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Joseph Mallord William Turner Populiariausi tapiniai

The 25 artworks by Joseph Mallord William Turner our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Lino drobė · Autentiškumo sertifikatas · Siunčiama visai pasaulyje Joseph Mallord William Turner · 1775 – 1851

Žydrusis Temerairas: Traukiant į paskutinį savo poilsį ir naikindamas

Žydrusis Temerairas – JMW Turner klasikinė romantinė drobė apie jūrinę istoriją ir paskutinį šio žygį į skurdą, simbolizuojantį technologijų revoliuciją bei laikų pabaigą.

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Popularity: No. 1 of 810 artworks by Joseph Mallord William Turner
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Žieminiai rūžmių šildymas ir greitis – Didžioji vakarų geležinkelė

original 121 x 90 cm

Žieminė gamtos ir technologijų sintezė – Didžiojo vakarų geležinkelio paveiksla iš Žurnalisto J.M.W. Turner meno kolekcijos. Ekspresyvus koloritas, dinamika ir simboliai.

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Popularity: No. 2 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$481121 × 90 cm Commission at original size

Šaukiantis Temerairo

"Šaukiantis Temerairo" – Joseph Mallord William Turner klasikinės romantikos meistras. Dramiška jūrinė scena šviesoje ir spalvų naudojimu simbolizuojanti istoriją apie žygį į priekį ir laiko prašūdą."

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Popularity: No. 3 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Aukos Pastato Ugniniai Degdžiai

1835 · original 92 x 123 cm

Tiesiogine širdimi! Ternerio 'Aukos Pastato Ugniniai Degdžiai' – Romantizmo klasika, kurios ugnis vis dar deganti. Stenbergė įkvėpimo!

Technika: Ranku dažytas aliejus ant lino drobos
Gaminta: Užsakyti gali profesionalus dailininkas
Popularity: No. 4 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$494123 × 92 cm Commission at original size

Žiebrežiai jūroje

1796 · Tate Gallery, Londonas · original 91 x 122 cm

Pajuskite Turnerio dramatišką mėnesino apšvieltą jūrą ir gamtos jėgą. Atraskite šį šviesos ir šešėlio šedabrą!

Technika: Ranku dažytas aliejus ant lino drobos
Gaminta: Užsakyti gali profesionalus dailininkas
Popularity: No. 5 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$487122 × 91 cm Commission at original size

Venecija: Dogana ir San Giorgio Maggiore

1834 · Nacionalinės dailės galerija, Washington

„Venecija: Dogana ir San Giorgio Maggiore“ reprodukcijos yra liềnai pasiekiamos WahooArt.

Technika: Ranku dažytas aliejus ant lino drobos
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Popularity: No. 6 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Undine Giving the Ring to Massaniello, Fisherman of Naples

1846 · Tate Gallery, Londonas · original 79 x 79 cm

Experience Turner's 'Undine Giving the Ring to Massaniello'! This captivating 1846 oil painting depicts a poignant scene of connection and mystery, showcasing Turner’s masterful use of light and color. A stunning reproduction awaits!

Technika: Ranku dažytas aliejus ant lino drobos
Gaminta: Užsakyti gali profesionalus dailininkas
Popularity: No. 7 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$34179 × 79 cm Commission at original size

Romos: Kolizėjus

1820 · British Museum, Londonas

Patirkite Turnerio ikoninį kūrinį „Romos: Kolizėjus“! Šis akvarelis įamžina senovės Romos prachtą su avietais, apietinančiais majestriškas iškaipus – rami ir jaudinanti šedevras.

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Popularity: No. 8 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Didysis kanalas, Venecija

1835 · Metropolitano muziejus, New York · original 91 x 122 cm

Patirkite ikonišką Turnerio „Didžiojo kanalo, Venecijos“ grožį! Šis sulaužytas 1835 m. paveikslas vaizduoja miesto vandens kelius ryškiomis spalvomis ir meistriku skaitliu – tai nesivėslinis šedevras.

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Popularity: No. 9 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$487122 × 91 cm Commission at original size

Quillebeuf, at the Mouth of Seine

1833 · Kalouste Gulbenkian, Lisbon · original 88 x 120 cm

Experience Turner's dramatic 'Quillebeuf, at the Mouth of Seine'! This iconic oil painting captures a stormy coastal scene with a church and boats, showcasing the artist’s mastery of light and atmosphere. Own a stunning reproduction today!

Technika: Ranku dažytas aliejus ant lino drobos
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Popularity: No. 10 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$471120 × 88 cm Commission at original size

Morning amongst the Coniston Fells

1798 · Tate Gallery, Londonas · original 123 x 90 cm

Experience Turner's stunning 'Morning Amongst the Coniston Fells,' capturing a dramatic mountain landscape bathed in ethereal light. A masterpiece of Romanticism.

Technika: Ranku dažytas aliejus ant lino drobos
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Popularity: No. 11 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$48690 × 123 cm Commission at original size

Peržėžiant kišturinį

1815 · Tate Gallery, Londonas · original 193 x 165 cm

Susitikite su J.M.W. Turnerio „Peržėžiant kišturinį“ (1815). Nuostabius pejzažas, užfiksuojantis Devono upės sceną su įkvėpimuoju šviesiu ir detalėmis, dalis Tate Britain kolekcijos.

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Popularity: No. 12 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$1107165 × 193 cm Commission at original size

The Shipwreck

1805 · Tate Gallery, Londonas · original 171 x 240 cm

Turner's 'The Shipwreck' (1805) captures the raw power of nature and human vulnerability amidst a stormy sea. A masterpiece of Romanticism at Tate Britain.

Technika: Ranku dažytas aliejus ant lino drobos
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Popularity: No. 13 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

from$30637 × 27 cm Commission this artwork

Same size as the original$1505240 × 171 cm Commission at original size

War, the Exile and the Rock Limpet

1842 · Tate Gallery, Londonas · original 79 x 79 cm

Experience 'War, the Exile and the Rock Limpet' by J.M.W. Turner – a haunting depiction of Napoleon’s isolation on Saint Helena, rendered with dramatic light and evocative atmosphere.

Technika: Ranku dažytas aliejus ant lino drobos
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Popularity: No. 14 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$34179 × 79 cm Commission at original size

Self-Portrait

1799 · Tate Gallery, Londonas · original 74 x 58 cm

Admire Turner’s ‘Self-Portrait’ (1799). A striking study in light & shadow, this hand-painted reproduction captures the artist's serious gaze. Elevate your art collection today.

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Popularity: No. 15 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$28258 × 74 cm Commission at original size

The Fall of an Avalanche in the Grisons

1810 · Tate Gallery, Londonas · original 90 x 120 cm

Experience the breathtaking grandeur of William Turner's 'The Fall of an Avalanche in the Grisons,' a monumental oil painting capturing the sublime beauty and turbulent force of Alpine landscapes. Explore a masterpiece at WahooArt.com.

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Popularity: No. 16 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$478120 × 90 cm Commission at original size

Ploughing up Turnips, near Slough

1809 · Tate Gallery, Londonas · original 102 x 130 cm

Experience the sublime beauty of Turner’s ‘Ploughing Up Turnips, near Slough’! This Romantic masterpiece captures rural life with expressive colors and masterful detail – now available as a stunning handmade oil painting reproduction.

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Popularity: No. 17 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$552130 × 102 cm Commission at original size

Dido statydama Kartaginą (taip pat žinoma kaip Kartaginų imperijos auga)

View the most popular artwork of Joseph Mallord William Turner ranked #18: Dido statydama Kartaginą (taip pat žinoma kaip Kartaginų imperijos auga)

1815 · Nacionalinė galerija, London

Pasžiūrėkite Kartaginos augimą! Joseph Mallord William Turner dramatiškas „Dido statydama Kartaginą“ užfiksuoja senovės miesto didingumą ir ambicijas ryškiomis spalvomis bei meistrišku šviesiu.

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Popularity: No. 18 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Dutch Boats in a Gale

1801 · Nacionalinė galerija, London · original 163 x 221 cm

Experience the sublime terror of J.M.W. Turner's 1801 masterpiece Dutch Boats in a Gale, a dramatic Romantic seascape capturing nature's raw power through turbulent light and waves, available for your collection.

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Popularity: No. 19 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$1231221 × 163 cm Commission at original size

Šiovė Širmas – Jūrų Įlankos Užlūžusiąs Oro Vėjo Žaidimą Ir Žengiantį Žiburiu.

View the most popular artwork of Joseph Mallord William Turner ranked #20: Šiovė Širmas – Jūrų Įlankos Užlūžusiąs Oro Vėjo Žaidimą Ir Žengiantį Žiburiu.

1842 · Tate Gallery, Londonas

Žiūrėkite į Šiovės Širmą – Dramatinį Romantizmą išraiškojančią jūros kraštovaizdžio kūrinį! Atraskite šio meistro darbą, kuriame naudojamas Impasto technika ir spalvų kontrastas.

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Popularity: No. 20 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Snow Storm: Hannibal and His Army Crossing the Alps

1812 · Tate Gallery, Londonas

Experience the dramatic power of Turner's *Snow Storm: Hannibal and His Army Crossing the Alps*, capturing a perilous Alpine journey with masterful light and color – a cornerstone of Romantic art.

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Popularity: No. 21 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Snow Storm: Steam-Boat off a Harbour's Mouth

1842 · Tate Gallery, Londonas · original 91 x 122 cm

Experience Turner’s ‘Snow Storm’! A dramatic seascape of a steamer battling fierce waves & swirling clouds. Loose brushstrokes, atmospheric perspective, & sublime power – a masterpiece of Romantic art.

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Popularity: No. 22 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$487122 × 91 cm Commission at original size

Snow Storm, Hannibal and his Army Crossing the Alps

1812 · Tate Gallery, Londonas · original 145 x 236 cm

Experience Turner's dramatic 'Snow Storm: Hannibal' – a monumental oil painting capturing the perilous Alpine crossing with swirling clouds and a heroic struggle against nature.

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Popularity: No. 23 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$1178236 × 145 cm Commission at original size

Slavers Throwing Overboard the Dead and Dying - Typhon Coming on

1840 · Fine Arts muziejus, Boston · original 91 x 138 cm

Turner's haunting 'Slave Ship' depicts the horrors of the slave trade with dramatic brushstrokes and turbulent seas – a powerful indictment of human cruelty and indifference.

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Popularity: No. 24 of 810 artworks by Joseph Mallord William Turner
Pristatymas: Visame pasaulyje, apie 5 weeks

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Same size as the original$531138 × 91 cm Commission at original size

Akmeninė buktis su figūromis

1830 · Nacionalinė galerija, London

Patyrėkite Williamo Turnerio „Akmeninė buktis su figūromis“ romantinę grožį. Ši nuostabi kelioje patiyra ramiškas paplūdimio kraštas, aušindamas dreivėjimą ir emocijas. Įsigalinkite muziejų kokybės reprodukciją jau šiandien!

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Popularity: No. 25 of 810 artworks by Joseph Mallord William Turner
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The artist

Joseph Mallord William Turner

1775 – 1851

Pagrindinė informacija

Corpus themesromantic landscape, romanticism, light, turner’s romantic vision, romantic sublime
Mediumsaliejus ant drobės
Topics exploredbuildings, clouds, landscape, mountains, boats
Also known asWilliam Turner, J.M.W. Turner, Joseph Mallord William Turner, James Mallord William Turner, Joseph Mallord W. Turner
NationalityJungtinė Karalystė
Room fitpopieriaus svetainė
Best occasionsmanifestas, akcentas
Top 3 worksŽydrusis Temerairas: Traukiant į paskutinį savo poilsį ir naikindamas, Žieminiai rūžmių šildymas ir greitis – Didžioji vakarų geležinkelė, Šaukiantis Temerairo

Biography

Early Life, Family and Training

In a house on Maiden Lane, within the busy Covent Garden district of London, Joseph Mallord William Turner entered the world. His beginnings were rooted in the practical trades of the city; his father, William Turner, worked as a barber and wigmaker. This domestic setting was also a place of commerce, as William served as an art dealer, providing a young boy with an early, unforced proximity to the world of visual works. The boy’s talent was evident early on, and his father even displayed the child's drawings in the shop window to catch the eyes of passing customers.

By the age of fourteen, the boy's ambition led him to the Royal Academy Schools in 1789. This formal entry into the academic world provided the technical discipline required to transform raw talent into professional skill. Before and during these formative years, he sought practical experience by working for various architects, including Thomas Hardwick, James Wyatt, and Joseph Bonomi the Elder. These roles required a keen eye for structure and perspective, grounding his developing vision in the physical realities of the built environment.

His education was further shaped by the guidance of the topographical draughtsman Thomas Malton. Through this study, he learned to render the specific details of landscapes and architecture with precision. This period of his life was a careful balance of formal instruction and the necessity of working for hire, as he moved from the meticulous demands of architectural drawing toward the more expressive possibilities of the natural world.

Technique and Artistic Style

In his early years, he followed the path of the eighteenth-century topographical tradition, producing precise renderings of architecture and landscapes. These early efforts showed a disciplined hand, yet a restless spirit was already beginning to stir beneath the surface of his technical proficiency. As he matured, his focus shifted from the mere documentation of places to a profound fascination with the raw power of the natural world. He sought to capture the very essence of storms, the sudden fury of seascapes, the massive presence of mountains, and the fleeting brilliance of a sunset. This pursuit led him to become a painter of light, a man who used color as his primary language to describe the atmosphere.

His method was one of constant experimentation across various media, including oils, watercolours, and engravings. He moved away from rigid forms, preferring instead to use bold color and expressive renditions of light to convey the feeling of a moment. He did not merely paint a scene; he painted the air between the eye and the object. This approach allowed him to translate the turbulence of the elements into something deeply felt. His brushwork became a tool for capturing movement, dissolving the boundaries between the sea and the sky through a masterful command of light and shadow.

Fishermen at Sea (1796)
Self-Portrait (1799)
Dutch Boats in a Gale (1801)
The Fighting Temeraire (undated)
Rain Steam and Speed, The Great Western Railway (undated)

Key Works and Subjects

His early years saw him mastering the elements of the sea and the self. In 1796, he produced Fishermen at Sea, an oil work that demonstrated his early command over the interplay of light and shadow. By 1799, he turned his gaze inward with a Self-Portrait, rendered in oil on canvas. These early endeavors were but a fraction of a staggering output that eventually included over 550 oil paintings and nearly 20,000 drawings and sketches.

As his vision expanded, he moved from the meticulous details of topography toward the vastness of the natural world. He found profound inspiration in the changing light of the English landscape, such as the watercolor of Louth, Lincolnshire from 1827. His brushwork grew more expressive, often capturing the turbulent energy of storms and the shifting moods of the sky. He was drawn to the drama of the ocean, often depicting the raw power of waves and the vulnerability of those caught within them.

In his later years, the artist found himself fascinated by the rapid changes of the industrial age. He turned his attention to the machines of progress, capturing the movement and steam of a new era. This interest in contemporary technology is evident in works such as The Fighting Temeraire and Rain, Steam and Speed, where the force of human invention meets the vastness of the atmosphere.

Fishermen at Sea (1796)
Self-Portrait (1799)
Louth, Lincolnshire (1827)
The Fighting Temeraire
Rain Steam and Speed

Patrons and Commercial Success

The seeds of his professional life were sown in the modest setting of his father's shop. There, the young artist's sketches were displayed in the window, inviting passersby to purchase his early efforts for a single shilling. This early exposure to the marketplace provided a practical understanding of art as a trade. As he matured, he secured a steady and reliable income by meeting the high demand for topographical and architectural watercolours, a pursuit that allowed him to establish himself firmly within the London art world.

His growing reputation eventually drew the attention of men of significant means and influence. He found patronage among figures such as William Beckford, Francis Egerton, the 3rd Duke of Bridgewater, and George Wyndham, the 3rd Earl of Egremont. These connections were marked by substantial transactions that reflected the rising value of his vision. In 1799, he sold The Fifth Plague of Egypt to William Beckford for 150 guineas. A few years later, in 1801, Dutch Boats in a Gale was acquired by Francis Egerton for 250 guineas.

Legacy and Influence

The ripples of his vision reached far beyond the shores of Britain, touching the very foundations of how painters perceived the world. His restless pursuit of light and his expressive use of color acted as a precursor to the Impressionist movement, leaving a profound mark on artists like Monet and Pissarro. He did not merely paint the landscape; he sought to dissolve the boundaries of form, a pursuit that helped pave the way for modern abstraction. This willingness to prioritize atmosphere over rigid detail allowed his influence to travel through the centuries, eventually reaching the abstract expressionists like Mark Rothko.

His ascent to widespread acclaim was aided by a significant turning point in 1840, when a prominent critic became his great champion. This support helped the public grasp the depth of his experimentation at a time when his free treatment of subjects was often met with confusion or criticism. While many found his swirling compositions difficult to interpret, his ability to capture the feeling of a place ensured his place in the history of art. He transformed the landscape from a static subject into a medium for profound emotional expression.

Where to See the Works Today

To witness the legacy of this painter, one must travel to London, where the great majority of his paintings are held. The Tate Britain houses much of his life's work, allowing a viewer to trace his development through the decades. Within these halls, one can find The Fighting Temeraire Tugged to Her Last Berth to Be Broken Up, a work that captures a sense of profound transition. Nearby, the Tate Collection also preserves The Evening of the Deluge, a piece that reflects his preoccupation with the overwhelming forces of nature.

His reach extends far beyond the shores of England, finding homes in various corners of the globe. In Lisboa, Portugal, the Calouste Gulbenkian Museum holds Ruins of Tintern Abbey, a watercolor that demonstrates his command over light and atmosphere. Across the Atlantic, the Museum of Fine Arts in Boston, Massachusetts, preserves Slavers Throwing Overboard the Dead and Dying—Typhon Coming on, a painting that speaks to the darker, more turbulent aspects of his vision.

The Fighting Temeraire Tugged to Her Last Berth to Be Broken Up (Tate Gallery, London)
The Evening of the Deluge (Tate Collection, London)
Ruins of Tintern Abbey (Calouste Gulbenkian Museum, Lisboa, Portugal)
Slavers Throwing Overboard the Dead and Dying—Typhon Coming on (Museum of Fine Arts, Boston, Massachusetts)

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