89.0 x 69.0 cm빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
Provost William Mitchell
복제본 규격
James Irvine was an industrial designer. Born in London, he spent much of his career navigating the relationship between geometric forms and the people who use them. After studying at Kingston Polytechnic and the Royal College of Art in London, he moved to Milan in 1984. This move placed him at the center of a specific way of thinking about objects. He began working as a consultant for Olivetti, where he sat under the direction of Michele De Lucchi and Ettore Sottsass. His work during these years was defined by a focus on precision and the end user.
In 1987, his path took him to Tokyo for a year at the Toshiba Design Centre. This period of research into industrial products added another layer to his approach. By 1988, he had returned to Milan to open his own private studio. He worked with various companies, bringing a sense of geometric formalism to everything from small consumer goods to large-scale transport. His hands touched the design of a new city bus for the Hannover Üstra transport system in 2000, a project that resulted in 131 buses built by Mercedes Benz.
His practice was often intertwined with the influential Sottsass Associati. Between 1993 and 1999, he served as a partner in the agency, taking responsibility for the industrial design group. This period allowed him to bridge the gap between personal studio work and large-scale industrial production. His client list grew to include names like B&B Italia, Artemide, Magis, and Canon. He looked at how objects functioned within daily life, often applying a sense of irony or generosity to his communication and direction.
The work coming out of his Milanese studio was characterized by several specific elements:
In 2004, the Royal Society of Arts in London elected him a Royal Designer for Industry. He also shared his knowledge through teaching, serving as a professor of industrial design at the Hochschule für Gestaltung Karlsruhe from 2005 to 2007. His academic contributions were recognized by Kingston University, which awarded him an honorary doctorate of design in 2007.
Following his death in 2013, the history of his office did not stop. The studio continued under the direction of Marialaura Rossiello Irvine and Maddalena Casadei. They maintained the core principles established during his years in Milan: precision, irony, and generosity. The work remains a study in how structured forms can meet human interaction.
1822 - 1889 , United Kingdom
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유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
