Michael Dailey, 1938 – 2009

Michael Dailey tapiai: 1 garsiausių kūrinių reitingas

Žymiausias Michael Dailey tapas yra Scapa Evening (1973), esantis Smithsonian American Art Museum, Vašingtonas. Mūsų kataloge yra 1 darbų autoriaus Michael Dailey; žemiau pateiktos 1 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.

Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026.

Michael Dailey portretas
Michael Dailey · 1938 – 2009
Gedė · mirė
1938 – 2009
Darbai mūsų kataloge
1
Labiausiai žinomi
Scapa Evening (1973)
Daugiausia darbų yra
Smithsonian American Art Museum

10 garsiausių Michael Dailey paveikslų

Kur galima pamatyti Michael Dailey paveikslus

1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.

Muzejaus Miestas Michael Dailey darbai Šiojo sąrašo paveikslai
Smithsonian American Art Museum, VašingtonasSmithsonian American Art Museum Vašingtonas 1 Scapa Evening

en most garsiausi Michael Dailey paveikslai, metais po metų

Visi šios puslapio Michael Dailey datuoti darbai yra iš 1973 metų: štai patys garsiausi iš jų.

  1. 1973
    Scapa Evening (1973) aut. Michael Dailey
    Vieta 1 iš 1

    Scapa Evening

    Amžius 35 · Smithsonian American Art Museum

Klausimai apie Michael Dailey paveikslus

Koks yra garsiausias Michael Dailey tapas?Rodyti atsakymą

Scapa Evening (1973)

Kiek metų buvo Michael Dailey, kai buvo nupieštas Scapa Evening?Rodyti atsakymą

35 metų amžiaus: Scapa Evening sukurta 1973 m. ir Michael Dailey gimė 1938.

Kiek paveikslų sukūrė Michael Dailey?Rodyti atsakymą

Mūsų kataloge yra 1 darbų autoriaus Michael Dailey.

Kur yra garsiausi Michael Dailey paveikslai?Rodyti atsakymą

Dauguma jų yra Smithsonian American Art Museum (Vašingtonas). Viršuje esančiame lange muziejai išvardyti po vieni.

Apie Michael Dailey

The Luminous Layers of Michael Dailey

Born in Des Moines, Iowa, Michael Dailey spent his life chasing the subtle shifts of light and atmosphere. He moved to Seattle in 1963, a transition that would define much of his professional existence. It was there that he began a long tenure as a professor of painting and drawing at the University of Washington, a position he held for over thirty years. His presence in the Pacific Northwest was not merely as an educator but as a quiet observer of the world's shifting hues. He sought to capture the very essence of light, often looking toward the misty landscapes of the region to inform his vision.

His technique was one of patience and repetition. He did not simply apply paint; he built it. By layering translucent colors, he created images that seemed to glow from within, as if the light were trapped beneath the surface of the canvas. This method allowed him to achieve a softness that felt both physical and ethereal. He would rework a single veil of color over and over again, seeking a specific, precise hue that could truly represent the moment he intended to freeze in time.

A Legacy of Light and Form

The reach of his work extended far beyond the classrooms of the University of Washington. His canvases found their way into significant collections and galleries, reflecting a deep engagement with the visual language of abstraction. His ability to translate the atmosphere of a place into a purely sensory experience led to his inclusion in several prestigious institutions:

One of his notable works, Scapa Evening, created in 1973, serves as a clear example of his dedication to color. Though an abstract work, it was inspired by the landscape of Scapa in Alberta, Canada. In this piece, he utilized shades of green, turquoise, and gray to mimic the fading light of dusk. The painting reveals the history of its own creation, as the underlying layers remain visible beneath the final surface, offering a glimpse into the labor required to reach his desired effect.

The Final Retrospective

In the later years of his life, the depth of his contribution to the art community was recognized through significant honors. A major retrospective at the Hallie Ford Museum of Art in 2008 provided an opportunity to view the breadth of his career. He passed away in Seattle, Washington, leaving behind a body of work that remains held in numerous public and corporate collections. His paintings continue to exist as studies in light, captured through the careful, repetitive application of oil on canvas.