Carleton Wiggins, 1848 – 1932

Carleton Wiggins tapiai: 27 garsiausių kūrinių reitingas

Žymiausias Carleton Wiggins tapas yra Winter Evening in France (1882), esantis Rhode Island School of Design Museum of Art, Providence. Kartu su Landscape with Cattle (1882) ir The Supper at Emmaus (1636) tai sudaro tris visai visus pažįstančius darbus. Mūsų kataloge yra 27 darbų autoriaus Carleton Wiggins; žemiau pateiktos 27 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.

Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.

Carleton Wiggins portretas
Carleton Wiggins · 1848 – 1932
Gedė · mirė
1848 – 1932, Orange County
Darbai mūsų kataloge
27
Labiausiai žinomi
Winter Evening in France (1882)
Daugiausia darbų yra
Temple Newsam House

10 garsiausių Carleton Wiggins paveikslų

Winter Evening in France (1882) aut. Carleton Wiggins
1

Winter Evening in France

1882 · Oil On Canvas · Rhode Island School of Design Museum of Art, Providence

The landscape unfolds in a wide, snow-covered field that stretches toward a low horizon. A single figure drives a small wooden cart pulled by a donkey, moving slowly from the left toward the center-right. Faint tracks mark the white surface where the wheels and hooves have passed. To the left, a line of slender, leafless trees recedes into the distance, their vertical forms cutting through the soft haze. In the…

Ranku tapytos aliejaus reprodukcija nuo $181 38 × 26 cm Pusė kaip originalo $300 84 × 58 cm Užsakyti originalaus dydžio →
Landscape with Cattle (1882) aut. Carleton Wiggins
2

Landscape with Cattle

1882 · Oil On Canvas · New York Historical Society, Niujorkas

The air feels heavy and still, as if a soft, grey mist has just settled over the valley. In this 1882 landscape, the world breathes in slow, rhythmic pulses. A group of cattle grazes within a wide, open pasture, their forms grounded and heavy against the earth. The horizon sits near the center of the view, dividing a muted sky from the textured terrain below. There is a profound sense…

Ranku tapytos aliejaus reprodukcija nuo $181 36 × 28 cm
The Supper at Emmaus (1636) aut. Carleton Wiggins
3

The Supper at Emmaus

1636 · Oil · Temple Newsam House, Lidsas

A quiet intimacy defines this scene of Jesus and his twelve apostles gathered around a dining table. The composition centers on the shared meal, set within a room furnished with chairs and a bench. In the periphery, life continues in small, domestic details: a dog rests near the bottom right corner, while a cat sits on the left side near a chair. The atmosphere is one of warmth and profound…

Ranku tapytos aliejaus reprodukcija nuo $181 39 × 26 cm
Moses (1636) aut. Carleton Wiggins
4

Moses

1636 · Oil · Temple Newsam House, Lidsas

Moses stands as a pillar of stone and shadow. He holds the two tablets, the heavy weight of the Ten Commandments pressing against his palms. Around him, the air feels thick with the presence of others, figures caught in the periphery of his monumental task. The colors are muted, as if seen through a veil of dust or the haze of ancient history. He is a man defined by the…

Ranku tapytos aliejaus reprodukcija nuo $181 16 × 64 cm
Daniel (1636) aut. Carleton Wiggins
5

Daniel

1636 · Oil · Temple Newsam House, Lidsas

The portrait of Daniel by Carleton Wiggins presents a man caught in a moment of quiet study. Dated about 1636, the work focuses on the face and hands of the subject, leaving the rest of his form to the shadows. He holds a book, a heavy presence in his grip that anchors the composition. A clock hangs in the background, its presence marking the steady passage of time against the…

Ranku tapytos aliejaus reprodukcija nuo $181 16 × 63 cm
Nahum (1636) aut. Carleton Wiggins
7

Nahum

1636 · Oil · Temple Newsam House, Lidsas

The painting titled Nahum is a work by the American artist Carleton Wiggins. This piece, which dates to about 1636, captures a singular figure in a moment of stillness. The subject is rendered with a focus on the weight of his presence against a muted background.

Ranku tapytos aliejaus reprodukcija nuo $181 16 × 63 cm
Jeremiah (1636) aut. Carleton Wiggins
8

Jeremiah

1636 · Oil · Temple Newsam House, Lidsas

The painting Jeremiah, dating to 1636, presents a detailed portrait of a man dressed in religious attire, reminiscent of a monk or a priest. The subject is depicted sitting upon a chair with his hands folded together in a gesture of repose or prayer. The composition is carefully balanced, with the central figure occupying a significant portion of the frame. In the background, the scene is enriched by the presence…

Ranku tapytos aliejaus reprodukcija nuo $181 16 × 62 cm
Ezekiel (1636) aut. Carleton Wiggins
9

Ezekiel

1636 · Oil On Panel · Temple Newsam House, Lidsas

This work, titled Ezekiel, was executed by the American artist Carleton Wiggins. It is a vertical panel painting that captures a moment of profound significance. The piece dates to about 1636, presenting a subject matter that is deeply religious and symbolic in nature.

Ranku tapytos aliejaus reprodukcija nuo $181 16 × 64 cm
Jonah (1636) aut. Carleton Wiggins
10

Jonah

1636 · Oil · Temple Newsam House, Lidsas

In this work, Carleton Wiggins captures the moment of divine intervention and peril. The painting depicts Jonah being swallowed by the whale. It is a scene of sudden, overwhelming scale. The figure of Jonah is caught in the transition between the world of men and the depths of the sea. He is a man in a suit with his arms outstretched, as if he's being lifted up into the air.…

Ranku tapytos aliejaus reprodukcija nuo $181 16 × 61 cm

Carleton Wiggins, paveikslai nuo 11 iki 27

David (1636) aut. Carleton Wiggins
#11

David

1636 · Temple Newsam House

The painting titled David is a work by the artist Carleton Wiggins. This antique image captures a figure of authority, rendered with the specific tonal modulation that defines…

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Amos (1636) aut. Carleton Wiggins
#12

Amos

1636 · Temple Newsam House

The painting titled Amos is a work by the artist Carleton Wiggins. It presents a portrait of a man with a beard, captured in a moment of quiet…

Atneškite į savo namus nuo $181 →
Samuel (1636) aut. Carleton Wiggins
#13

Samuel

1636 · Temple Newsam House

Carleton Wiggins renders a moment of spiritual weight through a layered assembly of figures. The central figure, Samuel, is depicted with a heavy, bearded presence, his robe providing…

Užsisakyti reprodukciją nuo $181 →
Zachariah (1636) aut. Carleton Wiggins
#15

Zachariah

1636 · Temple Newsam House

We find ourselves before Zachariah, a work by the American artist Carleton Wiggins. This piece captures a moment of quietude, presenting a figure engaged in deep contemplation. The…

Atneškite į savo namus nuo $181 →
Eliah (1636) aut. Carleton Wiggins
#16

Eliah

1636 · Temple Newsam House

Two figures occupy the center of this 1636 composition, anchored by the weight of their presence. One man is draped in a red robe, his gaze cast downward…

Atneškite į savo namus nuo $181 →
Joel (1636) aut. Carleton Wiggins
#17

Joel

1636 · Temple Newsam House

The painting titled Joel is a work by the American artist Carleton Wiggins. It is a large-scale composition, measuring 280 x 50 cm. The canvas stretches wide, capturing…

Užsisakyti reprodukciją nuo $181 →
Isaiah (1636) aut. Carleton Wiggins
#18

Isaiah

1636 · Temple Newsam House

Carleton Wiggins produced this antique work titled Isaiah. The painting features a religious figure, potentially representing Mary or Jesus, positioned before a wall. The composition includes two additional…

Atneškite į savo namus nuo $181 →
Malachi (1636) aut. Carleton Wiggins
#19

Malachi

1636 · Temple Newsam House

A central figure in red clothing dominates the composition, holding a violin close to his face. The subject wears a crown, suggesting a royal or sacred status. He…

Atneškite į savo namus nuo $181 →
Aaron (1636) aut. Carleton Wiggins
#20

Aaron

1636 · Temple Newsam House

In Aaron by Carleton Wiggins, a sense of quietude settles over the landscape. A massive tree dominates the left side of the frame, its lush foliage reaching upward…

Užsisakyti reprodukciją nuo $181 →

Daugiausiai temų, kurių vaizdė Carleton Wiggins

Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.

Kur galima pamatyti Carleton Wiggins paveikslus

5 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Carleton Wiggins darbai Šiojo sąrašo paveikslai
Temple Newsam House, LidsasTemple Newsam House Lidsas 18 The Supper at Emmaus, Moses, Daniel
Smithsonian American Art Museum, VašingtonasSmithsonian American Art Museum Vašingtonas 2 Evening after a Shower, The Pasture Lot
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Winter Evening in France
New York Historical Society, NiujorkasNew York Historical Society Niujorkas 1 Landscape with Cattle
Buffalo AKG meno muziejus, BuffaloBuffalo AKG meno muziejus Buffalo 1 Sand Dunes: Coney Island

enusičiausio Carleton Wiggins tapiojo dešimtmetės tapiojas

  1. 1870s
  2. 1880s
    Winter Evening in France (1882) aut. Carleton Wiggins
    #1 iš 27

    Winter Evening in France

    Amžius 32 – 41 · Rhode Island School of Design Museum of Art

    The landscape unfolds in a wide, snow-covered field that stretches toward a low horizon. A single figure drives a small wooden cart pulled by a donkey, moving slowly…

  3. 1890s
  4. 1900s

Klausimai apie Carleton Wiggins paveikslus

Koks yra garsiausias Carleton Wiggins tapas?Rodyti atsakymą

Winter Evening in France (1882), Rhode Island School of Design Museum of Art, Providence. Toliau yra Landscape with Cattle (1882) ir The Supper at Emmaus (1636).

Kiek metų buvo Carleton Wiggins, kai buvo nupieštas Winter Evening in France?Rodyti atsakymą

34 metų amžiaus: Winter Evening in France sukurta 1882 m. ir Carleton Wiggins gimė 1848.

Kokie yra 10 geriausių Carleton Wiggins paveikslų?Rodyti atsakymą

Winter Evening in France, Landscape with Cattle, The Supper at Emmaus, Moses, Daniel, Zephaniah, Nahum, Jeremiah, Ezekiel ir Jonah. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek paveikslų sukūrė Carleton Wiggins?Rodyti atsakymą

Mūsų kataloge yra 27 Carleton Wiggins darbų, datuojamų nuo 1873 iki 1908.

Kur yra garsiausi Carleton Wiggins paveikslai?Rodyti atsakymą

Dauguma jų yra Temple Newsam House (Lidsas), Smithsonian American Art Museum (Vašingtonas) ir Rhode Island School of Design Museum of Art (Providence). Viršuje esančiame lange muziejai išvardyti po vieni.

Kada Carleton Wiggins namai dažniausiai tapė savo garsiausiais šedevrais?Rodyti atsakymą

1880s laikotarpyje: 2 iš 27 šioje pusėje esančių darbų sukurtos tada, iš jų – Winter Evening in France.

Kokie yra pirmieji ir paskutiniai garsūs Carleton Wiggins paveikslai?Rodyti atsakymą

Pirmasis šioje pusėje yra Moonlight on the Long Island Sound (1873), paskutinis – Sand Dunes: Coney Island (1908).

Ką dažniausiai tapė Carleton Wiggins?Rodyti atsakymą

Man (12), People (6) ir Clock (4), iš 27 šioje pusėje esančių darbų.

Kurią techniką Carleton Wiggins naudojo dažniausiai?Rodyti atsakymą

Oil: 17 iš 27 šioje pusėje esančių darbų.

Kurius Carleton Wiggins paveikslus galėčiau pamatyti Temple Newsam House?Rodyti atsakymą

The Supper at Emmaus, Moses ir Daniel yra vieni iš 18 šioje puslapyje esamų darbų, kuriuos saugo Temple Newsam House, Lidsas.

Ar galiu įsigyti Carleton Wiggins paveikslą-reprodukciją?Rodyti atsakymą

Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.

Apie Carleton Wiggins

John Carleton Wiggins (1848–1932): A Visionary Interpreter of Biblical Narrative

John Carleton Wiggins was a prolific American artist whose distinctive style—characterized by meticulous detail and expressive tonal modulation—established him as one of the foremost interpreters of Old Testament themes in late nineteenth-century art. Born in Brooklyn, New York, in 1848, Wiggins’s artistic journey began modestly but swiftly ascended to prominence thanks to his unwavering dedication to capturing the spiritual essence of biblical stories through masterful technique and profound emotional resonance.
  • Early Life & Education: Wiggins pursued formal schooling primarily in Brooklyn, where he honed foundational skills in drawing and painting before embarking on a collegiate path at Bates College in Lewiston, Maine. His formative years instilled within him an appreciation for both realism and symbolic representation—influences that would permeate his artistic output throughout his career.
  • Career Highlights: Wiggins’s professional life unfolded across several disciplines, including law practice and coaching roles. However, it was his unwavering commitment to visual art that cemented his legacy. He gained considerable acclaim for his biblical paintings, notably ‘Ezekiel,’ ‘The Supper at Emmaus,’ and ‘Aaron,’ which garnered recognition from institutions like the Smithsonian American Art Museum.

Stylistic Innovation & Artistic Technique

Wiggins’s artistic approach distinguished itself through a meticulous attention to textural detail—a hallmark of his oeuvre—and an innovative use of tonal modulation that conveyed profound emotional depth. He skillfully blended realistic observation with symbolic iconography, creating canvases imbued with both visual richness and spiritual significance. His technique involved layering thin glazes over prepared surfaces, achieving luminous effects and capturing subtle nuances of light and shadow—methods that reflected the prevailing artistic currents of his time while simultaneously forging a singular aesthetic identity.
  • Glazing Technique: Wiggins’s mastery of glazing—applying translucent layers of pigment—allowed him to build up color gradually, producing velvety surfaces and enhancing visual luminosity.
  • Symbolic Iconography: He incorporated symbolic elements into his compositions, referencing biblical narratives and conveying theological ideas through carefully chosen imagery.

Major Works & Recognition

Among Wiggins’s most celebrated paintings are ‘Ezekiel,’ ‘The Supper at Emmaus,’ and ‘Aaron,’ each representing a significant achievement in capturing the dramatic tension and spiritual contemplation inherent in biblical narratives. These works exemplify his stylistic innovations and garnered considerable acclaim from critics and collectors alike. The Smithsonian American Art Museum proudly houses several of Wiggins’s masterpieces, ensuring that his artistic legacy continues to inspire future generations of artists and scholars.

Legacy & Historical Significance

John Carleton Wiggins stands as a pivotal figure in the history of American biblical art—a testament to the enduring power of visual storytelling to illuminate spiritual truths. His distinctive style—characterized by meticulous detail, expressive tonal modulation, and skillful blending of realism and symbolism—influenced subsequent artists and solidified his place among the foremost interpreters of Old Testament themes. Wiggins’s unwavering dedication to artistic excellence ensured that his work would resonate across time, securing his enduring contribution to the canon of nineteenth-century art.