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Ode on Returning Home

규격
107.0cm x 26.0cm

Explore the art of Qian Xuan (1235-1305), a prominent Song Dynasty painter known for landscapes, 'fur & feathers,' & blending realism with archaic styles. Discover his legacy at WahooArt!

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대량 주문 할인

이미지 3매 구매 시 10% 할인 - 5매 구매 시 15% 할인 - 10매 이상 구매 시 20% 할인. 크리에이티브 프로젝트, 갤러리, 에이전시에 매우 유용합니다.

Qian Xuan was a celebrated Song loyalist who, following the Mongol conquest, supported himself through painting. Toward the end of his life, however, he complained that his works were being forged. Here, both the calligraphy and painting are modeled closely on Qian"s style, suggesting that the work is a faithful copy.Qian"s composition was inspired by Tao Qian"s (365–427) poem "Returning Home," written in 405 after Tao resigned from public office. In it, Tao expresses his preference for poverty over the compromises and constraints of official life, establishing forever the ideal of the home and garden as a personal retreat. Clearly, Qian saw Tao"s poem as a reflection of his own life in reclusion. Using the archaic "blue-and-green" style in a new, purposefully naive manner, he created a dreamlike environment that exists outside the realm of temporal troubles. His poem, written to the left of the picture, is both an appreciation of Tao and an expression of his state of mind:In front of his gate he plants five willows,By the eastern fence, he picked chrysanthemums.In his long chant is a lingering purity,There is never enough wine to sustain him.To live in this world it is necessary to become deeply drunk,To take office would only bring shame.In a moment of inspiration he composes "Returning Home"The poem of one thousand years.

질의응답

"Ode on Returning Home"에서 대비와 조화는 어떻게 어우러지나요?

Qian Xuan의 "Ode on Returning Home"의 색채 분석은 Serene한 대비와 Unified Palette한 조화를 보여줍니다.

Qian Xuan의 다른 이름이나 별칭에는 무엇이 있나요?

"Ode on Returning Home"의 작가인 Qian Xuan는 Shun Ju, Yu Tan, Xi Lanweng, Zha Chuanweng 등의 다른 이름으로도 알려져 있습니다.

Qian Xuan의 "Ode on Returning Home"은(는) 퍼블릭 도메인에 해당하나요? 그 이유는 무엇인가요?

Qian Xuan의 "Ode on Returning Home"은(는) 퍼블릭 도메인 - 저작권 보호 기간이 만료되었습니다 상태입니다. 저작권 보호 기간은 작가가 사망한 1305년부터 기산됩니다.


작가 소개

The Poet Painter of Wuxing: The Soul of a Song Loyalist

In the turbulent transition between the Southern Song and the Yuan Dynasty, few figures embody the quiet resilience of the Chinese scholar-official as poignantly as Qian Xuan. Born around 1235 in the serene landscape of Zhuzhou, within the modern Wuxing District, Qian Xuan’s life was a profound study in the tension between worldly ambition and spiritual retreat. Initially, he sought to climb the rigorous ladder of the Song bureaucracy, yet the shifting tides of history—specifically the Mongol conquest of 1276—forever altered his destiny. Rather than submitting to the new political order, Qian Xuan chose a path of dignified reclusion, turning away from the halls of governance to find solace in the delicate strokes of a brush and the rhythmic beauty of poetry.

This transition from aspiring official to dedicated artist was not merely a change in occupation but a profound philosophical shift. As a Song loyalist, his heart remained tether and tethered to the fallen dynasty, a sentiment that infused his work with a subtle, melancholic grace. He became one of the celebrated "Eight Talents of Wuxing," a group of intellectuals who found in art a way to preserve the cultural essence of a vanishing era. His life, marked by this refusal to compromise his principles, transformed him into a master of the literati tradition, where every landscape and every petal served as an expression of inner integrity.

A Mastery of Fur, Feathers, and Archaic Elegance

Qian Xuan’s artistic technique is celebrated for its breathtaking synthesis of disparate eras. He possessed a rare ability to marry the meticulous realism of the Song Dynasty with the more stylized, archaic aesthetics of the Tang Dynasty. This fusion gave rise to his reputation as a master of the "fur and feathers" style, a method characterized by an almost supernatural precision in depicting the textures of nature. Whether it was the soft down of a bird or the delicate sheen of a petal, his work breathed with a lifelike vitality that felt both immediate and timeless.

His repertoire was remarkably diverse, spanning several specialized genres:

  • Bird-and-Flower Painting: Where he utilized fine lines and subtle washes to capture the ephemeral beauty of the natural world.
  • Landscape Painting (Shan Shui): A genre in which he explored deep emotional resonances, often using landscape as a metaphor for political longing or personal peace.
  • Character Painting: Demonstrating his skill in capturing the essence and dignity of the human form through portraiture.

One of his most profound technical achievements was his use of the "blue-and-green" style, an ancient method he revitalized with a purposefully naive and dreamlike quality. This approach allowed him to create environments that felt detached from the temporal troubles of the Mongol occupation, offering viewers a sanctuary of pure, unblemated beauty.

Legacy and the Echoes of Home

The historical significance of Qian Xuan lies in his ability to use art as a vessel for memory and identity. His landscapes were rarely just depictions of scenery; they were emotional topographies. In works such as Home Again, one can sense a profound yearning for the restoration of native Chinese rule, a sentiment that resonated deeply with the displaced intellectuals of his time. Similarly, his ability to interpret the styles of predecessors, such as his breathtaking Landscape in the Style of Ni Zan, demonstrates a deep reverence for the lineage of Chinese art and an ability to weave historical continuity into his own unique vision.

Even as he faced the challenges of a changing world—and even lamented toward the end of his life that his works were being forged—Qian Xuan remained a steadfast guardian of aesthetic purity. His legacy is not found merely in the physical beauty of his paintings, but in the spirit of reclusion and loyalty he championed. Through his brush, the lost splendor of the Song Dynasty was preserved, ensuring that the delicate balance of realism and archaic elegance would continue to inspire generations of artists and scholars long after the dust of conquest had settled.

Qian Xuan

Qian Xuan

1235 - 1305 , China

주요 정보

  • Artistic Movement Or Style: Fur and feathers painting; Song realism blended with archaic Tang style
  • Artists Or Movements Influenced By This Artist: ['Ni Zan']
  • Artists Who Influenced This Artist:
    • Wang Xizhi
    • Zhao Mengfu
  • Date Of Birth: 1235
  • Date Of Death: 1305
  • Full Name: Qian Xuan
  • Nationality: Chinese
  • Notable Artworks:
    • Dwelling in the Floating Jade Mountains
    • Lotus Seeds and Three Rats
  • Place Of Birth: Zhuzhou, China