원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. ( 프린트 판매로 전환
디지털 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
Stilleven
복제본 크기
Marzia Migliora, born in Alexandria, Italy, in 1972, is an artist whose work resonates with a quiet intensity, a profound observation of the everyday transformed into moments of collective history. Her upbringing in Alessandria, steeped in the rhythms of rural life, proved formative, instilling within her a deep connection to the land and its inhabitants—a sensibility that would become central to her artistic practice. This early exposure wasn’t merely scenic; it was an immersion in labor, tradition, and the subtle narratives woven into the fabric of agricultural existence. Migliora's initial foray into the visual arts began with a formal study of photography at the Fondazione Studio Marangoni in Florence, providing her with a technical foundation that she would later skillfully deconstruct and expand upon.
While rooted in photography, Migliora’s artistic expression quickly transcended singular mediums. Her work now encompasses video, sound installations, performance art, and drawing—a deliberate fluidity of form reflecting her desire to explore the complexities of human experience from multiple perspectives. This multidisciplinary approach isn't about stylistic experimentation but rather a search for the most effective language to convey nuanced ideas. She doesn’t confine herself to the static image; instead, she embraces temporality, spatiality, and interactivity, inviting viewers into immersive environments that challenge conventional notions of art consumption. Her installations often incorporate soundscapes—ambient recordings or carefully constructed compositions—that heighten the emotional resonance of her visual elements.
At the heart of Migliora’s oeuvre lies a compelling exploration of memory as a dynamic force shaping our understanding of the present. She delves into the often-overlooked histories of labor, particularly within the context of Italian agriculture, examining the impact of industrialization on family farms and traditional ways of life. Her work isn't simply documentary; it’s an act of recovery—a meticulous unearthing of personal narratives that speak to broader societal shifts. Paradossi dell’Abbondanza, a long-term project initiated in 2015, exemplifies this approach. Through collages and mixed media drawings, Migliora dissects the systems of food production and consumption, revealing the often-hidden exploitative practices that underpin our modern diets. She juxtaposes images from her family’s past with advertising materials and historical documents, creating a visual tapestry that exposes the contradictions inherent in capitalist agriculture.
Migliora's work has garnered significant recognition within the international art world. Her participation in prestigious events such as the Venice Biennale underscores her standing as a leading contemporary artist. She has exhibited extensively throughout Italy and Europe, with notable shows at institutions like MAGA Museum in Gallarate, Ca’ Rezzonico in Venice, and the Museo d'Arte Contemporanea Castello di Rivoli. Beyond gallery walls, Migliora actively engages with public spaces through performance art and installation projects, fostering dialogue and encouraging active spectator participation. Her ability to seamlessly blend personal experience with broader socio-political concerns has resonated with audiences worldwide.
Marzia Migliora’s contribution lies in her ability to elevate the everyday—to find profound meaning in seemingly mundane activities and transform them into moments of collective reflection. Her work challenges us to reconsider our relationship with labor, memory, and the environment. She doesn't offer easy answers but rather invites us to engage in a critical dialogue about the forces shaping our world. Increasingly, her research incorporates a multispecies perspective, acknowledging the interconnectedness of all living beings and advocating for more sustainable and ethical practices. As she continues to explore these themes, Migliora’s work promises to remain a vital force within contemporary art—a testament to the power of observation, empathy, and artistic innovation.
1972 - , Italy