Žymiausias Žanas Franšua De Troj tapas yra The Triumph of Mordecai (1736), esantis Metropolitano meno muziejus, Niujorkas. Kartu su Portrait of Louis XV of France and Maria Anna Victoria of Spain (1723) ir Lot with his Daughters (1721) tai sudaro tris visai visus pažįstančius darbus. Mūsų kataloge yra 77 darbų autoriaus Žanas Franšua De Troj; žemiau pateiktos 77 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.
Jean-François de Troy: A Master of Rococo Elegance Jean-François de Troy (1645–1730) stands as a pivotal figure bridging the Baroque and Rococo artistic movements in France, embodying the refined sensibilities of his era. Born into a family steeped in artistic tradition in Toulouse, he benefited from an early education fostered by his father, François de Troy – himself a celebrated portraitist – who instilled within him a meticulous technique and…
The Portrait of Louis XV of France and Maria Anna Victoria of Spain by François de Troy captures a moment of profound royal significance. Created in 1723, the work presents a scene of high-ranking nobility through the eyes of a skilled observer. We find ourselves looking upon the young Louis XV of France as a child, his presence marked by the weight of his future station. Beside him, Mariana Victoria…
In the grand tapestry of eighteenth-century French painting, few works capture the tension between classical narrative and burgeoning Rococo elegance as poignantly as Jean-François de Troy’s “Lot with his Daughters.” This monumental canvas, a breathtaking display of scale and emotional depth, invites the viewer into a world where biblical gravity meets an intimate, almost voyeuristic, domesticity. As one gazes upon the composition, the eye is immediately drawn to the interplay…
A Window Into Rococo Sensuality Jean-François de Troy’s “The Declaration of Love,” completed in 1724, stands as a quintessential example of the tableau vivant, or ‘living picture,’—a genre that flourished during the Rococo period and captured the very heartbeat of aristocratic Parisian society. More than just a portrait, it is an exquisitely crafted tableau designed to convey not only visual beauty but also social status and emotional nuance. Housed in…
The portrait titled Nils Bielke, Count, Field Marshal, Ambassador captures a man of high station and military weight. This work is attributed to the French artist François de Troy. The subject, Nils Bielke, lived from 1644 to 1716, a life defined by the rigid structures of the Swedish nobility and the complexities of European diplomacy. He moved through the halls of power as a soldier and a statesman, a figure…
In this oil on canvas, we find ourselves in the presence of Angelo Constantini, captured in the midst of a theatrical transformation. He is portrayed in the role of Mezetin, a character that demands a certain physical presence and expressive energy. The composition is vertical, drawing the eye upward through the subject's animated gesture. He leans slightly toward the right, his gaze directed upward as if responding to a cue…
The young man sits with a quiet, composed stillness, his gaze meeting the viewer with an air of effortless authority. This is Louis Auguste I. de Bourbon, Duke of Maine, captured in a moment of poised elegance. He is draped in a heavy, dark mantle, the weight of the fabric suggested by deep shadows and the soft, white texture of ermine fur lining the collar. The light falls from the…
The Capture of the Golden Fleece by François de Troy captures a singular moment of mythic tension. Created about 1742, this oil on canvas serves as the third in a sequence of seven illustrations detailing the saga of Jason. The narrative finds its roots in the verses of the Roman poet Ovid, specifically within the episodes of his Metamorphoses. Here, the hero’s quest reaches a fever pitch as the prize…
This oil on canvas work is the Portrait of Louise Françoise de Bourbon, mademoiselle de Nantes. It was executed by the French painter François de Troy between 1688 and 1693. The subject of this portrait is Louise Françoise de Bourbon, mademoiselle de Nantes, captured during a period of significant social standing.
Jean-François de Troy (1645–1730) stands as a pivotal figure in the artistic landscape of late 17th and early 18th century France, bridging the opulent grandeur of the Baroque…
Užsisakyti reprodukciją →
In this work, titled Bathsheba at her Bath, we encounter a scene of quiet, private ritual. The painting, created by the artist François de Troy, captures a moment…
Atneškite į savo namus →
Time unveiling Truth is an oil on canvas executed by François de Troy in 1733. This monumental work occupies a significant position within the Main Collection of The…
Atneškite į savo namus →
In this three-quarter view portrait, the subject does not merely sit for a likeness; he occupies the space with a heavy, palpable dignity. The monochromatic palette strips away…
Atneškite į savo namus →
In this portrait, we encounter Abel-François Poisson de Vandières, the Marquis de Marigny, captured in a moment of quiet repose. He is seated, perhaps on a bench or…
Atneškite į savo namus →
In the soft, dappled light of an eighteenth-century morning, Jean-François de Troy invites us to witness a moment of refined leisure in his masterful composition, A Hunt Breakfast.…
Užsisakyti reprodukciją →
In this detail from a 1733 oil on canvas, the Rococo sensibility is expressed through soft, pastel tones and delicate brushwork. The composition focuses on a central female…
Užsisakyti rankinio kopijos tapybą →
Jean-François de Troy's “Lot and His Daughters,” painted in 1745, is more than just a biblical scene; it’s a visceral embodiment of human drama rendered with the dramatic…
Atneškite į savo namus →
The oil on canvas titled A Hunting Meal captures a specific moment of social gathering. Created in 1737, the work is the product of the hand of François…
Užsisakyti rankinio kopijos tapybą →
In this oil on canvas portrait from circa 1720, Jean François de Troy depicts a man identified as Charles Mouton in a three-quarter view. The subject is seated…
Užsisakyti reprodukciją →
Jean-François de Troy's "Bacchus and Ariadne," painted in 1717, is not merely a depiction of a classical myth; it’s an immersive experience—a vibrant tableau brimming with sensual energy,…
Užsisakyti rankinio kopijos tapybą →
Jean-François de Troy's "Duck Shooting in a Wood," painted around 1730, isn’t merely a depiction of a sporting scene; it’s a meticulously crafted tableau vivant – a snapshot…
Atneškite į savo namus →
In this captivating portrait of James Francis Edward Stuart, known historically as the 'Old Pretender,' the viewer is transported to the twilight of the Baroque era. The painting…
Užsisakyti rankinio kopijos tapybą →
Jean-François de Troy’s “The Death of a Stag” is not merely a hunting scene; it's a meticulously rendered tableau brimming with dramatic tension and profound symbolism, capturing a…
Atneškite į savo namus →
Jean-François de Troy's 1731 painting, *Die Liebeserklärung* – “The Declaration of Love” – offers a captivating glimpse into the sophisticated social circles of 18th-century Europe. This intimate portrait,…
Atneškite į savo namus →
To gaze upon this double portrait is to step directly into the opulent salons of the late Baroque era, where mythology danced with aristocratic fashion. This painting, titled…
Užsisakyti reprodukciją →
Jean-François de Troy's "Scene in the Park," painted around 1750, isn’t merely a depiction of a leisurely afternoon; it’s a meticulously crafted window into the refined world of…
Užsisakyti reprodukciją →
Jean-François de Troy: The Innovator of Elegant Portraits Jean-François de Troy (1679–1752) stands as a pivotal figure bridging the Baroque and Rococo eras, recognized primarily for his masterful…
Užsisakyti rankinio kopijos tapybą →
Jean-François de Troy's "The Garter," painted in 1724, is more than just a portrait; it’s a masterful distillation of Rococo sensibilities—a visual poem exploring themes of courtship, vulnerability,…
Atneškite į savo namus →
In the heart of a dense, shadowed woodland, the air hangs heavy with the weight of a life-altering promise. This is Jason swearing Eternal Affection to Medea, a…
Atneškite į savo namus →
A Dramatic Encounter with Destiny An Allegory of Time Unveiling Truth is not merely a painting; it is a theatrical experience captured in oil on canvas. Created in…
Užsisakyti rankinio kopijos tapybą →Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
#37 Lady Lucy Herbert (1668–1744), Later Prioress of the English Austin Canonesses at Bruges, as a Vestal Virgin
#38 Lady Mary Herbert (1659–1744 1745), Viscountess Montagu, Previously the Honourable Lady Richard Molyneux, and Later Lady Maxwell, as Diana
#39 Queen Mary of Modena, Princess Maria Beatrice d'Este (1658–1718)
#58 Madame de Miramion
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Žanas Franšua De Troj darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 National Gallery |
Londonas | 4 | The Capture of the Golden Fleece, An Allegory of Time Unveiling Truth (detail), Jason swearing Eternal Affection to Medea |
 Liuvro muziejus |
Paryžius | 4 | PORTRAIT D'HOMME, A Hunting Meal, CHARLES MOUTON |
 Opera House |
Versailles | 4 | Marie-Anne de Bourbon, Princess of Conti (1666-1739), Louise Hippolyte Grimaldi when Duchess of Valentinois (Future Princess of Monaco), Woman at a Spring |
 Metropolitano meno muziejus |
Niujorkas | 3 | The Triumph of Mordecai, The Declaration of Love, The Garter |
 Gemäldegalerie |
Berlynas | 3 | The Rearing of Bacchus, Young Woman Drinking Coffee, Woman Reading a letter |
 Ermitažas |
Šv. Peterburgas | 2 | Lot with his Daughters, Scene in the Park |
 Nationalmuseum |
Stokholmas | 2 | Nils Bielke, Count, Field Marshal, Ambassador, Kristian I, 1623-1692, Ludvig I hertig av Mecklenburg-Schwerin |
| Powys Castle Museum | 2 | Lady Mary Herbert (1659–1744 1745), Viscountess Montagu, Lady Lucy Herbert (1668–1744), Later Prioress of the English Austin Canonesses at Bruges, as a Vestal Virgin |
The portrait titled Nils Bielke, Count, Field Marshal, Ambassador captures a man of high station and military weight. This work is attributed to the French artist François de…
In this oil on canvas, we find ourselves in the presence of Angelo Constantini, captured in the midst of a theatrical transformation. He is portrayed in the role…
This oil on canvas work is the Portrait of Louise Françoise de Bourbon, mademoiselle de Nantes. It was executed by the French painter François de Troy between 1688…
The young man sits with a quiet, composed stillness, his gaze meeting the viewer with an air of effortless authority. This is Louis Auguste I. de Bourbon, Duke…
The Portrait of Louis XV of France and Maria Anna Victoria of Spain by François de Troy captures a moment of profound royal significance. Created in 1723, the…
Jean-François de Troy's "Duck Shooting in a Wood," painted around 1730, isn’t merely a depiction of a sporting scene; it’s a meticulously crafted tableau vivant – a snapshot…
The Triumph of Mordecai (1736), Metropolitano meno muziejus, Niujorkas. Toliau yra Portrait of Louis XV of France and Maria Anna Victoria of Spain (1723) ir Lot with his Daughters (1721).
The Triumph of Mordecai, Portrait of Louis XV of France and Maria Anna Victoria of Spain, Lot with his Daughters, The Declaration of Love, Nils Bielke, Count, Field Marshal, Ambassador, Angelo Constantini in the role of Mezetin, Louis Auguste I. de Bourbon, Duke of Maine (1670-1736), The Capture of the Golden Fleece, Portrait of Louise Françoise de Bourbon, mademoiselle de Nantes ir Portrait de Marie Anne de Bourbon, princesse de Conti. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 77 Žanas Franšua De Troj darbų, datuojamų nuo 1670 iki 1730.
Dauguma jų yra National Gallery (Londonas), Liuvro muziejus (Paryžius) ir Opera House (Versailles). Viršuje esančiame lange muziejai išvardyti po vieni.
1720s laikotarpyje: 11 iš 77 šioje pusėje esančių darbų sukurtos tada, iš jų – Portrait of Louis XV of France and Maria Anna Victoria of Spain.
Pirmasis šioje pusėje yra Mercury and Sleeping Argus (1670), paskutinis – Duck Shooting in a Wood (1730).
Man (8), Portrait (8) ir Portraits (7), iš 77 šioje pusėje esančių darbų.
Oil On Canvas: 26 iš 77 šioje pusėje esančių darbų.
Rococo ir Baroque, kaip rodo šio puslapio paveikslai.
The Capture of the Golden Fleece, An Allegory of Time Unveiling Truth (detail) ir Jason swearing Eternal Affection to Medea yra vieni iš 4 šioje puslapyje esamų darbų, kuriuos saugo National Gallery, Londonas.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.
