Untitled (1956) yra garsiausias Zakhar Hatsyatryan paveikslas, esantis Armėnijos nacionalinė galerija kolekcijoje Erevanas mieste. Untitled (1954) ir Untitled (1960) yra kitos dvi labiausiai žinomos pasaulyje kūrybosios darbai. Iš 80 Zakhar Hatsyatryan darbų mūsų kataloge – štai 55 dažniausiai analizuojami kolekcionerių bei lankytojų muziejų, su informacija apie metus, muziejų bei kiekvieno kūrinio istoriją.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026.
1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Zakhar Hatsyatryan darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Armėnijos nacionalinė galerija |
Erevanas | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Armėnijos nacionalinė galerija, Erevanas. Toliau yra Untitled (1954) ir Untitled (1960).
32 metų amžiaus: Untitled sukurta 1956 m. ir Zakhar Hatsyatryan gimė 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled ir Untitled. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 80 Zakhar Hatsyatryan darbų, datuojamų nuo 1954 iki 2004.
Dauguma jų yra Armėnijos nacionalinė galerija (Erevanas). Viršuje esančiame lange muziejai išvardyti po vieni.
1970s laikotarpyje: 24 iš 55 šioje pusėje esančių darbų sukurtos tada, iš jų – Untitled.
Pirmasis šioje pusėje yra Untitled (1954), paskutinis – Untitled (2004).
Untitled, Untitled ir Untitled yra vieni iš 55 šioje puslapyje esamų darbų, kuriuos saugo Armėnijos nacionalinė galerija, Erevanas.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
