Paskutinis Teisimas (detalė) (1572) yra garsiausias Giorgio Vasari paveikslas, esantis Duomo kolekcijoje Florencija mieste. Allegory of Justice (1543) ir The Last Judgment (detail) (1572) yra kitos dvi labiausiai žinomos pasaulyje kūrybosios darbai. Iš 122 Giorgio Vasari darbų mūsų kataloge – štai 100 dažniausiai analizuojami kolekcionerių bei lankytojų muziejų, su informacija apie metus, muziejų bei kiekvieno kūrinio istoriją.
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Žavinga detalė iš Giorgio Vasari ir Federico Zuccari monumentalios freskos „Paskutinis Teisimas“, puošiančios Florencijos katedros (Santa Maria del Fiore) lubas, kviečia pasinerti į Renesanso epochos didybę. Šis kūrinys – neatskiriama dalis istorinės ir kultūrinės palikimystybės, atspindinti tuo metu vyravusius religinius ir politinius kontekstus.
Giorgio Vasari's 1543 fresco, “Allegory of Justice and Truth,” residing within the Palazzo Cancelleria in Rome, is far more than a mere decorative panel; it’s a meticulously constructed visual sermon on virtue, governance, and the very foundations of Renaissance ideals. Commissioned by Cardinal Alessandro Farnese, this monumental work transcends its initial purpose as a room decoration to become a profound meditation on the principles that underpinned the burgeoning power of…
Within the soaring dome of Florence’s Duomo, a monumental fresco unfolds – Giorgio Vasari and Federico Zuccari's “The Last Judgment,” completed between 1572 and 1579. More than just a depiction of biblical narrative, it is an immersive experience, a theatrical tableau of judgment, salvation, and the eternal consequences of earthly choices. The sheer scale—over 3,600 square meters—immediately overwhelms the viewer, drawing them into a world of swirling figures, dramatic light,…
Giorgio Vasari's “Marriage at Cana,” completed in 1566, transcends mere depiction; it embodies the fervor and humanist ideals that defined the High Renaissance. Commissioned by Cardinal Alessandro Farnese for the Cappella Sistina in Rome, this monumental altarpiece isn’t simply a retelling of biblical scripture—it’s an ambitious attempt to capture the essence of faith itself through masterful artistic execution.
A Florentine Spectacle: Witnessing Power and Faith Giorgio Vasari’s *Triumphant Entrance of Leone X in Florence* (1563) is a monumental oil painting that bursts with the energy of a civic celebration. This isn't merely a depiction of a procession; it’s a carefully constructed narrative of papal authority reasserting itself within the heart of Renaissance Florence. The scene unfolds with a deliberate chaos, teeming with figures – from the Pope himself…
Giorgio Vasari’s 1570 Annunciation, housed within the serene confines of the Morgan Library and Museum in New York City, isn't merely a depiction of a biblical narrative; it’s a profound meditation on divine grace, humility, and the transformative power of faith. Painted during the height of the Italian Renaissance, this fresco embodies the era’s fascination with classical ideals blended seamlessly with deeply rooted Christian symbolism. Vasari, a pivotal figure in…
The year is 1559, and Florence pulses with the ambition of the Renaissance under the shrewd guidance of Cosimo I de’ Medici. Within the walls of the Palazzo Vecchio, a masterpiece emerges – Giorgio Vasari’s “Cosimo il Vecchio as San Cosma,” a portrait that transcends mere likeness to become a potent symbol of power, piety, and the enduring legacy of the Medici dynasty. This isn't simply a depiction of a…
Within the soaring dome of Florence Cathedral, a monumental fresco—known as *The Last Judgment*—commands attention, not merely for its sheer scale (spanning over 3,600 square meters), but for the profound drama it embodies. Commissioned by Grand Duke Cosimo I de’ Medici in 1572 and completed a decade later through the collaboration of Giorgio Vasari and Federico Zuccari, this work represents a pivotal moment in Renaissance art, a visual articulation of…
Giorgio Vasari's "The Resurrection," painted in 1545, isn’t merely a depiction of a biblical event; it’s a visceral embodiment of faith and the promise of rebirth. Created during the height of the Italian Renaissance, this oil-on-canvas work transcends simple religious illustration, plunging the viewer into a world of intense drama and profound spiritual significance. Vasari, already establishing himself as a pivotal figure in art history through his “Lives of Artists,”…
Giorgio Vasari’s “Perseus and Andromeda,” completed in 1570, is more than just a depiction of a classical myth; it’s a visceral embodiment of the Baroque spirit – a…
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Giorgio Vasari's “Allegory of the Immaculate Conception,” completed around 1540, stands as a testament to the artistic fervor of Florence during the High Renaissance. More than just a…
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Giorgio Vasari’s fresco, “Cosimo I de Medici surrounded by his Architects, Engineers, and Sculptors,” is more than a mere portrait; it's a meticulously crafted declaration of power, intellect,…
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In the heart of the Renaissance, where the pursuit of beauty met the rigor of intellectual discovery, Giorgio Vasari captured more than just stone and mortar in his…
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Giorgio Vasari's “Ercole fanciullo strozza i serpenti” (Hercules Child Killing the Serpents) is more than just a captivating image; it’s a potent distillation of Renaissance ideals, a visual…
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Lorenzo il Magnifico among Philosophers and Scholars – A Window into Florentine Renaissance Thought A Gathering of Minds: Giorgio Vasari’s fresco, “Lorenzo il Magnifico among philosophers and scholars,”…
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“Tribute of the Nations to Paul III,” painted in 1546 by Giorgio Vasari, isn’t merely a portrait; it's a meticulously crafted visual symphony celebrating the papacy of Pope…
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The Interor view painting by Giorgio Vasari is a remarkable work of art that showcases the artist's skill and attention to detail. Created in 1542, this fresco is…
A Testament to Faith Amidst Persecution: Giorgio Vasari’s Martyrdom of St Stephen The chapel walls of Saint Peter's Basilica bear witness to the enduring power of faith and…
Within the imposing walls of the Palazzo Vecchio in Florence resides a breathtaking fresco, “Interor View” by Giorgio Vasari – a masterpiece that transcends mere decoration and offers…
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Filippo Brunelleschi and Lorenzo Ghiberti Present to Cosimo the Model for the San Lorenzo Church The fresco depicting Filippo Brunelleschi and Lorenzo Ghiberti presenting a model for the…
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Within the soaring dome of Florence's Duomo, nestled amongst a complex tapestry of biblical narratives, resides “The First Fruits of the Earth Offered to Saturn,” a fresco by…
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Introduction The Sala del Cinquecento, located in the Palazzo Vecchio in Florence, Italy, is a masterpiece of Florentine Renaissance art. This room was commissioned by Cosimo I de'…
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Within the heart of Florence’s Palazzo Vecchio resides a masterpiece – not just of painting, but of architectural and narrative ambition. Giorgio Vasari's “Ceiling of the Sala del…
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Giorgio Vasari’s “View of the Studiolo” stands as an emblem of Renaissance intellectual curiosity and artistic patronage—a testament to Francesco I de' Medici’s ambition to embody the ideals…
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Giorgio Vasari’s “Ceiling Decoration” transcends mere pigment on plaster; it embodies the very spirit of the Florentine Renaissance, specifically its fervent embrace of Mannerism. Executed in 1556 for…
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The air feels heavy with the scent of damp earth and ancient stone as the figures emerge from the shadows of a lush, classical landscape. In this 1542…
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This Mannerist painting depicts the biblical scene of Judith decapitating Holofernes. The composition is tightly cropped and dynamic, focusing on the physical struggle and the tension between the…
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A Window into Renaissance Identity: Examining Giorgio Vasari’s Self-Portrait Giorgio Vasari's "Self-Portrait," completed in 1567, transcends mere representation; it embodies the intellectual and artistic fervor of the High…
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The composition is dominated by the muscular, elderly figure of Saint Jerome, positioned diagonally across the frame. He is shown in profile, gazing upward toward a small crucifix…
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A young man sits in the quiet gravity of 1549. He is positioned slightly off-center, his gaze drifting toward the right of the frame as if caught in…
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Ceiling Decoration by Giorgio Vasari: A Renaissance Masterpiece The Sala di Lorenzo il Magnifico at Palazzo Vecchio stands as a testament to the grandeur and intellectual fervor of…
The portrait titled Piero de' Medici called the Gouty, known in its original form as Piero de' Medici detto il Gottoso, captures a man of quiet gravity. This…
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Allegory of Romagna, originally titled Allegoria della Romagna, is an oil painting on wood created by the Italian artist Giorgio Vasari. The work was executed between 1563 and…
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The work titled Portrait of an old lady. is a tempera painting by the artist Giorgio Vasari. Created during the 1540s, this portrait captures an unidentified woman in…
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In the fresco painting Clement VII crowns Charles V in San Petronio in Bologna, Giorgio Vasari captures a singular moment of imperial gravity. Created between 1556 and 1562,…
The scene unfolds in the work titled The Temptation of Saint Jerome, a creation by the Italian artist Giorgio Vasari. Painted between 1541 and 1548, this piece captures…
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Apotheosis of Cosimo I, also known as Apotheosis of Cosimo I de Medici, is an Italian Renaissance oil on panel painting. The artist Giorgio Vasari executed this work…
Giorgio Vasari's "The Adoration of the Magi," painted in 1567, isn’t merely a depiction of a biblical scene; it’s an immersive experience—a vibrant tableau brimming with religious fervor…
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The oil painting presents a tight, pyramidal arrangement of four figures set against a dark, atmospheric background. At the center of this grouping, Mary and the Christ Child…
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The oil painting titled Holy family with little John the Baptist was created by the artist Giorgio Vasari. This work, dated 1546, captures a moment of tender devotion.…
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In the fresco Musicians, Giorgio Vasari presents four figures engaged in a musical performance. The subjects are arranged in a tight composition, focused on the act of playing…
The Composition and Figures A Renaissance-style oil painting presents four figures within a tightly cropped space. At the center, a woman, identified as the Virgin Mary, holds an…
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The painting titled Battle of Barbagianni, nearby Pisa by Giorgio Vasari captures a violent fracture in history. It depicts a specific episode of the war against Pisa that…
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Deep within the subterranean heat of the volcano, a frantic energy pulses through the air. The scene unfolds as a crowded, horizontal frieze where muscular figures move in…
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To stand before this large-scale Mannerist fresco is to be pulled into the very center of a frantic, swirling conflict. The scene depicts the rout of the Pisans…
The composition is horizontal and frieze-like, spreading across a wide seascape under a pale, luminous sky. At the center, a female figure, Venus, emerges amidst a maritime celebration.…
In Don Giovanni and Don Garzia de' Medici, Giorgio Vasari captures two young boys held within the quiet confines of an oval medallion. Created about 1556, the work…
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The artwork titled Allegory of Volterra; to the bottom, view of Lucignano is a Renaissance-style fresco painting. This work was executed by the artist Giorgio Vasari in 1556.…
The ceiling curves, a plaster sky held within a triangular pendentive. Gold moldings trace the edges of the scene, catching a soft, ambient light that seems to emanate…
The central scene of Allegory of Pistoia; to the bottom, view of Piombino by Giorgio Vasari features two primary figures positioned within a dynamic, curved architectural frame. A…
In this Mannerist fresco, titled Allegory of Pisa; to the bottom, view of Siena, we encounter the hand of Giorgio Vasari. Created in 1557, the work offers a…
We are looking at Allegory of Cortona; to the bottom, view of Montecarlo, a work created by Giorgio Vasari. This piece dates to about 1557, a period when…
This fresco, executed in 1557, occupies a structured architectural framework within a larger decorative program. The composition is organized into distinct compartments, including a large triangular spandrel and…
The air within the frescoed space feels heavy with the weight of ceremony. In a central triangular segment, a scene of bestowal unfolds with a quiet, intense energy.…
The Portrait of Cosimo I de' Medici emerges from the shadows of history, a commanding presence captured by the hand of Giorgio Vasari. Created in 1558, this work…
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In this complex Mannerist composition, we find ourselves drawn into a crowded, theatrical assembly within a grand architectural setting. The scene captures a moment of high diplomacy, where…
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In this Mannerist oil painting, the biblical scene of Jacob's Dream unfolds with a sense of divine movement. Created about 1557, the work captures a moment where the…
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The Calling of Saints Peter and Andrew is a significant work by the Italian artist Giorgio Vasari. Created in 1551, this oil on panel painting captures a pivotal…
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The painting Apostles Peter and John Blessing the People of Samaria is a dramatic Mannerist work from 1557. The composition is densely packed with figures, creating a sense…
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In "The Head of a Bishop (possibly St Ambrose or St Donato)" by Giorgio Vasari, we encounter a solemn and dignified oil portrait of an elderly man. The…
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The scene captures the moment of Christ's first miracle during a wedding feast. Figures crowd a central banquet table, creating a dense, organized chaos typical of the Mannerist…
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The canvas captures a chaotic military engagement at a fortification near Siena. Hundreds of figures populate a dense, panoramic battlefield, caught in the frantic momentum of a siege.…
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The air thickens with the metallic scent of iron and the dust of crumbling stone. Within this vast, panoramic scene, a chaotic military siege unfolds across a wide…
The emperor Massimiliano lifts the siege from Livorno is a large-scale Mannerist fresco on plaster by the Italian artist Giorgio Vasari. Executed about 1569, the work belongs to…
The artwork, titled The battle of Marciano in Val di Chiana, was executed by the artist Giorgio Vasari. Known by its original title, Battaglia di Marciano in Val…
The painting titled Capture of Porto Ercole was executed by Giorgio Vasari and his collaborators. This work depicts the historical conquest of the Sienese port, an event that…
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The painting depicts a scene from Roman mythology involving two figures. A woman, identified as Ceres, is shown peering downwards. Below her gaze, Proserpina is depicted in a…
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Created in 1532, Entombment by Giorgio Vasari represents a significant early work by the artist. This devotional painting was commissioned by Ippolito de' Medici. It was likely intended…
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Within the hallowed, quiet halls of the Palazzo della Cancelleria in Rome, there exists a space where history breathes through pigment and plaster. Giorgio Vasari’s monumental fresco, Paul…
Giorgio Vasari's "Three River Gods," painted in 1541 during his time in Venice, offers a captivating window into the artistic and cultural landscape of Renaissance Italy. More than…
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In the heart of Florence, within the historic walls of the Palazzo Vecchio, resides a captivating portrait that transcends time. Calliope, a masterpiece from approximately 1558, presents us…
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Perseus and Andromeda (detail) by Giorgio Vasari captures a singular moment of tension. Completed in 1570, the work focuses on the Greek mythological story of Perseus and Andromeda.…
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The air feels heavy with the scent of damp earth and the metallic tang of impending bloodshed. In this crowded, vertical struggle, the world narrows down to the…
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In the quietude of Giorgio Vasari's “Façade,” painted circa 1560, we find much more than a mere architectural study; we encounter a profound meditation on permanence and the…
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In the heart of Florence, within the hallowed walls of Casa Vasari, lies a fresco that captures the very essence of High Renaissance tranquility. “Summer”, a collaborative masterpiece…
In the quiet, hallowed halls of Santa Croce in Florence, there exists a profound encounter captured forever in oil on panel by the master Giorgio Vasari. The Incredulity…
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In the hallowed halls of history, few moments capture the intersection of divine authority and political maneuvering as vividly as Giorgio Vasari’s "Pope Leo X Appointing Cardinals." This…
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In the hallowed halls of Rome's Galleria Borghese, there exists a window into the spiritual fervor of the sixteenth century, captured through the masterful brush of Giorgio Vasari.…
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Within the hallowed, sun-drenched aisles of the Basilica di Santa Croce in Florence, there exists a profound dialogue between the living and the dead, captured in stone. Giorgio…
In the grand tapestry of the Italian Renaissance, few works capture the profound intersection of moral philosophy and visual splendor as exquisitely as Giorgio Vasari’s “Justice.” Completed in…
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Giorgio Vasari’s *Childhood of Jupiter*, painted in 1556, is more than simply a depiction of a mythological scene; it's a profound meditation on the origins of power and…
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Giorgio Vasari’s “The Studio of the Painter,” a fresco executed in 1563, isn't merely a depiction of an artist at work; it’s a meticulously crafted window into the…
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In the grand tapestry of the Italian Renaissance, few moments capture the intersection of divine authority and earthly ambition as vividly as Giorgio Vasari’s fresco, Paul III Farnese…
Giorgio Vasari's "Winter," painted in 1557, is not merely a decorative ceiling fresco; it’s a profound meditation on human experience rendered with the dramatic intensity characteristic of the…
In the heart of the Palazzo Vecchio, amidst the grandeur of Florentine history, Giorgio Vasari’s The 1530 Siege of Florence unfolds as a breathtaking masterwork of narrative fresco…
In the quiet corridors of the Gallerie dell’Accademia in Venice, there exists a window into the soul of the High Renaissance—a masterpiece titled Patience. Painted in 1542 by…
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Giorgio Vasari’s “Annunciation,” painted in 1570, isn't merely a depiction of a biblical event; it’s a meticulously crafted window into the heart of Renaissance Florence. Born amidst the…
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Foundation of Florentia, a Roman settlement is a work by Giorgio Vasari. The artist was born in Arezzo, Italy, in 1511 and remained a central figure in the…
Švietimo meistras, apie 1563 m. – Žiorgio Vasari Štai įdomus tekstas apie šį meno kūrinį: “Švietimo meistras” yra Žiorgio Vasario freskas, kurią sukūrė apie 1563 metus Manneristų stiliumi…
Atneškite į savo namus from $181 →Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Giorgio Vasari darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Palazzo Vecchio |
Florencija | 30 | Triumphant entrance of Leone X in Florence, Cosimo il Vecchio as San Cosma, Cosimo surrounded by artists and scholars |
 Galleria degli Uffizi |
Florencija | 7 | Allegory of the Immaculate Conception, Façade on the Lungarno, Self-Portrait |
 Duomo |
Florencija | 3 | Paskutinis Teisimas (detalė), The Last Judgment (detail), The Last Judgment |
 Szépművészeti Múzeum |
Budapeštas | 3 | Marriage at Cana, Marriage at Cana, Pope Leo X Appointing Cardinals |
 Palazzo della Cancellaria |
Roma | 3 | Tribute of the Nations to Paul III, Paul III Farnese Names Cardinals and Distributes Benefices, Paul III Farnese Directing the Continuance of St Peter's |
 Museo di Capodimonte |
Neapolis | 2 | Allegory of Justice, The Resurrection |
 Casa Vasari |
Arezzo | 2 | Interor view, Entombment |
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 2 | Holy Family with John the Baptist as child, Holy family with little John the Baptist |
Created in 1532, Entombment by Giorgio Vasari represents a significant early work by the artist. This devotional painting was commissioned by Ippolito de' Medici. It was likely intended…
Giorgio Vasari's 1543 fresco, “Allegory of Justice and Truth,” residing within the Palazzo Cancelleria in Rome, is far more than a mere decorative panel; it’s a meticulously constructed…
The year is 1559, and Florence pulses with the ambition of the Renaissance under the shrewd guidance of Cosimo I de’ Medici. Within the walls of the Palazzo…
Giorgio Vasari's “Marriage at Cana,” completed in 1566, transcends mere depiction; it embodies the fervor and humanist ideals that defined the High Renaissance. Commissioned by Cardinal Alessandro Farnese…
Žavinga detalė iš Giorgio Vasari ir Federico Zuccari monumentalios freskos „Paskutinis Teisimas“, puošiančios Florencijos katedros (Santa Maria del Fiore) lubas, kviečia pasinerti į Renesanso epochos didybę. Šis kūrinys…
Paskutinis Teisimas (detalė) (1572), Duomo, Florencija. Toliau yra Allegory of Justice (1543) ir The Last Judgment (detail) (1572).
61 metų amžiaus: Paskutinis Teisimas (detalė) sukurta 1572 m. ir Giorgio Vasari gimė 1511.
Paskutinis Teisimas (detalė), Allegory of Justice, The Last Judgment (detail), Marriage at Cana, Triumphant entrance of Leone X in Florence, Annunciation, Cosimo il Vecchio as San Cosma, The Last Judgment, The Resurrection ir Cosimo surrounded by artists and scholars. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 122 Giorgio Vasari darbų, datuojamų nuo 1532 iki 1573.
Dauguma jų yra Palazzo Vecchio (Florencija), Galleria degli Uffizi (Florencija) ir Duomo (Florencija). Viršuje esančiame lange muziejai išvardyti po vieni.
1550s laikotarpyje: 38 iš 100 šioje pusėje esančių darbų sukurtos tada, iš jų – Cosimo il Vecchio as San Cosma.
Pirmasis šioje pusėje yra Entombment (1532), paskutinis – Palazzo delle Logge (1573).
Renaissance (26), Man (19) ir Woman (14), iš 100 šioje pusėje esančių darbų.
Fresco: 23 iš 100 šioje pusėje esančių darbų.
Manierizmas, kaip rodo šio puslapio paveikslai.
Triumphant entrance of Leone X in Florence, Cosimo il Vecchio as San Cosma ir Cosimo surrounded by artists and scholars yra vieni iš 29 šioje puslapyje esamų darbų, kuriuos saugo Palazzo Vecchio, Florencija.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.
