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Pomona
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
Veržė Robert Tournières šlovę tapyba Pomona (1739); ji eksponuojama Nationalmuseum, Stokholmas. Portrait of an Old Man (Guillaume de Lisle?) (1700) ir Michel Corneille l'Aîné (1642-1708) (1702) seka juos kolekcionerių bei muziejų lankytojų širdyse. Iš 18 Robert Tournières kūrinių mūsų kataloge, šios 18 yra labiausiai gerbiamos – kiekvienas jų pateikiamas su datos, muziejaus ir išskirtinės ypatybės aprašymu.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The gaze of the subject in Portrait of Unknown Woman as Hebe meets the viewer with a quiet, steady presence. This work, painted by Robert Le Vrac De…
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Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Robert Tournières darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Ermitažas |
Šv. Peterburgas | 2 | Portrait of Unknown Woman as Hebe, Portrait of Unknown Woman as Hebe |
 Nationalmuseum |
Stokholmas | 1 | Pomona |
 Opera House |
Versailles | 1 | Michel Corneille l'Aîné (1642-1708) |
 Birmingham Museum and Art Gallery |
Birminghamas | 1 | Portrait of Richard (Dicky) Bateman |
 Musée des Beaux-Arts de Dijon |
Dijonas | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) |
 Szépművészeti Múzeum |
Budapeštas | 1 | Count Ferdinand Adolf von Plettenberg and his Family |
 Liuvro muziejus |
Paryžius | 1 | Concert |
 Musée d'Arts de Nantes |
Nantas | 1 | Portrait of the Maupertuis family |
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece…
Pomona (1739), Nationalmuseum, Stokholmas. Toliau yra Portrait of an Old Man (Guillaume de Lisle?) (1700) ir Michel Corneille l'Aîné (1642-1708) (1702).
72 metų amžiaus: Pomona sukurta 1739 m. ir Robert Tournières gimė 1667.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Count Ferdinand Adolf von Plettenberg and his Family, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family ir Concert. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 18 Robert Tournières darbų, datuojamų nuo 1690 iki 1750.
Dauguma jų yra Ermitažas (Šv. Peterburgas), Nationalmuseum (Stokholmas) ir Opera House (Versailles). Viršuje esančiame lange muziejai išvardyti po vieni.
1720s laikotarpyje: 3 iš 18 šioje pusėje esančių darbų sukurtos tada, iš jų – Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain.
Pirmasis šioje pusėje yra Concert (1690), paskutinis – Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).
Portraiture (3), Portraits (3) ir Family (2), iš 18 šioje pusėje esančių darbų.
Oil On Canvas: 3 iš 18 šioje pusėje esančių darbų.
Rococo, kaip rodo šio puslapio paveikslai.
Portrait of Unknown Woman as Hebe ir Portrait of Unknown Woman as Hebe yra vieni iš 2 šioje puslapyje esamų darbų, kuriuos saugo Ermitažas, Šv. Peterburgas.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.
