1971
100.0 x 80.0 cm
보스니아 헤르체고비나 국립 미술관원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. ( Switch to Print
Switch to Digital Image)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
Landscape from Maglaj
복제본 크기
The life and legacy of Salim Obralić (1945–2018) represent a profound dialogue between the enduring traditions of Bosnia and Herzegovina and the evolving language of modern expression. Born in Maglaj, Obralić emerged from a landscape rich with historical layers, a fact that would later become the heartbeat of his creative practice. His artistic journey was one of rigorous discipline and intellectual depth, beginning with formal training at the Secondary School of Applied Arts in Sarajevo and reaching its zenith through postgraduate studies at the prestigious Academy of Fine Arts in Belgrade. Under the mentorship of masters such as Professor Mladen Srbinović, Obralić did not merely learn techniques; he mastered the ability to translate the weight of history into the delicate textures of paint and print.
In his early years, the art critic's eye caught a burgeoning talent that danced between the dreamlike realms of Surrealism and the grounded, emotive clarity of Poetic Realism. This duality—the ability to be both fantastical and profoundly observant—became a hallmark of his style. His early solo exhibitions at the Gallery of the Kolarac People's University in Belgrade and the Art Pavilion in Sarajevo signaled the arrival of an artist capable of capturing the unseen tensions within the visible world. As a member of the influential 4S group and the Association of Visual Artists of Bosnia and Herzegovina (ULUBiH), he positioned himself at the center of a vibrant, interconnected Balkan art scene, contributing to a collective movement that sought new ways to define regional identity.
Obralić’s career was characterized by an insatiable curiosity toward the physical properties of art. While he was celebrated as an academic graphic artist, his spirit refused to be confined to a single medium. He moved with grace between the precision of printmaking, the tactile richness of oil painting, and the expansive possibilities of installation art. This versatility allowed him to respond directly to the environments that shaped him. His work often functioned as a bridge, connecting the intimate, personal experiences of the artist to the broader, collective memory of his homeland.
One of the most poignant chapters of his creative life was his deep, enduring connection to Počitelj. From 1978 onwards, this historic stone town became more than just a subject; it became a sanctuary and a studio. In his depictions of Počitelj, Obralić achieved a remarkable synthesis of form and feeling. His later works moved away from mere documentation toward a refined, structural clarity. He stripped away superfluous emotion to reveal the "factographic" truth of the landscape—the way light hits a stone wall, the verticality of a minaret, or the winding path of a river. In these paintings, he achieved a state of artistic maturity where simplicity and strength met, creating landscapes that felt both timeless and intensely present.
Beyond the canvas and the printing plate, Salim Obralić’s impact was felt most deeply in the halls of the Academy of Fine Arts in Sarajevo. As a dedicated educator, rising from teaching assistant to Professor Emeritus, he shaped the hands and minds of generations of Bosnian artists. His commitment to the pedagogical mission ensured that the technical rigor of his Belgrade training would be passed down, even as he encouraged his students to pursue their own modernistic explorations. He was not merely a teacher of craft, but a guardian of artistic integrity.
His contributions were recognized with numerous prestigious honors, including the Sixth April Award from Sarajevo City Hall, a testament to his role in enriching the cultural fabric of his city. Even during periods of profound historical upheaval, Obralić’s work remained a vital point of reference, capturing the essence of Bosnian identity through both beauty and gravity. When he passed away in 2018, he left behind an oeuvre that serves as a visual archive of a soul deeply entwined with his land—a legacy defined by the seamless blending of tradition, technique, and a visionary's eye for the eternal.
1945 - 2018 , Bosnia and Herzegovina