- 170.0 x 99.0 cm
요제프 보이스 (1921-1986): 예술, 정치, 인본주의를 결합한 독일 플럭서스(Fluxus)의 선구자. 펠트, 지방, 그리고 혁명적 개념을 담은 그의 '사회적 조각'을 탐험해 보세요.
Beginning in 1965, Beuys began producing replications of his pieces, which he termed “multiples.” In an effort to make art more readily available to the general public, rather than rich art collectors, Beuys created over 600 editioned pieces of his works. Beuys created installation pieces because he thought that concrete works were more potent than the written word. In this particular piece, the felt suit hangs like an empty shell, and according to Beuys, symbolized protection from the world and individual isolation. In his view, art was not about portraying beauty, but about communication and freedom, and in this case used traditional materials in a non-traditional manner, calling traditional art into question.
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