브랜드 소개 고객 지원 / 도움말 작품 판매하기
      x
      브랜드 소개 고객 지원 / 도움말 작품 판매하기
          (Elikan) (1925) by Kurt Schwitters, hand-painted oil painting reproduction by a master artist
          실제 크기로 보기 AR로 미리보기 프린트 판매로 전환 디지털 이미지 판매 채널로 전환 보내기
          상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 Q&A 통계 정보
          Kurt Schwitters

          (Elikan) Hand-painted oil painting reproduction

          크기
          44.0 x 36.0 cm

          This piece showcases Schwitters’ masterful manipulation of materials and composition—a cornerstone of Dada aesthetics—demonstrating a deliberate rejection of traditional art forms in favor of embracing spontaneity and fragmentation.
          상세 보기

          Explore Kurt Schwitters' (1887-1948) innovative art: Dada, Merz collage & installations. Discover his use of found objects & impact on modern art.
          상세 보기

          핸드메이드 유화 복제화

          작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

          Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
          P118B ₩10
          Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
          P118H ₩10
          Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
          P118W ₩10
          Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
          P438Z ₩10
          Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
          P508JH ₩12
          Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
          P508YH ₩12
          Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
          P805H ₩10
          Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
          P805Z ₩10
          Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
          P919BZ ₩10
          Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
          P919G ₩10
          Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
          P919XJ ₩10
          Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
          P959ZH ₩10
          Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
          P968JZ ₩12
          Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
          W106C ₩8
          Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
          W218G ₩10
          Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
          W218JH ₩8
          Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
          W218Y ₩10
          Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
          W307PJ ₩10
          Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
          W316G ₩10
          Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
          W316PJ ₩8
          Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
          W316Y ₩10
          Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
          W398PJ ₩8
          Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
          W4111J ₩10
          Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
          W500HY ₩15
          Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
          W500JH ₩15
          Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
          W692G ₩12
          Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
          W849H ₩8
          Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
          W940BG ₩15
          Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
          W953PJ ₩8

          표준 규격
          맞춤 제작
          CM
          INCH

          작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

          가로 너비
          높이

          액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 본 작품은 수작업으로 제작되므로, 요청하신 비율에 따라 작가가 그림의 가장자리를 조금 더 넓게 그리거나 일부를 조정하여 작업할 수 있습니다. 작업 시작 전, 최종 확인을 위해 디지털 목업 이미지를 보내드립니다. 이 페이지에 표시된 이미지는 실제 결과물과 다를 수 있으며, 오직 목업 이미지만이 정확한 결과물을 보여줍니다.

          상세 보기

          변경 가능한 예시: 얼굴을 고객님의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
          주문 완료 후 WahooArt.com 팀에서 상세 안내를 위해 고객님께 이메일을 보내드리며, 미리보기 시안을 함께 제공해 드립니다.
          상세 보기

          상세 보기

          상세 보기

          상세 보기

          전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (31 10월). 품질에는 어떠한 타협도 하지 않습니다.

          상세 보기

          전 세계 무료 특급 배송
          고품질 린넨 캔버스
          배송 전 과정 보험 적용
          관세 환급 보장 서비스
          원본 색상 일치 보장
          제조 결함 발견 시 100일 이내 반품 가능
          100% 환불 보장
          다량 구매 할인 혜택
          상세 보기

          총 결제 금액

          ₩ 366316

          (Elikan)

          재현 매체

          복제본 규격

          -

          총 결제 금액

          ₩ 366316

          주요 정보

          • Location: Museum of Modern Art (MoMA), New York City, NY, US
          • Artistic style: Abstract
          • Notable elements or techniques: Found objects & Chance arrangement
          • Title: (Elikan)
          • Movement: Dada

          아트 퀴즈

          각 질문의 정답은 하나뿐입니다.

          문항 1:
          What artistic movement is Kurt Schwitters’ "Elikan" primarily associated with?
          문항 2:
          The collage utilizes a technique influenced by earlier artists like Jean Arp. What is this technique called?
          문항 3:
          What is the predominant color palette used in "Elikan", contributing to its dynamic visual effect?
          문항 4:
          What is a key characteristic of Dada art that distinguishes it from traditional academic painting?
          문항 5:
          The photograph shows signs of wear and tear, suggesting...

          A Symphony of Fragments: Reimagining Kurt Schwitters’ Elikan

          In the fractured landscape of post-World War I Europe, where the very foundations of society seemed to crumble, Kurt Schwitters emerged with a radical new language of creation. His 1925 masterpiece, "Elikan," is not merely an arrangement of materials but a profound visual manifesto of the Dada movement. To gaze upon this work is to witness a deliberate reconstruction of reality from its broken pieces. Through his signature technique of collage, Schwitters took the discarded—scraps of cardboard, fragments of paper, and bits of found matter—and elevated them into a complex, rhythmic composition. This piece serves as a cornerstone for anyone captivated by the beauty found within chaos, offering a sophisticated interplay of texture and form that defies traditional boundaries.

          The visual journey through "Elikan" is one of unexpected discovery. The artwork is dominated by a dynamic architecture of geometric shapes; rectangles, squares, and triangles intersect and overlap in a way that suggests both structural stability and sudden disintegration. The color palette is masterfully balanced, utilizing deep blues, vibrant yellows, and striking reds against a stark backdrop of black and white. These colors do not merely decorate the surface; they pulse with an emotional intensity, guiding the eye through a labyrinth of layers. For the discerning collector or interior designer, this piece offers a captivating focal point that brings a sense of intellectual depth and avant-garde energy to any modern space.

          The Spirit of Merz: Technique and Historical Resonance

          At the heart of "Elikan" lies the concept of Merz—Schwitters’ personal philosophy of artistic synthesis. Born from the wreckage of a continent in turmoil, Merz was an attempt to create something whole from the fragments of a shattered world. Unlike the meticulous planning of academic painting, Schwitters embraced spontaneity and chance. The technique used here is a tactile exploration of materiality; one can almost feel the rough, organic grain of the cardboard contrasting with the smooth, deliberate sheen of painted paper surfaces. This tension between the raw and the refined creates a sensory experience that is both intellectually stimulating and visually rich.

          Beyond its physical components, "Elikan" carries a heavy symbolic weight. It represents the rejection of bourgeois order and the embrace of the irrational, mirroring the turbulent spirit of the 1920s. There is no singular narrative to follow, which allows the viewer to project their own reflections onto the work. For those seeking to adorn a curated collection or a contemporary living space, a high-quality reproduction of this piece provides more than just decoration; it offers an invitation to contemplate the resilience of creativity. It is a testament to the idea that even from the most disparate and broken elements, a magnificent and enduring symphony can be composed.

          질의응답

          "(Elikan)"에 대한 가이드는 어디에서 확인할 수 있나요?

          Kurt Schwitters의 "(Elikan)"에 대한 가이드 페이지를 이용하실 수 있습니다. 이 페이지는 학생들과 수업용으로 제작된, 인쇄 가능한 작품 정보 시트를 제공합니다.

          Kurt Schwitters의 "(Elikan)"의 특징적인 기법과 화풍은 무엇인가요?

          Kurt Schwitters의 "(Elikan)"은 Collage 기법과 Dadaism 양식을 결합한 작품입니다. 기법과 양식은 작품의 제작 방식과 스타일을 설명합니다.

          1925년에 "(Elikan)"을(를) 제작할 당시 Kurt Schwitters의 나이는 몇 세였나요?

          Kurt Schwitters은(는) 1925년에 "(Elikan)"을(를) 제작했을 당시 38세였습니다. 이 나이는 작가의 출생 연도인 1887을(를) 기준으로 계산되었습니다.

          관련 작품들

          첫 번째 추상 수채화 — 바실리 바실리에비치 칸딘스키, Abstract Expressionism
          바실리 바실리에비치 칸딘스키 첫 번째 추상 수채화
          Number — 재스퍼 존스, Abstract Expressionism
          재스퍼 존스 Number
          Colorful Architecture — 폴 클레, Cubism
          폴 클레 Colorful Architecture
          Proun 4 B — 엘 리시츠키, Constructivism
          엘 리시츠키 Proun 4 B
          Merz Picture 32a (the Cherry Picture) — Kurt Schwitters, Dadaism
          Kurt Schwitters Merz Picture 32A (The Cherry Picture)
          Variations On A Six Sided Object — Alvin D. Loving Jr., Abstract Expressionism
          Alvin D. Loving Jr. Variations on a Six Sided Object
          Rotoreliefs (optical Discs) 1 — 마르셀 뒤샹, Abstract Geometric
          마르셀 뒤샹 Rotoreliefs (Optical Discs) 1
          White Rectangles, Number 3 — Irene Rice Pereira, Geometric Abstraction
          Irene Rice Pereira White Rectangles, Number 3
          Composition With Blue 1 — 피에트 몬드리안, Minimalism
          피에트 몬드리안 Composition with Blue 1
          Guitar And Sheet Music On Table — 브라크, Cubist Analytical
          브라크 Guitar and Sheet Music on Table

          작가 소개

          Kurt Schwitters: A Life in Merz

          Early Life and Education

          • Born: June 20, 1887, in Hanover, Germany.
          • Schwitters was the only child of Eduard and Henriette Schwitters. His father co-owned a ladies' clothing shop.
          • The family’s financial situation improved after selling the business in 1898, allowing them to live off rental income from properties they acquired.
          • He studied art at the Dresden Academy from 1909-1915 alongside artists like Otto Dix and George Grosz, though he seemingly remained unaware of their work at the time.
          • Schwitters suffered his first epileptic seizure in 1901, which later exempted him from military service for a period during World War I.

          Artistic Development and the Birth of Merz

          • Initially, Schwitters worked in a post-impressionist style. His early work reflected this influence.
          • The devastation of World War I profoundly impacted his artistic direction. He felt traditional academic training was irrelevant in the face of societal collapse.
          • “In the war, things were in terrible turmoil…everything had broken down and new things had to be made out of the fragments; and this is Merz.”
          • Around 1918, he began creating abstract collages using found objects – scraps of paper, tickets, and other discarded materials.
          • The term “Merz” itself came from a fragment of text (“Commerz und Privatbank”) cut from an advertisement and incorporated into one of his early works, *Das Merzbild* (1918-19).

          Key Works and Artistic Styles

          • Merz Pictures: These collages are arguably Schwitters’ most famous contribution. They represent a radical departure from traditional art, embracing chance and the aesthetics of everyday life.
          • Merzbau: A monumental architectural construction within his home in Hanover, continuously evolving over decades. It was a three-dimensional embodiment of Merz principles – a labyrinthine space filled with niches, grottoes, and found objects.
          • Assemblage & Installation Art: Schwitters pioneered these forms, blurring the boundaries between painting, sculpture, and architecture.
          • He also worked in poetry, sound, graphic design, and typography, exploring a wide range of artistic media.

          Influences and Connections

          • Early influences included post-impressionism, but he quickly moved beyond these conventions.
          • He came into contact with members of the Berlin avant-garde – Raoul Hausmann, Hannah Höch, and Hans Arp – through Herwarth Walden’s *Der Sturm* gallery.
          • While associated with Dadaism, Schwitters maintained a distinct artistic identity. He was initially rejected by some Dadaists for his ties to expressionism.

          Later Life and Legacy

          • Facing increasing persecution under the Nazi regime due to his “degenerate art,” Schwitters fled Germany in 1937.
          • He spent time in Norway and England, continuing to create Merz works despite challenging circumstances. He was briefly interned as an enemy alien during World War II.
          • Died: January 8, 1948, in Ambleside, England.
          • Kurt Schwitters’ work profoundly influenced subsequent generations of artists, particularly those involved in Pop Art, Minimalism, and Conceptual Art.
          • His innovative use of found objects and his exploration of the relationship between art and everyday life continue to resonate with contemporary audiences.

          Historical Significance

          • Schwitters’ Merz aesthetic challenged traditional notions of artistic beauty and authorship.
          • He expanded the definition of art by incorporating non-art materials and blurring the lines between different disciplines.
          • His work remains a powerful testament to the creative potential of fragmentation, reconstruction, and the embrace of chance.
          Kurt Schwitters

          Kurt Schwitters

          1887 - 1948

          작가 정보 요약

          • Name: Kurt Schwitters
          • Movement:
            • Dadaism
            • Constructivism
            • Surrealism
            • Merz
          • Birth Date: June 20, 1887
          • Death Date: 1948
          • Birth Place: Hanover, Germany
          • Nationality: German
          • Date Of Birth: 1887
          • Date Of Death: 1948
          • Notable Works:
            • Merz pictures
            • Merzbau

          관련 기사

          Beyond Shapes: A Sophisticated Guide to the Spiritual Depth and Power of Geometric Abstraction

          Beyond Shapes: A Sophisticated Guide to the Spiritual Depth and Power of Geometric Abstraction

          Explore the profound spiritual depth of geometric abstraction. From Malevich's Suprematism to modern masters, our expert guide reveals how pure form and color command presence in fine art collections.

          기사 더 보기 read article