1990
107.0 x 229.0 cm작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. (
프린트 판매로 전환 디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 원하는 크기를 직접 입력하실 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 자르거나 추가적인 수작업 요소를 더해 그림을 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업을 보내드립니다.
화면상의 미리 보기는 실제 크롭(자르기)이나 확장된 상태를 완벽히 반영하지 않을 수 있습니다. 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본의 비율을 그대로 유지하기 위해서는 미리 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
Tantamount (diptych, right panel)
복제본 규격
Born in London in 1948, Maria Chevska has spent her career navigating the delicate boundaries between the tangible and the ephemeral. Her artistic journey began at the Byam Shaw School of Art, where she honed a technical foundation that would later serve as the scaffolding for much more radical explorations. As her practice matured, Chevska moved beyond the traditional confines of the canvas, evolving into an artist who refuses to be tethered to a single medium. While she is foremost recognized as a painter, her work exists in a state of constant becoming, frequently blurring the lines between painting, sculpture, and installation. This fluidity allows her to inhabit the interstices between matter and meaning, creating works that feel less like static objects and more like living, breathing membranes.
The essence of Chevska’s practice lies in its profound engagement with language, memory, and the physical properties of her materials. Her work often enters into a deep, silent dialogue with poetry and literature, using text not merely as an ornament but as a structural element that informs the very weight of the art. She has been known to incorporate unusual materials—rubber, plaster, wood, cloth, and even kaolin—to evoke a sense of tactile history. In particular, her use of taffeta serves as a shimmering, translucent screen, acting as both skin and surface. Through these layers, she projects themes of identity and transformation, inviting the viewer to participate in the unfolding narrative of each piece.
Chevska’s influence extends far beyond her personal studio practice, reaching into the very heart of art education and institutional history. For decades, she served as a pillar of the academic community, notably holding the position of Professor of Fine Art at the Ruskin School of Art, University of Oxford, from 1990 until 2016. Her tenure there allowed her to shape the perspectives of a new generation of artists, mirroring her own commitment to expanding the boundaries of what art can achieve. Beyond the classroom, her presence in the international gallery circuit has been marked by significant solo and group exhibitions across Europe and the United States, including prestigious shows in Germany, Poland, France, and Italy.
Her career is punctuated by numerous accolades that underscore her importance within the contemporary landscape. Some of her most notable recognitions include:
Through works such as Vera’s Room and her evocative diptychs, Chevska has established a visual language that is both haunting and deeply human. Her ability to weave together the physical gesture of painting with the intellectual weight of philosophy ensures that her work remains a vital subject of study. She continues to live and work in London, leaving behind a legacy defined by the beautiful, restless pursuit of the unseen.
실제 크기로 보기
보내기
공유하기
상세 보기
가이드 보기
이미지 다운로드
유사 작품 더 보기
X-레이
슬라이드 쇼 보기
통계 정보
상세 보기
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
