실제 크기로 보기 AR로 미리보기 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환 보내기
상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 통계 정보

Monstrance (or Custodial)

Explore the works of Paul Henri Mallet (1730-1807), a Swiss writer known for his contributions to literature. Discover his themes, styles, and significance in art.

지클레 / 아트 프린트

빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
높이

특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.

전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (26 9월)

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전 세계 무료 특급 배송
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고품질 린넨 캔버스
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관세 환급 보장 서비스
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원본 색상 일치 보장
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제조 결함 발견 시 100일 이내 반품 가능
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100% 환불 보장
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다량 구매 할인 혜택

총 결제 금액

$ 68

reproduction

Monstrance (or Custodial)

지클레 / 아트 프린트

복제본 규격

-

총 결제 금액

$ 68

A vessel used to display the consecrated Host for veneration by the faithful, this monstrance in gold bears features of the neoclassical period and is a traditional sun-shaped monstrance, the receptacle being surrounded by a radiant halo, a design evocative of sunrays.The monstrance is adorned with references to Christ’s sacrificial death and resurrection: the lamb sitting on the ‘Book of the Apocalypse’; the mythical phoenix with the power of being reborn from the ashes;the mother pelican feeding her offspring with her own flesh and blood; the ‘Sacrificial Altar’ and the sheaf of wheat and the vine – bread and wine – symbols of Christ’s body and blood.

작가 소개

A Quiet Voice Amidst Enlightenment Brilliance

Paul Henri Mallet (August 20, 1730 – February 8, 1807) remains a fascinating figure of the eighteenth century, a Genevan writer whose intellectual contributions offer a subtle yet profound glimpse into the shifting currents of the Enlightenment. While his name may not resonate with the thunderous fame of contemporaries like Voltaire or Rousseau, Mallet’s work possesses a quiet, meticulous beauty that captures the essence of an era caught between religious tradition and the dawn of modern historical inquiry. Born into a prominent Genevan family of Huguenot descent—descendants of those who fled Rouen to find sanctuary in Switzerland—Mallet was steeped from birth in the values of humanist scholarship and intellectual rigor.

His early life was defined by the pursuit of classical excellence. After earning his law degree in Geneva in 1751, Mallet’s academic journey took him far beyond the borders of his native city. His career was marked by a series of prestigious appointments that saw him navigating the royal courts and universities of Europe. In 1752, he accepted a professorship of belles lettres at the Academy in Copenhagen, a role that would fundamentally alter the trajectory of his intellectual life. It was in Denmark, his adopted home for many years, that Mallet found his true calling: the exploration of Northern antiquity and the mythologies of the ancient Scandinavian peoples.

The Discovery of Northern Antiquities

Mallet’s most enduring legacy lies in his ability to bridge the gap between forgotten northern legends and the wider European intellectual landscape. His research into the customs, religion, and laws of the ancient Danes was not merely an academic exercise but a romantic reclamation of cultural heritage. In 1755, he published his seminal work, Introduction à l'histoire du Danemark, which explored the religious and social structures of the ancient Danes. This was followed in 1756 by Monuments de la mythologie et de la poesie des Celtes, a work that delved into the poetic traditions of the Scandinavians.

The impact of these writings reached far beyond the Danish borders. When translated into English by Bishop Thomas Percy in 1770 under the title Northern Antiquities, Mallet’s research became a sensation. This publication was particularly significant because it included the first French translation of the medieval Edda, bringing the rich, complex tapestry of Norse mythology to a much broader audience. Through his precise and elegant prose, Mallet allowed the voices of the ancient North to speak to an Enlightenment Europe that was increasingly fascinated by the origins of national identity and the primal forces of myth.

A Life of Scholarly Service and Political Turmoil

Mallet’s scholarly reputation earned him the respect of the highest echelines of European nobility. The King of Denmark, recognizing the value of Mallet's intellect, appointed him as the preceptor to the Crown Prince, a position he held until 1760. His influence even reached the Russian Empire; the Czarina Catherine the Great famously requested that he undertake the education of the heir-apparent, the future Tsar Paul I, though Mallet ultimately declined this monumental responsibility. Instead, he chose a life of more itinerant scholarly pursuit, traveling through Italy with Lord Mountstuart during his Grand Tour.

However, the stability of his academic life was eventually disrupted by the seismic political shifts of the late eighteenth century. A staunch opponent of the French Revolution, Mallet found himself at odds with the radical changes sweeping across Europe. This ideological friction led to a period of profound personal hardship when he was exiled from Switzerland in 1792. Though he was permitted to return to Geneva in 1801, the era of his greatest academic influence had passed. He died in 1807, leaving behind a body of work that serves as a vital link between the classical traditions of the past and the burgeoning historical consciousness of the modern age.

paul henri mallet

paul henri mallet

1730 - 1807 , Switzerland

작가 정보 요약

  • Artistic Movement Or Style: Literature
  • Date Of Birth: Geneva, Switzerland (1730)
  • Date Of Death: 1807
  • Full Name: Paul Henri Mallet
  • Nationality: Swiss
  • Notable Artworks: ['Monstrance (or Custodial)']
  • Place Of Birth: Geneva