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Unfolding Landscape

  • 제작 연도2015
  • 크기 및 규격157.0 x 265.0 cm

Zheng Chongbin (b. 1961) is a contemporary artist blending Chinese ink traditions with Western abstraction. His paintings, installations & videos explore new materialism, flux, and the vitality of matter. Featured in major museums like the Metropolit

수제 유화 복제품

원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. ( 프린트 판매로 전환 디지털 이미지로 전환)

표준 규격
맞춤형
CM
INCH

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변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
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전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (21 9월). 품질에는 어떠한 타협도 하지 않습니다.

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전 세계 무료 특급 배송
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프리미엄 린넨 캔버스
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전체 배송 보험 보장
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관세 환불 보장
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실제 색상 일치 보장
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100일 반품 정책 (결함 발생 시에만 적용)
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100% 환불 보장
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다량 구매 할인 혜택

총 합계 금액

$ 272

reproduction

Unfolding Landscape

재현 기법

복제본 크기

-

최종 결제 금액

$ 272

Zheng Chongbin first trained as a figure painter, learning to control line and heavy mineral pigments in the painstaking “meticulous brush” manner. In the 1980s, he began to experiment with bold, gestural brushwork and the uncontrollable effects of mixing ink with white acrylic. In recent years, Zheng has used this technique, now a core part of his practice, to explore the landscape tradition. Unfolding Landscape renders both natural forms and natural forces out of the accidental interactions of his materials—fractals and capillaries read as tree branches, gray eddies as clouds, blocks of black ink as cliffs. Though apparently driven by the artist’s gesture, Zheng cedes much of the creative power to these natural interactions.

작가 약력

The Convergence of Ink and Abstraction


Zheng Chongbin’s artistic odyssey begins in the storied streets of Shanghai, where the profound weight of Chinese ink painting tradition first shaped his creative sensibility. His early training was rooted in the disciplined, painstaking "meticulary brush" manner, a technique requiring absolute control over line and heavy mineral pigments. However, Zheng’s journey was never destined to remain within the confines of historical replication. By moving toward the intellectual rigor of Yale University, he began to weave the ancient threads of Eastern calligraphy into the complex tapestry of Western abstraction. This unique synthesis allows his work to exist in a state of perpetual dialogue, bridging the gap between the meditative stillness of the East and the dynamic, conceptual explorations of the West.

The Alchemy of Materiality and Flux


At the heart of Zheng’s practice lies a fascination with what is known as new materialism—a philosophical stance that views matter not as a passive subject, but as an active participant in the creation of reality. In his hands, the act of painting becomes a form of controlled alchemy. He famously experiments with the unpredictable interactions between traditional ink and white acrylic, allowing the materials to collide, bleed, and bloom across the surface. This technique creates an unfolding landscape where:
  • Fractals and capillaries emerge to mimic the delicate structure of tree branches;
  • Gray eddies swirl across the paper like drifting clouds;
  • Blocks of deep black ink coalesce into the imposing presence of mountain cliffs;
In this process, Zheng deliberately cedes a portion of his creative authority to the natural forces of the medium itself. He embraces the accidental and the uncontrollable, finding beauty in the way fluids move and settle, mirroring the core tenets of Zen Buddhism and the inherent dynamism of the natural world.

A Vision of Light, Movement, and Consciousness


As his practice has evolved, Zheng’s exploration of space and perception has expanded far beyond the two-dimensional plane. His recent works engage deeply with the aesthetics of the Light and Space movement, utilizing video installations and sculptural elements to explore the ephemeral boundaries of sight. Through distorted views of natural landscapes and abstract forms, he investigates the interplay of water, light, and motion, inviting viewers into an immersive experience that transcends mere observation.

His diverse body of work—spanning ink wash paintings, acrylic canvases, and experimental video projects—is unified by a preoccupation with themes of transformation, impermanence, and the elusive nature of consciousness. Whether he is capturing the fragmented memory of a landscape or the rhythmic pulse of a digital projection, Zheng Chongbin continues to challenge our perception of what is solid and what is fleeting, leaving an indelible mark on the landscape of contemporary global art.
Zheng Chongbin

Zheng Chongbin

1961 - , China

주요 정보

  • Artistic Movement Or Style: Contemporary abstraction; New Materialism
  • Date Of Birth: 1961
  • Full Name: Zheng Chongbin
  • Nationality: American
  • Notable Artworks:
    • Unfolding Landscape
    • Consuelo, Duchess of Marlborough
  • Place Of Birth: Shanghai, China