Adèle Romany을(를) 유명하게 만든 작품은 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)이며, 워싱턴, D.C.에 위치한 National Museum of Women in the Arts에 전시되어 있습니다. Madame Coury, Duhamel Widow (1811)와 Portrait of a Young Woman (1804)가 컬렉터와 미술관 관람객들의 마음을 그 뒤로 잇고 있습니다. Adèle Romany의 작품 39점 중 가장 많은 사랑을 받은 37점을 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징과 함께 제공됩니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨. 이 페이지의 모든 명작은 원하시는 크기로 박물관 품질의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.
The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.
In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…
The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…
이 걸작들 사이에서 가장 자주 등장하는 네 가지 주제와 각 주제를 가장 잘 나타내는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Adèle Romany의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| Library-museum of the Comédie-Française | Paris | 5 | Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury |
 베르사유 궁전 |
베르사유 | 2 | Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack |
 보스턴 미술관 |
보스턴 | 2 | Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar |
 National Museum of Women in the Arts |
워싱턴, D.C. | 1 | Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou |
 국립 미술관 |
스톡홀름 | 1 | Madame Coury, Duhamel Widow |
 마르모탄 모네 미술관 |
파리 | 1 | Portrait of a Young Woman |
 Palais des Beaux-Arts de Lille |
릴 | 1 | Portrait of a Young Harpist |
 Musée Jacquemart-André |
파리 | 1 | Portrait of a woman |
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, 워싱턴, D.C.. 다음은 Madame Coury, Duhamel Widow (1811)와(과) Portrait of a Young Woman (1804)입니다.
26세: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou은(는) 1795년 작품이며, Adèle Romany은(는) 1769년에 태어났습니다.
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois 및 A young person hesitating to play the piano in front of her family. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
Adèle Romany의 작품 39점을 1791년부터 1836년 사이의 연대로 분류하여 목록에 담았습니다.
대부분의 작품은 Library-museum of the Comédie-Française (Paris), 베르사유 궁전 (베르사유) 및 보스턴 미술관 (보스턴)에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.
1800s 기간 동안: 이 페이지의 총 37점의 작품 중 13점이 해당 시기의 작품이며, 그중 Portrait of a Young Woman점이 포함되어 있습니다.
이 페이지의 가장 오래된 작품은 Portrait of Julie Candeille (1791), 가장 최근 작품은 Portrait of Voltaire (1836)입니다.
이 페이지의 총 37점의 작품 중 Woman (5), Dark background (2) 및 White dress (2)
Oil On Canvas: 이 페이지의 총 37점 중 4점
이 페이지의 작품들이 보여주듯, Neoclassicism
Portrait of Emilie Leverd, Mlle Raucourt as Agrippine 및 Portrait of Fleury은(는) Library-museum of the Comédie-Française, Paris이(가) 소장한 이 페이지의 작품 5점 중 일부입니다.
네, 이 페이지에 있는 모든 작품은 해당 작품의 상세 페이지에서 원하시는 크기로 박물관 품질의 수작업 유화 복제본 또는 파인 아트 프린트로 주문하실 수 있습니다.
Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.
Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.
