pen as his primary medium, the artist achieves a sense of immediacy and expressive strength. The lines are not merely boundaries but are energetic strokes that define the character of each shape. There is a deliberate tension in how the red circle sits toward the upper left, creating a gravitational pull that is countered by the expansive white circle occupying the right side of the frame. This juxtaposition creates a visual harmony that feels both stable and dynamic, a hallmark of Nicholson’s ability to find equilibrium within abstract chaos.

Symbolism and the Spirit of Modernity

Beyond its formal qualities, the artwork pulses with a unique symbolic language. The inclusion of the fish—positioned delicately on the left—introduces an element of whimsy that softens the austerity of the geometric shapes. This creature, caught in the interstitial space between the red and white spheres, acts as a bridge between the mathematical and the biological. It suggests a fascination with how life persists within structured environments, perhaps reflecting Nicholson’s own interest in the underlying geometric patterns found in nature. The face painted upon the rightmost circle further blurs the line between abstraction and personification, turning a simple shape into a character with its own silent narrative.

For the discerning collector or interior designer, this piece offers more than just aesthetic appeal; it provides a focal point of intellectual curiosity. The 1933 design is an ideal selection for spaces that demand a sophisticated yet approachable modernism. Whether placed in a minimalist gallery setting or as a conversation starter in a contemporary living room, the painting’s bold colors and clean lines resonate with the timeless elegance of the mid-century avant-garde. To own a reproduction of this work is to possess a fragment of the era that redefined how we perceive the relationship between shape, color, and the living world.


Biografie van de kunstenaar

Ben Nicholson OM: A Life in Abstract Art

Ben Nicholson OM (1894–1982) was a British painter and sculptor whose groundbreaking exploration of abstraction revolutionized the landscape of modern British art. Born Benjamin Lauder Nicholson at Denham, Buckinghamshire, he descended from a family steeped in artistic tradition – his father, Sir William Nicholson, and mother, Mabel Pryde, were both accomplished painters—a lineage that profoundly shaped his own creative trajectory.

Early Life and Artistic Training

Nicholson’s formative years were marked by rigorous academic pursuits. He attended Tyttenhangar Lodge Preparatory School in Seaford, Heddon Court in Hampstead, and Gresham's School in Holt, Norfolk, imbibing a foundational understanding of artistic principles. His formal education culminated at the Slade School of Fine Art (1910–1911), where he forged connections with fellow artists like Paul Nash, Stanley Spencer, Mark Gertler, and Edward Wadsworth—artists who would become pivotal companions in his artistic journey. Anecdotally, Nicholson spent considerable time engrossed in billiards during this period, perceiving within the game’s geometric patterns and dynamic movement a latent aesthetic potential.

Artistic Development and Influences

Nicholson's initial artistic endeavors leaned towards naturalistic still lifes, mirroring his father’s stylistic sensibilities. However, around 1926, he embarked on a transformative voyage into abstraction, decisively influenced by Synthetic Cubism and the pioneering work of Pablo Picasso. This pivotal shift wasn’t merely stylistic; it represented a fundamental reimagining of artistic expression. Further enriching his artistic vision were encounters with Piet Mondrian—whose reductive geometric style championed clarity and order—and Henri Rousseau—whose primitivist approach rekindled an appreciation for raw emotion and instinctive representation. These influences coalesced into a distinctive aesthetic language that would characterize Nicholson’s subsequent oeuvre. He became deeply involved with movements like the Seven and Five Society, Unit One, and Abstraction-Création, actively participating in dialogues about artistic innovation and redefining boundaries within British art.

Major Works and Artistic Style

Nicholson's legacy rests primarily upon his monumental relief sculptures—beginning in 1933—which fused painting with sculptural elements to create immersive visual experiences. The white reliefs of the mid-1930s stand as emblems of Nicholson’s artistic achievement, embodying a masterful synthesis of form and color. Alongside these ambitious undertakings, he produced compelling still lifes and landscapes that incorporated geometric forms and muted palettes—demonstrating his versatility as an artist. Notably, “The Nicholson Wall,” commissioned for Sutton Place in Guildford, Surrey, served as a testament to his conviction that abstract art should transcend elitism and engage a broader audience. He experimented extensively with materials – oil paint, pencil, gravel, masonite – combining them in inventive ways to achieve unprecedented textural and chromatic effects.

Legacy and Historical Significance

Ben Nicholson is recognized as an indispensable figure in modern British art—a catalyst for abstraction and relief sculpture—whose work garnered international acclaim and cemented his place among the foremost artists of his time. Exhibitions at prestigious venues such as the Venice Biennale and retrospectives at major museums worldwide underscored his enduring artistic significance. He received numerous accolades, including the Order of Merit in 1968, acknowledging his contribution to British culture. Nicholson’s paintings command considerable prices at auction—reflecting their intrinsic artistic merit and historical importance; “Sept 53 (Balearic)” fetched $1,650,500 at Christie's New York in 2011, while “Fiddle and Spanish Guitar” achieved €3,313,000 at Christie’s Paris in 2012. Generations of artists have drawn inspiration from Nicholson’s pioneering approach to abstraction—his unwavering dedication to exploring form and space—establishing him as a cornerstone of artistic innovation.
Ben Nicholson OM

Ben Nicholson OM

1894 - 1982 , Verenigd Koninkrijk

Belangrijkste feiten

  • Artistic Movement Or Style: ['Abstract kunst']
  • Artists Who Influenced This Artist:
    • Henri Rousseau
    • Pablo Picasso
  • Date Of Birth: April 10, 1894
  • Date Of Death: February 6, 1982
  • Full Name: Ben Nicholson OM
  • Nationality: Britse kunstenaar
  • Notable Artworks:
    • Sept 53 (Balearic)
    • Fiddle en Spaanse Gitaar
  • Place Of Birth: London, United Kingdom
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