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Sculpture
Sculpture
Late Medieval
500.0 x 280.0 cm
CAMUSAC Cassino Museum of Contemporary Art빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. ( 손으로 그린 그림 구매
이미지 구매)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Paravento S
복제본 크기
Hidetoshi Nagasawa (1940-2018) was a Japanese sculptor and architect who established a significant artistic presence in Italy. Born in Tōneiji, Manchuria, his early life was shaped by the geopolitical complexities of post-war Asia. He pursued formal training in architecture, graduating from Tokyo in 1963. This foundational education would later inform his sculptural and environmental works, blurring the lines between disciplines.
In 1966, Nagasawa embarked on an extensive bicycle journey across Asia and Europe – a formative experience that broadened his artistic horizons. This journey culminated in Milan, Italy, where he decided to settle permanently in 1968. The vibrant Italian art scene provided a fertile ground for his developing artistic vision.
Nagasawa was deeply involved in the collaborative spirit of the Milanese art world. In 1979, he co-founded the Casa degli Artisti with Luciano Fabro and Jole de Sanna – a space dedicated to fostering artistic exchange and experimentation. This collective endeavor highlights his commitment to community and dialogue within the arts.
Nagasawa’s sculptures are notable for their diverse use of materials, including paper, wood, stone, and metal. His work often incorporates elements from both Eastern and Western cultural and religious traditions, creating a unique synthesis of influences. He wasn't confined to traditional sculptural forms; he explored the relationship between sculpture and architecture, leading him to create immersive environments.
Initially focused on individual sculptures, Nagasawa’s practice evolved in the 1980s towards creating larger-scale environments. These installations were designed to engage viewers physically and conceptually, exploring themes of space, perception, and cultural identity. His work demonstrates a consistent exploration of form and material, always grounded in a thoughtful consideration of context.
Nagasawa shared his knowledge and passion for art as a lecturer at the Nuova Accademia di Belle Arti in Milan. He received significant recognition throughout his career, participating in prestigious events such as the Venice Biennale (1972, 1976, 1982, 1988), Documenta 9 in Kassel (1992), and the XII Biennale of Sculpture in Carrara (2006). He also held solo exhibitions at prominent institutions including the Padiglione d'Arte Contemporanea in Milan (1988), the Galleria Comunale in Bologna (1993), and the Fundació Pilar i Joan Miró in Mallorca (1996).
Hidetoshi Nagasawa’s work represents a compelling dialogue between cultures and disciplines. His ability to seamlessly integrate Eastern aesthetics with Western artistic traditions, coupled with his innovative use of materials and spatial concepts, established him as a significant figure in contemporary sculpture. He left behind a body of work that continues to inspire artists and challenge viewers to reconsider the boundaries of art and architecture.
1940 - 2018 , Manchuria
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