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          Adèle Romany, 1769 – 1846

          37 garsiausių Adèle Romany paveikių

          Veržė Adèle Romany šlovę tapyba Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); ji eksponuojama National Museum of Women in the Arts, Vašingtonas, D.C.. Madame Coury, Duhamel Widow (1811) ir Portrait of a Young Woman (1804) seka juos kolekcionerių bei muziejų lankytojų širdyse. Iš 39 Adèle Romany kūrinių mūsų kataloge, šios 37 yra labiausiai gerbiamos – kiekvienas jų pateikiamas su datos, muziejaus ir išskirtinės ypatybės aprašymu.

          Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.

          Adèle Romany portretas
          Adèle Romany · 1769 – 1846
          Gedė · mirė
          1769 – 1846, Paris
          Judėjimas
          Neoclassicism
          Darbai mūsų kataloge
          39
          Labiausiai žinomi
          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
          Daugiausia darbų yra
          Library-museum of the Comédie-Française

          Adèle Romany: dešimties šedevrai

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) aut. Adèle Romany
          1

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

          1795 · Oil · National Museum of Women in the Arts, Vašingtonas, D.C.

          The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

          Ranku tapytos aliejaus reprodukcija nuo $181 27 × 36 cm Pusė kaip originalo $525 97 × 128 cm Užsakyti originalaus dydžio →
          Atneškite į savo namus Atraskite šį šedevrą
          Madame Coury, Duhamel Widow (1811) aut. Adèle Romany
          2

          Madame Coury, Duhamel Widow

          1811 · Oil On Canvas · Nationalmuseum, Stokholmas

          In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

          Ranku tapytos aliejaus reprodukcija nuo $181 28 × 36 cm Pusė kaip originalo $470 90 × 117 cm Užsakyti originalaus dydžio →
          Užsisakyti reprodukciją Apie šį paveikslą
          Portrait of a Young Woman (1804) aut. Adèle Romany
          3

          Portrait of a Young Woman

          1804 · Oil On Canvas · Musée Marmottan Monet, Paryžius

          The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

          Ranku tapytos aliejaus reprodukcija nuo $181 29 × 35 cm Pusė kaip originalo $245 51 × 61 cm Užsakyti originalaus dydžio →
          Užsisakyti reprodukciją Apie šį paveikslą
          Portrait of Julie Candeille (1791) aut. Adèle Romany
          4

          Portrait of Julie Candeille

          1791 · Oil On Canvas

          In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

          Ranku tapytos aliejaus reprodukcija nuo $181 29 × 34 cm
          Užsisakyti rankinio kopijos tapybą Šio kūrinio istorija
          Portrait of a Young Harpist (1795) aut. Adèle Romany
          5

          Portrait of a Young Harpist

          1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lilas

          The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

          Ranku tapytos aliejaus reprodukcija nuo $181 28 × 35 cm Pusė kaip originalo $354 73 × 92 cm Užsakyti originalaus dydžio →
          Užsisakyti rankinio kopijos tapybą Šio kūrinio istorija
          Portrait of a woman (1795) aut. Adèle Romany
          6

          Portrait of a woman

          1795 · Oil On Canvas · Musée Jacquemart-André, Paris

          The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

          Ranku tapytos aliejaus reprodukcija nuo $181 29 × 35 cm Pusė kaip originalo $294 62 × 76 cm Užsakyti originalaus dydžio →
          Užsisakyti reprodukciją Apie šį paveikslą
          Portrait of Amélie-Justine Pontois (1795) aut. Adèle Romany
          7

          Portrait of Amélie-Justine Pontois

          1795 · Oil

          In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

          Ranku tapytos aliejaus reprodukcija nuo $181 28 × 36 cm Pusė kaip originalo $243 49 × 61 cm Užsakyti originalaus dydžio →
          Atneškite į savo namus Atraskite šį šedevrą
          Charles-Antoine d'Artenay (1792) aut. Adèle Romany
          8

          Charles-Antoine d'Artenay

          1792 · Oil On Canvas · Château de Versailles, Versalio

          The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

          Ranku tapytos aliejaus reprodukcija nuo $181 29 × 35 cm Pusė kaip originalo $256 53 × 65 cm Užsakyti originalaus dydžio →
          Užsisakyti reprodukciją Apie šį paveikslą
          Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) aut. Adèle Romany
          9

          Portrait of Amélie-Justine and Charles-Édouard Pontois

          1800 · Oil

          The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

          Ranku tapytos aliejaus reprodukcija nuo $206 28 × 35 cm Pusė kaip originalo $380 73 × 92 cm Užsakyti originalaus dydžio →
          Užsisakyti reprodukciją Apie šį paveikslą
          A young person hesitating to play the piano in front of her family (1804) aut. Adèle Romany
          10

          A young person hesitating to play the piano in front of her family

          1804 · Oil On Canvas · Frances Lehman Loeb Art Center

          The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

          Ranku tapytos aliejaus reprodukcija nuo $281 36 × 28 cm Pusė kaip originalo $749 146 × 113 cm Užsakyti originalaus dydžio →
          Užsisakyti reprodukciją Apie šį paveikslą

          Daugiau šedevrų: Adèle Romany, nuo 11 iki 37

          Mlle Raucourt as Agrippine (1812) aut. Adèle Romany
          #22

          Mlle Raucourt as Agrippine

          1812 · Library-museum of the Comédie-Française

          In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

          Atneškite į savo namus nuo $181 →

          Adèle Romany tapų skirstymas pagal laikotarpius

          Early Period

          1791 – 1798 · 7 darbai šiame sąraše
          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

          Mature Period

          1799 – 1818 · 24 darbai šiame sąraše
          Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

          Daugiausiai temų, kurių vaizdė Adèle Romany

          Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.

          Woman 21 darbai

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

          Man 12 darbai

          Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Château de Versailles Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

          White dress 6 darbai

          Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

          Landscape 6 darbai

          Full-length Portrait of a Young Lady Seated in a Landscape (1805), Adèle Romany #17 Full-length Portrait of a Young Lady Seated in a Landscape 1805 · Musée Grobet-Labadié Portrait of Aglaé-Constance Boudard in red velvet dress (1815), Adèle Romany #30 Portrait of Aglaé-Constance Boudard in red velvet dress 1815 Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center

          Kur galima pamatyti Adèle Romany paveikslus

          8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

          Muzejaus Miestas Adèle Romany darbai Šiojo sąrašo paveikslai
          Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
          Château de Versailles, VersalioChâteau de Versailles Versalio 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
          Museum of Fine Arts, BostonasMuseum of Fine Arts Bostonas 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
          National Museum of Women in the Arts, Vašingtonas, D.C.National Museum of Women in the Arts Vašingtonas, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
          Nationalmuseum, StokholmasNationalmuseum Stokholmas 1 Madame Coury, Duhamel Widow
          Musée Marmottan Monet, ParyžiusMusée Marmottan Monet Paryžius 1 Portrait of a Young Woman
          Palais des Beaux-Arts de Lille, LilasPalais des Beaux-Arts de Lille Lilas 1 Portrait of a Young Harpist
          Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

          Adèle Romany, dešimtmetė po dešimtmetės: pagrindinis kiekvieno laikotarpio kūrinys

          1. 1790s
          2. 1800s
            Portrait of a Young Woman (1804) aut. Adèle Romany
            #3 iš 37

            Portrait of a Young Woman

            Amžius 31 – 40 · Musée Marmottan Monet

            The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

          3. 1810s
            Madame Coury, Duhamel Widow (1811) aut. Adèle Romany
            #2 iš 37

            Madame Coury, Duhamel Widow

            Amžius 41 – 50 · Nationalmuseum

            In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

          4. 1830s

          Adèle Romany šedevrai: klausimai ir atsakymai

          Kuriu paveiksluku Adèle Romany yra labiausiai žinomas?Rodyti atsakymą

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Vašingtonas, D.C.. Toliau yra Madame Coury, Duhamel Widow (1811) ir Portrait of a Young Woman (1804).

          Kiek metų buvo Adèle Romany, kai tapė šį kūrinį Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Rodyti atsakymą

          26 metų amžiaus: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou sukurta 1795 m. ir Adèle Romany gimė 1769.

          Kokie yra 10 didžiausių paveikslavų Adèle Romany?Rodyti atsakymą

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ir A young person hesitating to play the piano in front of her family. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.

          Kiek darbų namdė Adèle Romany?Rodyti atsakymą

          Mūsų kataloge yra 39 Adèle Romany darbų, datuojamų nuo 1791 iki 1836.

          In kuriuose muzeumuose galėčiau pamatyti Adèle Romany šedevralius?Rodyti atsakymą

          Dauguma jų yra Library-museum of the Comédie-Française (Paris), Château de Versailles (Versalio) ir Museum of Fine Arts (Bostonas). Viršuje esančiame lange muziejai išvardyti po vieni.

          Kada Adèle Romany nupiešė šiuos šedevrus?Rodyti atsakymą

          1800s laikotarpyje: 13 iš 37 šioje pusėje esančių darbų sukurtos tada, iš jų – Portrait of a Young Woman.

          Kokie yra pirmasis ir paskutinis garsieji Adèle Romany paveikslai?Rodyti atsakymą

          Pirmasis šioje pusėje yra Portrait of Julie Candeille (1791), paskutinis – Portrait of Voltaire (1836).

          Kokie buvo Adèle Romany mėgstamiausi temų objektai?Rodyti atsakymą

          Woman (21), Man (12) ir White dress (6), iš 37 šioje pusėje esančių darbų.

          Kurią techniką Adèle Romany mėgavosi?Rodyti atsakymą

          Oil On Canvas: 26 iš 37 šioje pusėje esančių darbų.

          Kokio meno kierlioje priklauso Adèle Romany?Rodyti atsakymą

          Neoclassicism, kaip rodo šio puslapio paveikslai.

          Kuriuose Library-museum of the Comédie-Française eksponuojami Adèle Romany šedevrai?Rodyti atsakymą

          Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ir Portrait of Fleury yra vieni iš 5 šioje puslapyje esamų darbų, kuriuos saugo Library-museum of the Comédie-Française, Paris.

          Ar galiu įsigyti Adèle Romany šedevro reprodukciją?Rodyti atsakymą

          Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.

          Adèle Romany gyvenimas

          Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

          Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

          Early Life and Artistic Training

          • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
          • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
          • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

          Artistic Style and Notable Works

          • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
          • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
          • Notable Works:
            • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
            • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
            • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
          • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

          Recognition and Historical Significance

          • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
          • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
          • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
          • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

          Legacy and Rediscovery

          Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

          Visi 39 Adèle Romany darbai → Adèle Romany tapierių reprodukcijos su kainomis →