Untitled (1964) yra garsiausias David Smith paveikslas. Hudson River Landscape (1951) ir Cubi i yra kitos dvi labiausiai žinomos pasaulyje kūrybosios darbai. Iš 19 David Smith darbų mūsų kataloge – štai 18 dažniausiai analizuojami kolekcionerių bei lankytojų muziejų, su informacija apie metus, muziejų bei kiekvieno kūrinio istoriją.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026.
1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | David Smith darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Whitney Amerikos meno muziejus |
Niujorkas | 1 | Hudson River Landscape |
14 metų David Smith kūrybos kelionė, nuo 1951 iki 1964, aprašyta metės po metų per geriausius kūrinius.
Untitled (1964). Toliau eina Hudson River Landscape (1951) ir Cubi i.
58 metų amžiaus: Untitled sukurta 1964 m. ir David Smith gimė 1906.
Untitled, Hudson River Landscape, Cubi i, Three planes, N08744 46 lr, Saw head, (1933), 5 And A Half (Use Half Sign), Suspended cube, Untitled ir Zig iv. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 19 David Smith darbų, datuojamų nuo 1951 iki 1964.
Dauguma jų yra Whitney Amerikos meno muziejus (Niujorkas). Viršuje esančiame lange muziejai išvardyti po vieni.
Pirmasis šioje pusėje yra Hudson River Landscape (1951), paskutinis – Untitled (1964).
Abstract expressionism, kaip rodo šio puslapio paveikslai.
Born in Decatur, United States, David Smith was a sculptor, painter, designer, photographer, artist, writer, and visual artist. His creative journey involved studying at Ohio University and Notre Dame, and he worked on the assembly line of the Studebaker automobile factory in South Bend, Indiana. After moving to New York in 1926, he studied at the Art Students League of New York. During the Great Depression, he participated in the Works Progress Administration’s Federal Art Project. Smith later moved to Bolton Landing, New York, where he operated a studio. During World War II, he worked as a welder for the American Locomotive Company in Schenectady, New York.
His sculptural work is characterized by the use of industrial steel, which he manipulated using an oxyacetylene torch to weld metal. He often created unique works by cutting, plugging, flattening, pinching, and bending steel bars. His output included various series, such as the Agricolas and the Cubi series, which featured stainless steel. In his later years, he utilized spray paint to create stenciled shapes. Beyond sculpture, Smith produced drawings and paintings, including a series known as the Last Nudes.
Smith's body of work includes several recognized pieces, such as:
His work has been featured in numerous exhibitions globally, including the Venice Biennale and the São Paulo Bienal. His sculptures have been held in collections such as the Whitney Museum of American Art in New York.
