Oil On Panel
Surrealism
1927
Modern
62.0 x 47.0 cm빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. ( 손으로 그린 그림 구매
디지털 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Apparatus and Hand
복제본 크기
Salvador Dalí, one of the most renowned artists of the Surrealist movement, created a plethora of intriguing works that continue to captivate art enthusiasts worldwide. Among his notable pieces is the enigmatic painting titled Apparatus and Hand, which was crafted in 1927 using oil on panel. This surrealist masterpiece measures 62 x 47 cm and is currently housed at the Öffentliche Kunstsammlung Basel, a prominent art museum located in Basel, Switzerland.
Upon examining Apparatus and Hand, one is immediately struck by its dreamlike quality. The central figure of the painting is a man holding a bird in his hand while standing next to a large sculpture of an eye. This juxtaposition of elements creates a sense of disorientation, characteristic of surrealist art. The presence of multiple birds scattered throughout the scene adds to the surreal atmosphere, blurring the lines between reality and fantasy.
A significant element in the painting is the clock visible on the wall behind the man with the bird. This inclusion of a timekeeping device serves as a metaphor for the passage of time and its influence on human perception. The overall composition of Apparatus and Hand challenges the viewer to interpret the meaning behind these seemingly unrelated objects, inviting them into Dalí's unique world of surrealist thought.
Apparatus and Hand is part of a series of works created by Salvador Dalí during the late 1920s. This period was marked by his exploration of surrealist themes, often incorporating elements of nature, machinery, and human figures in unexpected ways. Other notable works from this era include Ocell Peix (1927-28), Barcelonese Mannequin (1927), and Head of a Woman (1927).
This painting exemplifies Dalí's early engagement with the theories of Sigmund Freud. The unsettling imagery and symbolic language reflect Dalí’s exploration of the subconscious mind and dream analysis, key tenets of Surrealism. The geometric figure dominating the scene, referred to as the "Apparatus," is a complex construction that seems both mechanical and organic, hinting at the fragility of human existence and the anxieties surrounding time and mortality.
Dalí’s technique in Apparatus and Hand is characterized by meticulous detail and a precise rendering of forms, even within the context of a dreamlike scene. The use of oil on panel allows for rich color saturation and subtle gradations that enhance the painting's overall impact.
Apparatus and Hand evokes a sense of unease and disorientation in the viewer. The juxtaposition of familiar objects—the hand, the bird, the clock—in an unfamiliar context creates a feeling of alienation and invites contemplation on the nature of reality and perception. It remains a powerful example of Dalí’s ability to tap into the subconscious and translate it onto canvas, solidifying his place as one of the most influential artists of the 20th century.
1904 - 1989 , 스페인