Žymiausias Edwardas Steichenas tapas yra Le Tournesol (The Sunflower) (1920), esantis National Gallery of Art, Vašingtonas. Kartu su Behind-the-scenes photograph, Paying the Piper (1921) ir Portrait, Osgood Perkins (1923) tai sudaro tris visai visus pažįstančius darbus. Mūsų kataloge yra 47 darbų autoriaus Edwardas Steichenas; žemiau pateiktos 47 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026.
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…
Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…
To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…
Edward Steichen's "The Kid," produced in 1921 for the film starring Charles Chaplin and Jackie Coogan, stands as a quintessential example of Art Deco poster design—a bold declaration of cinematic excitement frozen in time. More than just an advertisement, it’s a meticulously crafted visual narrative that captures the spirit of its era.
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…
This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…
To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…
In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…
In the quiet, silvered depths of Edward Steichen’s 1933 masterpiece, Paul Robeson as “The Emperor Jones”, we encounter more than a mere photographic record; we witness a profound…
The scene unfolds within Lobby card, The Love Special, a work that carries the unmistakable touch of Edward Steichen. Created in 1921, this piece captures a specific moment…
In the quietude of Edward Steichen’s “In Memoriam,” one does not merely observe a photograph; one enters a sanctuary of shared sorrow. Created in 1906, this profound work…
Edward Jean Steichen stands as a monumental figure in the annals of art history—a testament to artistic versatility and an unwavering dedication to exploring visual culture. Born in…
Studio Site Photograph, Famous Players–Lasky, Hollywood, CA – A Window Into Cinematic Glamour This striking black and white photograph by Edward Steichen offers more than just an image;…
Edward Steichen’s 1920 painting, "Sunflower," isn’t merely a depiction of a flower; it's a poignant distillation of memory, displacement, and the enduring search for belonging. Born in the…
Preview slide, Hunting Big Game in Africa is a preview slide created by Edward Steichen in 1922. This work emerged during a period of significant cultural change, coinciding…
Isadora Duncan in the Parthenon, Athens is a photograph by Edward Steichen. Captured in 1921, the work features the dancer Isadora Duncan positioned against the architectural ruins of…
This evocative lobby card for "The Green Temptation" transports us directly into the vibrant, dramatic atmosphere of early 20th-century cinema. It is more than a mere advertisement; it…
In the quiet, shadowed corners of 1921, Edward Steichen captured something far more profound than a mere theatrical moment; he distilled the very essence of the Jazz Age.…
This evocative lobby card for "Java Head," dating back to 1923, transports us directly into the vibrant, dramatic heart of early cinema. It is more than just a…
To gaze upon the Advertising slide, Paramount Pictures is to step through a temporal portal, transported back to the vibrant, flickering dawn of the motion picture era. This…
The poster presents Harold Lloyd seated upon a metal bucket, his legs crossed with a quiet stillness. He wears glasses and a red shirt that pulls the eye…
Lobby card, The Blue Fox, Episode 10 is a photographic work by Edward Steichen. This piece dates to 1921. It captures a frozen moment of cinematic tension, a…
Visual Composition and Physicality Special message slide, is a vintage slide dating from 1915. The image presents a dark background that provides a high-contrast setting for the central…
In the delicate, sepia-toned realm of early twentieth-century cinema, few artifacts capture the evocative essence of storytelling quite like this lobby card for The Man from Lost River.…
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…
In this evocative black and white photograph from 1922, we are transported back to the industrial heart of early Hollywood. The image captures a profound moment within the…
The image presents a central figure of a man positioned in the foreground, looking directly forward. He wears a dark suit and a tie, topped with a wide-brimmed…
In this mesmerizing black and white portrait from 1920, the legendary photographer Edward Steichen captures more than just a face; he captures the very essence of an era.…
In this mesmerizing preview slide for the 1917 production of Cleopatra, we are transported not merely to an ancient era, but to the dawn of cinematic spectacle. The…
In this evocative film still from 1914, titled Behind the Scenes, we are transported into the golden, flickering era of early cinema. Captured through the lens of the…
Programa Teatro „Orfejus“, Filadelfija, PA Štai vienas iš XIX amžiaus pradžios teatro pasaulio įvykių – programa Teatro „Orfejus“ spektakliui Filadelfijoje. Štai dokumentas, kuriame užfiksuota istorinė scena ir puošiamas…
In the hauntingly silent expanse of Edward Steichen’s Aerial View of Trenches (37), the viewer is transported back to the visceral landscape of 1918. This profound photographic composition…
„Rosita“ Lobby Kortas – Šviežumo Nuotaika XIX Amžiaus Romanse Štai vienas iš žymiausių amerikiečių fotografo Edvardo Steichenio kūrinių – „Rosita“ lobby kortas. Šis meno objektas išsiskiria įspūdinga švelnia…
Švietimo Šaltas Žvilnis į Kino Šūkytę: Edvardas Steičeno Fotografija „Studijų Kompleksas“ Štai vienas iš žymiausių amerikiečių fotografų Edvardas Steičenas sukurtų kūrinių – šalta šviesa, kuri užfiksuota 1922 metais…
Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
6 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Edwardas Steichenas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Museum of the Moving Image |
Astoria | 32 | Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Preview slide, The Kid |
 Denver Art Museum |
Denver | 2 | Portrait of Clarence White, In Memoriam |
 George Eastman muziejus |
Rochester | 2 | Paul Robeson, Sunflower |
 New Orleans Museum of Art |
Niu Orleanas | 2 | Aerial View of Trenches, Aerial View of Trenches (37) |
 National Gallery of Art |
Vašingtonas | 1 | Le Tournesol (The Sunflower) |
 Toledo meno muziejus |
Toledo | 1 | Isadora Duncan in the Parthenon, Athens |
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to…
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting…
Le Tournesol (The Sunflower) (1920), National Gallery of Art, Vašingtonas. Toliau yra Behind-the-scenes photograph, Paying the Piper (1921) ir Portrait, Osgood Perkins (1923).
20 metų amžiaus: Le Tournesol (The Sunflower) sukurta 1920 m. ir Edwardas Steichenas gimė 1900.
Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Preview slide, The Kid, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand ir Preview slide, The Immigrant. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 47 Edwardas Steichenas darbų, datuojamų nuo 1909 iki 1927.
Dauguma jų yra Museum of the Moving Image (Astoria), Denver Art Museum (Denver) ir George Eastman muziejus (Rochester). Viršuje esančiame lange muziejai išvardyti po vieni.
1920s laikotarpyje: 29 iš 47 šioje pusėje esančių darbų sukurtos tada, iš jų – Le Tournesol (The Sunflower).
Pirmasis šioje pusėje yra The Lotus Screen, S.S.S (1909), paskutinis – Herald, The Kid Brother (1927).
Black and white (7), Edward steichen (7) ir Portrait (6), iš 47 šioje pusėje esančių darbų.
Black and White Photography: 9 iš 47 šioje pusėje esančių darbų.
Pictorialism, kaip rodo šio puslapio paveikslai.
Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins ir Preview slide, The Kid yra vieni iš 32 šioje puslapyje esamų darbų, kuriuos saugo Museum of the Moving Image, Astoria.
