Žymiausias Pontormas tapas yra Deposition. Kartu su Apvaizda (1528) ir Halbardininkas (1520) tai sudaro tris visai visus pažįstančius darbus. Mūsų kataloge yra 176 darbų autoriaus Pontormas; žemiau pateiktos 100 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.
Pontormo executed the Deposition between 1525 and 1528. Commissioned by Lodovico Capponi in 1526, the work occupies the Capponi Chapel within the Church of Santa Felicita in Florence. The subject matter focuses on the deposition of Christ's body following the crucifixion.
Vizitacija: Pontormo Šedevras, Apgaubtas Renesanso Devotiškumu Jacopo Carucci, žinomas kaip Pontormo, 1528 metais sukūrė šį išskirtinį freską pavadinimu „Vizitacija“, įamžindamas gilią religinę reikšmę savo unikaliu manieristiniu stiliumi. „Vizitacija“ yra liudijimas Pontormo meistriškumo kompozicijoje, spalvose ir emocinėje gilyje, todėl ji yra geidžiama meno entuziastų ir kolekcionierių. Šis kūrinys ne tik atspindi Renesanso religingumą, bet ir kviečia mus įžengti į intymumo ir pagarbos kupinus pasaulį. Teminis Aprašymas ir Istorinis Kontekstas Freskoje pavaizduotas…
Captivating Portrait of Strength and Individuality This striking artwork captures a commanding figure, embodying resilience, confidence, and cultural pride. The subject, a young man dressed in traditional attire and holding a halberd, exudes a sense of authority and dignity. His direct gaze engages viewers immediately, inviting them into a moment of introspection and admiration. The artist’s masterful portrayal emphasizes the subject’s physical presence and emotional depth, making it a compelling…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head tilted slightly as she looks toward the Christ Child. Her skin possesses a smooth, porcelain-like texture, illuminated by a focused light source that creates a sharp contrast against the shadows. She wears a deep crimson red garment, while a dark, midnight blue…
To gaze upon this study of a woman is to step directly into the charged atmosphere of mid-sixteenth-century Florence. It is not merely a portrait, but an intimate psychological excavation, capturing the ephemeral grace and profound introspection characteristic of the Italian Mannerist period. The subject, rendered with exquisite delicacy, possesses a serene yet enigmatic quality; her direct gaze seems to meet the viewer's own, inviting a silent communion across the…
Jacopo Pontormo's "Ten Thousand Martyrs," painted in 1529, is not merely a depiction of historical suffering; it’s a visceral plunge into the heart of religious trauma and defiant resistance. This monumental fresco, now rendered in exquisite detail as a hand-painted reproduction by WahooArt.com, captures a pivotal moment from early Christian history – the brutal execution of ten thousand soldiers who had converted to Christianity during the reign of Emperor Decius.…
The work before us is Supper at Emmaus, a significant oil on canvas painted by Pontormo in 1525. This piece captures the specific biblical moment of the apparition of Christ to the Apostles, a narrative drawn from the Gospel of Luke, specifically chapter 24, verses 13 through 35. It is a scene of profound recognition, documenting the instant the disciples realize the identity of the man they are dining with…
The year is 1520, and within the bustling artistic landscape of Florence, Jacopo Carucci Pontormo—a name now inextricably linked with both innovation and melancholy—crafted a portrait that transcends mere likeness. “Portrait of Francesco da Castiglione” isn’t simply a depiction of an elderly man; it's a carefully constructed meditation on age, wisdom, and the quiet dignity of a life well-lived. The painting immediately draws the eye with its rich, earthy palette…
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers on the interaction between a standing male figure in classical armor on the left and a winged youth on the right. The scene is set against a dark, void-like background that isolates the two subjects.
In this dramatic scene by Pontormo, the air crackles with the sudden, frantic energy of a chase reaching its breaking point. The painting, created about 1513, captures the very moment of metamorphosis from Ovid's myth. Apollo reaches out, his fingers straining to grasp the nymph, but his pursuit is met with a terrifying transformation. Daphne is no longer merely a fleeing woman; she is caught in the midst of becoming…
The air in the room feels heavy, thick with the scent of charcoal and the quiet intensity of a private moment. Three figures occupy a space that feels…
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The air in the fresco feels heavy, thick with the dust of lime and the silence of a shared secret. Within a shallow, arched space, the figures of…
This work, titled Saint Francis, was executed by the Italian artist Pontormo around 1517. The subject is depicted in a kneeling posture, captured in a moment of prayer…
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A solitary figure kneels in a space of profound isolation, his body a landscape of tension and sudden movement. The reddish-brown tones of the medium cling to the…
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We are looking at a Study of nude by the Florentine artist Pontormo. This particular work, created about 1518, offers a glimpse into the artist's process during the…
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The Archangel Michael emerges from the shadows of history, a figure rendered by the hand of Pontormo. This painting, created about 1519, captures a moment of celestial conflict…
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A circle of light and shadow holds the saint in a sudden, spiritual grip. St. Matthew leans into the void, his body a series of elongated, twisting lines…
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Executed in 1527, this frescoed scene occupies the wall of the Capponi Chapel in the church of Santa Felicita, Florence, Italy. It surrounds a window, creating a spatial…
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The gaze of the subject meets us in Portrait of a Young Man (Alessandro de Medici ), a work that captures a fleeting moment of introspection. The artist,…
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The Holy Family by Pontormo depicts a traditional religious scene centered on the figures of Mary, Joseph, and Jesus. Executed in about 1525, the oil on canvas work…
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The scene captures the moment of recognition between the resurrected Christ and Mary Magdalene. Set against a hazy, atmospheric landscape, the two figures occupy a space that feels…
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The Portrait of Niccolò Ardinghelli is a painting by the Florentine artist Pontormo. Created in 1542, the work captures a man of quiet presence. He is presented in…
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The man sits in a quiet, heavy stillness, his gaze meeting the observer with a weight that feels both intellectual and deeply personal. He is positioned in a…
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A seated figure rests in a quiet, heavy stillness. The body is stripped of ornament, rendered in the raw language of anatomical study. Light falls softly across the…
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In the quiet, tension-filled corridors of 16th-century Florence, a new kind of portraiture began to emerge—one that sought not to flatter the sitter with outward glory, but to…
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Two men occupy a narrow, intimate space, their presence pressing close against the viewer as if we have just stepped into their private circle. One man, wearing a…
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Madonna and Child is a religious painting by the Florentine Mannerist Jacopo Pontormo. Executed in 1532, the work emerged during a period of significant stylistic transition in the…
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The Portrait of Alessandro de' Medici by Pontormo dates to 1535. This work captures the likeness of Alessandro de' Medici, a figure of significant political weight in sixteenth-century…
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Jacopo Pontormo's 1515 depiction of Saint Sebastian is not merely a portrait; it’s an immersion into the heart of Mannerist emotion, a profound exploration of faith, suffering, and…
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The image before you – Jacopo Carucci’s “Reclining Male Nude” (1540) – isn't merely a depiction of the human form; it’s a carefully constructed meditation on stillness, vulnerability,…
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A Moment Frozen in Time: Exploring Jacopo Pontormo’s “Birth of John the Baptist” The painting "Birth of John the Baptist," executed by Jacopo Pontormo around 1526, stands as…
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Jacopo Carucci's *Supper at Emmaus*, painted in 1525, is more than just a depiction of a biblical scene; it’s a profound meditation on faith, betrayal, and the human…
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Jacopo Carucci, universally known as Pontormo, gifted Florence with an extraordinary series of portraits during the tumultuous years of the late 16th century. Among these, his depiction of…
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In the quiet evolution of the Italian Renaissance, few figures cast as long and enigmatic a shadow as Jacopo Carucci, known to the world as Pontormo. His masterpiece,…
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Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Pontormas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Galleria degli Uffizi |
Florencija | 10 | Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Birth of John the Baptist |
 Palazzo Pitti |
Florencija | 3 | Portrait of Francesco da Castiglione, Cosimo I de' Medici |
 J. Paul Getty muziejus |
Los Andželis | 1 | Halbardininkas |
 Yale University Art Gallery |
Niū Hevenas | 1 | Virgin and Child, known as the Madonna del Libro |
 St Andreas Picture Gallery |
Empoli | 1 | Archangel Michael |
 Casa Buonarroti |
Florencija | 1 | Noli me tangere |
 Collezione Vittorio Cini |
Venice | 1 | Portrait of Two Friends |
 Art Institute of Chicago |
Čikagos | 1 | Alessandro de' Medici |
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers…
Vizitacija: Pontormo Šedevras, Apgaubtas Renesanso Devotiškumu Jacopo Carucci, žinomas kaip Pontormo, 1528 metais sukūrė šį išskirtinį freską pavadinimu „Vizitacija“, įamžindamas gilią religinę reikšmę savo unikaliu manieristiniu stiliumi. „Vizitacija“…
The scene captures the moment of recognition between the resurrected Christ and Mary Magdalene. Set against a hazy, atmospheric landscape, the two figures occupy a space that feels…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head…
The man sits in a quiet, heavy stillness, his gaze meeting the observer with a weight that feels both intellectual and deeply personal. He is positioned in a…
Deposition. Toliau eina Apvaizda (1528) ir Halbardininkas (1520).
Deposition, Apvaizda, Halbardininkas, Virgin and Child, known as the Madonna del Libro, Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Supper at Emmaus, Portrait of Francesco da Castiglione, Cupid and Apollo ir Apollo and Daphne. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 176 Pontormas darbų, datuojamų nuo 1513 iki 1550.
Dauguma jų yra Galleria degli Uffizi (Florencija), Palazzo Pitti (Florencija) ir J. Paul Getty muziejus (Los Andželis). Viršuje esančiame lange muziejai išvardyti po vieni.
1520s laikotarpyje: 21 iš 100 šioje pusėje esančių darbų sukurtos tada, iš jų – Apvaizda.
Pirmasis šioje pusėje yra Cupid and Apollo (1513), paskutinis – Porträt des Giovanni della Casa (1503-1556) (1550).
Man (11), Renaissance (10) ir Woman (7), iš 100 šioje pusėje esančių darbų.
Oil On Panel: 11 iš 100 šioje pusėje esančių darbų.
Manierizmas, kaip rodo šio puslapio paveikslai.
Study of a Woman, possibly Maria Salviati, Ten thousand martyrs ir Birth of John the Baptist yra vieni iš 6 šioje puslapyje esamų darbų, kuriuos saugo Galleria degli Uffizi, Florencija.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.
