John Boultbee, 1753 – 1812

John Boultbee: 21 garsiausi paveikslai

A Bay Horse in a Field (1778) yra garsiausias John Boultbee paveikslas, esantis Yale Center for British Art kolekcijoje New Haven mieste. Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) ir 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) yra kitos dvi labiausiai žinomos pasaulyje kūrybosios darbai. Iš 24 John Boultbee darbų mūsų kataloge – štai 21 dažniausiai analizuojami kolekcionerių bei lankytojų muziejų, su informacija apie metus, muziejų bei kiekvieno kūrinio istoriją.

Rango vieta nulegiama pagal mūsų populiarumumo balas, kurią sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.

John Boultbee portretas
John Boultbee · 1753 – 1812
Gedė · mirė
1753 – 1812, Derby
Darbai mūsų kataloge
24
Labiausiai žinomi
A Bay Horse in a Field (1778)
Daugiausia darbų –
National Trust

Top 10: žymiausi John Boultbee tapiai

A Bay Horse in a Field (1778) aut. John Boultbee
1

A Bay Horse in a Field

1778 · Oil On Canvas · Yale Center for British Art, New Haven

A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

Ranku tapyta aliejaus reprodukcija nuo $181 40 × 25 cm Pusė kaip originalo $362 104 × 67 cm Užsakyti originalų dydį →
Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) aut. John Boultbee
2

Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

1780 · Oil On Canvas

In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

Ranku tapyta aliejaus reprodukcija nuo $181 35 × 28 cm Pusė kaip originalo $566 132 × 104 cm Užsakyti originalų dydį →
'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) aut. John Boultbee
3

'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

1792 · Oil · Shugborough Hall, Stoke-on-Trent

In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

Ranku tapyta aliejaus reprodukcija nuo $181 36 × 28 cm Pusė kaip originalo $355 93 × 72 cm Užsakyti originalų dydį →
A Grey Arab Stallion in a Desert Landscape (1790) aut. John Boultbee
4

A Grey Arab Stallion in a Desert Landscape

1790 · Oil On Canvas · Yale Center for British Art, New Haven

A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

Ranku tapyta aliejaus reprodukcija nuo $181 36 × 28 cm Pusė kaip originalo $339 90 × 69 cm Užsakyti originalų dydį →
Robert Bakewell (1791) aut. John Boultbee
5

Robert Bakewell

1791 · Oil On Canvas · National Portrait Gallery, Londras

In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

Ranku tapyta aliejaus reprodukcija nuo $181 36 × 28 cm Pusė kaip originalo $347 91 × 71 cm Užsakyti originalų dydį →
Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) aut. John Boultbee
6

Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

Ranku tapyta aliejaus reprodukcija nuo $181 35 × 29 cm Pusė kaip originalo $241 59 × 50 cm Užsakyti originalų dydį →
An Oak Tree struck by Lightning in Dunham Park (1808) aut. John Boultbee
7

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil On Canvas · Dunham Massey Hall

In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

Ranku tapyta aliejaus reprodukcija nuo $181 33 × 30 cm Pusė kaip originalo $292 76 × 61 cm Užsakyti originalų dydį →
A Bay Hunter Named 'Sir Oliver' (1808) aut. John Boultbee
8

A Bay Hunter Named 'Sir Oliver'

1808 · Oil On Canvas · National Trust, Altrincham

A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

Ranku tapyta aliejaus reprodukcija nuo $181 34 × 30 cm Pusė kaip originalo $536 126 × 101 cm Užsakyti originalų dydį →
An Oak Tree struck by Lightning in Dunham Park (1808) aut. John Boultbee
9

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil · National Trust, Altrincham

A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

Ranku tapyta aliejaus reprodukcija nuo $181 35 × 29 cm Pusė kaip originalo $292 76 × 61 cm Užsakyti originalų dydį →

Likę John Boultbee reitingo vietos, nuo 11 iki 21

John Boultbee tapų skirstymas pagal laikotarpius

Daugiausiai temų, kurių vaizdė John Boultbee

Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.

Kur galima pamatyti John Boultbee paveikslus

8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas John Boultbee darbai Šiojo sąrašo paveikslai
National Trust, MilfordNational Trust Milford 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
Yale Center for British Art, New HavenYale Center for British Art New Haven 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
National Trust, AltrinchamNational Trust Altrincham 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
National Trust, StokportasNational Trust Stokportas 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
National Portrait Gallery, LondrasNational Portrait Gallery Londras 1 Robert Bakewell
Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

John Boultbee per dešimtmečius: po šedevrį kiekvienam laikotarpiui

  1. 1770s
    A Bay Horse in a Field (1778) aut. John Boultbee
    1 iš 21

    A Bay Horse in a Field

    Amžius 17–26 · Yale Center for British Art

    A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held…

  2. 1780s
  3. 1790s
  4. 1800s

John Boultbee tapų dažniausiai užduodami klausimai

Kuri John Boultbee tapioja yra pati garsiausia?Rodyti atsakymą

A Bay Horse in a Field (1778), Yale Center for British Art, New Haven. Toliau yra Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) ir 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792).

Kokia buvo John Boultbee amžius, kai buvo nupieštas A Bay Horse in a Field?Rodyti atsakymą

25 metų amžiaus: A Bay Horse in a Field sukurta 1778 m. ir John Boultbee gimė 1753.

Kuriose yra 10 garsiausių John Boultbee paveikslų?Rodyti atsakymą

A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park ir 'Garrick' A Bullock. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek John Boultbee paveikių yra?Rodyti atsakymą

Mūsų kataloge yra 24 John Boultbee darbų, datuojamų nuo 1778 iki 1808.

Kur galima pamatyti garsiausius John Boultbee paveikslus?Rodyti atsakymą

Dauguma jų yra National Trust (Milford), Yale Center for British Art (New Haven) ir Shugborough Hall (Stoke-on-Trent). Viršuje esančiame lange muziejai išvardyti po vieni.

Kuriame laikotarpyje John Boultbee tapė savo žymiausius kūrinius?Rodyti atsakymą

1800s laikotarpyje: 4 iš 21 šioje pusėje esančių darbų sukurtos tada, iš jų – Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794.

Koks yra pirmasis ir paskutinis garsus John Boultbee tapiojimas?Rodyti atsakymą

Pirmasis šioje pusėje yra A Bay Horse in a Field (1778), paskutinis – An Oak Tree struck by Lightning in Dunham Park (1808).

Kokia temas vaizdavo John Boultbee?Rodyti atsakymą

Horse (4), Grass (4) ir Sky (3), iš 21 šioje pusėje esančių darbų.

Ko buvo paveistas John Boultbee kūpinys ir kokiais mediais?Rodyti atsakymą

Oil On Canvas: 6 iš 21 šioje pusėje esančių darbų.

Kurių John Boultbee paveikių turi National Trust?Rodyti atsakymą

'Garrick' A Bullock, 'Garrick's Sister' A Cow ir 'Broken Horned Beauty' A Cow yra vieni iš 4 šioje puslapyje esamų darbų, kuriuos saugo National Trust, Milford.

Kur galima įsigyti John Boultbee reprodukciją?Rodyti atsakymą

Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.

John Boultbee: biografija

John Boultbee: A Painter of Horses and British Life

John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

A Royal Patronage and Sporting Subjects

Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

Technique and Style

Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

Legacy and Significance

Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.