Žymiausias Džonas Ruskinas tapas yra Trevi Fountain (1841). Kartu su Ravine at Maglans, Valley of Cluse (1849) ir Aiguille Charmoz, Chamounix (1849) tai sudaro tris visai visus pažįstančius darbus. Mūsų kataloge yra 95 darbų autoriaus Džonas Ruskinas; žemiau pateiktos 95 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.
In this evocative depiction of the Trevi Fountain, we are transported to the heart of Rome during a pivotal moment in the nineteenth century. The painting captures the monumental Baroque masterpiece not merely as a static architectural feat, but as a living, breathing entity. Through John Ruskin’s observant eye, the fountain emerges from its stone surroundings with a sense of profound vitality. The composition is anchored by the majestic presence…
The painting Ravine at Maglans, Valley of Cluse presents a dramatic mountainous landscape characterized by rugged, rocky terrain. The composition is defined by a sense of movement and dynamism, guiding the viewer's eye through the expansive scenery. Within this natural setting, a large bird is depicted in the foreground, appearing to fly over the mountains, while several smaller birds are scattered throughout the scene, providing a sense of depth.
The watercolor depicts the rugged terrain of the Aiguille Charmoz in the Chamounix region. Snow-capped mountain peaks rise into a pale sky, their jagged edges defined by varying shades of white and grey. Below these summits, the slopes are populated by numerous figures, at least thirteen in total, scattered across the incline. These individuals appear in various positions, some situated in the foreground and others positioned further up the mountain…
During the visits of 1849-50 and 1851-52 Ruskin spent two winters collecting material for The Stones of Venice, a work which proved to be very influential within the development of Victorian architecture.This architectural notebook, known as the ‘Door Book,’ is one of the series of ten which Ruskin used to record details and measurements of aspects of architectural features, carefully cross referencing them with worksheets and drawings. The smaller notebooks…
Ruskin’s largest and most famous architectural watercolour, this was the most important product of his stay in Venice over the winter of 1876-77. If the Ducal Palace was to him “the central building of the world,” then the basilica of St Mark came as close as it stands in reality, “the most magical and most mysterious of churches.” It provided the subject for dozens of drawings in connection with The…
In the delicate interplay of light and pigment that defines The Walls of Lucerne, we encounter the profound mastery of John Ruskin at the height of his creative powers. Created in 1866, this watercolor serves as a breathtaking window into the heart of Switzerland, capturing not merely a landscape, but a fleeting moment of atmospheric perfection. The composition centers on the imposing architectural grandeur of the town walls, where the…
In the delicate, precise lines of John Ruskin’s 1845 work, Ca d'Oro, we find more than just a depiction of Venetian architecture; we encounter a poignant eulogy for a fading era. Created during a transformative and turbulent period in Venice, this piece captures the Casa d’Oro at a moment of profound vulnerability. As Ruskin traversed the canals in 1845, he was not merely an observer of beauty but a witness…
In the quiet, observant moments of 1848, amidst a journey through the heart of northern France, John Ruskin captured more than just architecture; he captured the very soul…
Užsisakyti reprodukciją →
In the quiet, silvered tones of this exquisite drawing, we find ourselves transported to the upper reaches of Venice's Grand Canal during the winter of 1876. This piece,…
Užsisakyti rankinio kopijos tapybą →
In 1840/1841 the Ruskins undertake a tour of France, Italy and Switzerland. After spending most of December in Rome they arrive in Naples on the 9th January 1841…
Atneškite į savo namus →
Ruskin travelled with his parents through France and Italy on a tour between autumn and winter 1840 and spring of 1841. Working their way along the coast of…
Užsisakyti reprodukciją →
Following his visit in 1845, Ruskin provided a number of notes on Italian art and architecture for the third edition of Murray’s Handbook for Travellers in Northern Italy,…
Užsisakyti reprodukciją →
Inscribed in black ink:
Užsisakyti reprodukciją →
Inscribed: J. Ruskin56. Sketch by a Cleark of the WorksJ. EmslieAndre & Sleigh, Sc.The illustration plate, ‘Sketch by a Clerk of the Works’, is taken from the end…
Atneškite į savo namus →
This panorama of the Jura captures the essence of the view. Ruskin loved travelling in the Jura mountains, and often thought of what it would be like to…
Atneškite į savo namus →
Ruskin was perennially interested in the appearance and action of clouds, recording in drawings unusual effects both at home and abroad. Part VII of Modern Painters, volume V…
Užsisakyti reprodukciją →
In their tour of 1838 the Ruskins extended their normal route into Scotland to explore the land of Sir Walter Scott. The date on this drawing conflicts with…
Atneškite į savo namus →
Ruskin made dozens of large-scale drawings like this during the 1840-41 tour to Italy with his parents, basing his style on the work of the topographical artist David…
Užsisakyti reprodukciją →
This volume of diary notebook begins in 1846. Primarily an account of his tour abroad, devoted to architecture and detailing his journey with his parents through France and…
Atneškite į savo namus →
In contrast with the medieval sculpted capitals on the Ducal Palace, Ruskin thought the later Renaissance carvings “base.” He made an exception for the 36th and final capital,…
Atneškite į savo namus →
Abbeville had been one of Ruskin’s favourite haunts since his first visit on the continental tour of 1835. He particularly admired the late Gothic style in evidence at…
Užsisakyti reprodukciją →
This drawing depicts what is now the Guildhall Museum, on the corner of Fisher Street and the Greenmarket. Dating from the late fourteenth or early fifteeenth century, this…
Užsisakyti reprodukciją →
In an early tour of Switzerland taken in 1835, Ruskin described the scene at Lucerne: ‘the whole chain of mountains round the lake, from Righi to the magnificent…
Užsisakyti rankinio kopijos tapybą →
Ruskin’s decision to return to Venice for the winter of 1876-7 was partly motivated by a plan to revise The Stones of Venice, ‘gathering bits up’ again of…
Užsisakyti rankinio kopijos tapybą →
Possibly dating from the spring of 1846, this study shows the whole façade of a palace on the lower reach of the Grand Canal, between the Accademia and…
Atneškite į savo namus →
Of all aspects of medieval architecture, Ruskin delighted most in what he termed the Gothic workman’s “peculiar fondness for the forms of Vegetation.” This he found both in…
Užsisakyti rankinio kopijos tapybą →
Ruskin’s Alpine Reverie: A Study in Texture and Moral Vision John Ruskin's "Chamouni, Rocks and Vegetation," painted in 1854, stands as a testament to the Pre-Raphaelite movement’s fascination…
Užsisakyti reprodukciją →Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
5 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Džonas Ruskinas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Birmingham Museum and Art Gallery |
Birminghamas | 16 | Dumbarton Castle, Coal Merchant's House in Market Street, Croydon, View of the Bay of Naples and Vesuvius |
 Abbot Hall Art Gallery |
Kendall | 2 | Dawn, Coniston, Chamouni, Rocks and Vegetation |
 Isabella Stewart Gardner Museum |
Bostonas | 1 | The Casa Loredan, Venice |
 Nacionalinis muziejus Varšuvoje |
Varšuva | 1 | The Walls of Lucerne |
 Indianapolis muziejus |
Indianapolis | 1 | Bernese Oberland |
In this evocative depiction of the Trevi Fountain, we are transported to the heart of Rome during a pivotal moment in the nineteenth century. The painting captures the…
In the delicate interplay of light and pigment that defines The Walls of Lucerne, we encounter the profound mastery of John Ruskin at the height of his creative…
Ruskin’s largest and most famous architectural watercolour, this was the most important product of his stay in Venice over the winter of 1876-77. If the Ducal Palace was…
Trevi Fountain (1841). Toliau eina Ravine at Maglans, Valley of Cluse (1849) ir Aiguille Charmoz, Chamounix (1849).
22 metų amžiaus: Trevi Fountain sukurta 1841 m. ir Džonas Ruskinas gimė 1819.
Trevi Fountain, Ravine at Maglans, Valley of Cluse, Aiguille Charmoz, Chamounix, The Casa Loredan, Venice, Architectural Notebook ‘Door Book’ (p21), Mont Dauphiny, near Chartreuse, Fribourg, North West Porch of St Mark, The Walls of Lucerne ir Ca d. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 95 Džonas Ruskinas darbų, datuojamų nuo 1835 iki 1882.
Dauguma jų yra Birmingham Museum and Art Gallery (Birminghamas), Abbot Hall Art Gallery (Kendall) ir Isabella Stewart Gardner Museum (Bostonas). Viršuje esančiame lange muziejai išvardyti po vieni.
1840s laikotarpyje: 28 iš 95 šioje pusėje esančių darbų sukurtos tada, iš jų – Trevi Fountain.
Pirmasis šioje pusėje yra Coal Merchant's House in Market Street, Croydon (1835), paskutinis – Detail of Carved Pillar from East Door, Baptistery, Pisa (1882).
Landscape (7), Mountains (5) ir People (4), iš 95 šioje pusėje esančių darbų.
Drawing: 3 iš 95 šioje pusėje esančių darbų.
Romanticism, kaip rodo šio puslapio paveikslai.
Dumbarton Castle, Coal Merchant's House in Market Street, Croydon ir View of the Bay of Naples and Vesuvius yra vieni iš 16 šioje puslapyje esamų darbų, kuriuos saugo Birmingham Museum and Art Gallery, Birminghamas.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.
