Žymiausias Mazačas tapas yra Trinitas (1428). Kartu su Aplinkas mokestis (1425) ir Išėjimas iš rojusios sodų (1426) tai sudaro tris visai visus pažįstančius darbus. Mūsų kataloge yra 97 darbų autoriaus Mazačas; žemiau pateiktos 97 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.
The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…
The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a biblical narrative to life upon the chapel walls. Commissioned by Felice Brancacci, this work forms a significant part of a larger cycle dedicated to the life of Saint Peter. The air in the chapel seems to hold the weight of this sacred…
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…
„Tribute Money“ – tai ne tik freskas, o viso reiškinio pradžia. Masacio kūrinys, sukurtas apie 1426 metus Brancacci kapelio šventėje Florencijoje, iškart pakeitė meno suvokimą. Tai buvo pirmasis darbas, kuriame pasirodė tikroviškumo idėjų, kurios vėliau tapo pagrindu visai Renesanso estetikai. Štai trumpas įvertinimas, kodėl šis fragmentas iš Biblijos istorijos yra toks svarbus.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
Masaccio's View of the Cappella Brancacci (before restoration), painted in 1426, isn’t merely a depiction of a church interior; it’s a pivotal moment in art history – a…
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Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…
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Raising of the Son of Theophilus and St Peter Enthroned (detail) is a fresco by Masaccio. Executed between 1426 and 1427, this fragment belongs to a larger cycle…
The artwork titled St Peter Healing the Sick with his Shadow (detail) is a work by the artist Masaccio. This specific piece was executed in 1426. It is…
The Cappella Brancacci, nestled within Santa Maria della Carmine church in Florence, stands as one of Masaccio’s most enduring achievements—a testament to his pioneering vision of artistic realism…
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The Madonna Casini is a painting by the artist Masaccio. This intimate work carries several other names, including Madonna del Solletico, Madonna col bambino, Madonna con bambino, and…
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Adam and Eve banished from Paradise by Masaccio is a single scene from a larger fresco cycle located in the Brancacci Chapel of Santa Maria del Carmine in…
A woman cradles a child, her form anchored by the gravity of a sudden, heavy grace. In this detail from the Brancacci Chapel, the air feels thick with…
Masaccio’s Frescoes in the Cappella Brancacci stand as a cornerstone of Renaissance art, representing an unprecedented leap forward in artistic innovation and profoundly influencing subsequent generations. Located within…
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In the quiet dimness of the Brancacci Chapel, within the Santa Maria del Carmine in Florence, Italy, a profound scene unfolds. This fresco, executed between 1426 and 1427,…
The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
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Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…
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In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…
In the quiet intensity of Masaccio’s Profile Portrait of a Young Man, we encounter more than just a painted face; we witness the very moment Western art began…
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In the quiet, profound stillness of Masaccio’s St Jerome and St John the Baptist, we are transported back to the early 15th century, a period where the rigid…
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The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
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The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
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The Portrait of a Young Woman is a captivating painting by the renowned Italian artist Masaccio, created in 1425. This early Renaissance masterpiece measures 42 x 32 cm…
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In this oil painting on wood panel, dating to 1424, we find a quiet moment of sacred intimacy. The composition is built upon a pyramidal structure, a hallmark…
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In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
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Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…
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To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…
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The Martyrdom of San Giovanni Battista is a captivating painting by the renowned Italian artist Masaccio (Ser Giovanni, Mone Cassai), created in 1426. This early Renaissance masterpiece measures…
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The world of 15th-century Florentine painting was undergoing a seismic shift, and at the heart of this transformation stood Masaccio – a name that resonates with an almost…
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A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…
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Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…
Užsisakyti rankinio kopijos tapybą →Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Mazačas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Santa Maria del Carmine |
Firena | 7 | View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view), Frescoes in the Cappella Brancacci (left view) |
 Staatliche Museen zu Berlin |
Berlinas | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Berlynas | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Santa Maria Novella |
Florencija | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 National Gallery of Art |
Vašingtonas | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 National Gallery |
Londonas | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Museo di Capodimonte |
Neapolis | 1 | Crucifixion |
Mazačas tapė vos 9 metų, nuo 1420 iki 1428: stebėkite kiekvieną dešimtmetį per tapybas, sukūrusias jo vardą.
The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…
The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls…
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…
Masaccio's View of the Cappella Brancacci (before restoration), painted in 1426, isn’t merely a depiction of a church interior; it’s a pivotal moment in art history – a…
Adam and Eve banished from Paradise by Masaccio is a single scene from a larger fresco cycle located in the Brancacci Chapel of Santa Maria del Carmine in…
In the quiet dimness of the Brancacci Chapel, within the Santa Maria del Carmine in Florence, Italy, a profound scene unfolds. This fresco, executed between 1426 and 1427,…
In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important…
Trinitas (1428). Toliau eina Aplinkas mokestis (1425) ir Išėjimas iš rojusios sodų (1426).
27 metų amžiaus: Trinitas sukurta 1428 m. ir Mazačas gimė 1401.
Trinitas, Aplinkas mokestis, Išėjimas iš rojusios sodų, Atminties Detalis: Mokesčių Rėtelis, Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity ir Trinity (detail). Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 97 Mazačas darbų, datuojamų nuo 1420 iki 1428.
Dauguma jų yra Santa Maria del Carmine (Firena), Staatliche Museen zu Berlin (Berlinas) ir Gemäldegalerie (Berlynas). Viršuje esančiame lange muziejai išvardyti po vieni.
1426 laikotarpyje: 41 iš 97 šioje pusėje esančių darbų sukurtos tada, iš jų – Išėjimas iš rojusios sodų.
Pirmasis šioje pusėje yra Madonna of Humility (1420), paskutinis – Trinitas (1428).
Saints (29), Religious (23) ir Renaissance (14), iš 97 šioje pusėje esančių darbų.
Acrylic On Canvas: 9 iš 97 šioje pusėje esančių darbų.
Ankstyvasis renesansas, kaip rodo šio puslapio paveikslai.
View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view) ir Frescoes in the Cappella Brancacci (left view) yra vieni iš 7 šioje puslapyje esamų darbų, kuriuos saugo Santa Maria del Carmine, Firena.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.
Tommaso di Ser Giovanni di Simone, geriau žinomas kaip Masaccio (reiškiantis „neklavus Tomas“), buvo svarbiausia figūra Ankstyvajame Italijos Renesanse. Gimęs 1401 metų gruodžio 21 dieną San Džovanio Valdarno mieste, Italijoje, ir tragiškai jaunai miręs 1428 metais, jo trumpa karjera padarė revoliuciją tapyboje dėl naujoviško realizmo, perspektyvos ir kiaroskuoro (šviesos ir tamsos ryškių kontrastų naudojimo). Nepaisant savo trumpo gyvenimo, Masaccio poveikis vėlesnės kartos menininkams buvo didžiulis, nustatydamas naują natūralizmo standartą ir paveikdamas Vakarų meno eigą.
Masaccio poveikis Vakarų meno eigai yra nepamatuojamas, nepaisant jo tragiškai trumpo gyvenimo. Jo naujovės perspektyvoje, kiaroskuore ir natūralizme fundamentaliai pakeitė tai, kaip menininkai vaizdavo pasaulį. Jis sėkmingai užpildė spragą tarp viduramžių meno konvencijų ir besiformuojančių Renesanso idealų.
Masaccio palikimas išlieka vienas svarbiausių ir įtakingiausių menininkų istorijoje. Jis stovi kaip esminė figūra pereinant nuo viduramžių meno prie Renesanso meno, amžinai keičiant būdą, kuriuo suvokiame ir atstovaujame pasauliui per tapybą. Jo trumpa, bet puiki karjera yra įrodymas inovacijų galiai ir nuolatinis meninio genijaus poveikis.
