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상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 통계 정보

Number 13

Explore James Brooks's iconic 'Number 13,' a monumental Abstract Expressionist painting featuring bold black and white contrasts, gestural brushstrokes, and evocative symbolism reflecting the artist’s journey through WPA murals and wartime service.

James Brooks (1906-1992) was a pivotal Abstract Expressionist painter known for his innovative staining techniques, lyrical abstraction, & large-scale murals like "Flight" at LaGuardia Airport. Explore his calligraphy-infused works and legacy as a fi

이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.

저희는 존중을 담은 합법적인 대안으로서, 원작에서 영감을 받은 맞춤형 수제 유화 작품을 제공합니다. 저희의 숙련된 전문 화가들은 원작의 스타일, 분위기, 예술적 정수를 면밀히 연구하여, 그 자체로 독창적인 창작물이면서도 원작과 동일한 감동을 불러일으키는 새로운 작품을 만들어냅니다.

이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.

핸드메이드 유화 복제화

작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118B 10
Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118H 10
Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118W 10
Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
P438Z 10
Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508JH 12
Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508YH 12
Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805H 10
Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805Z 10
Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919BZ 10
Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919G 10
Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919XJ 10
Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P959ZH 10
Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
P968JZ 12
Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
W106C 8
Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
W218G 10
Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
W218JH 8
Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
W218Y 10
Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
W307PJ 10
Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
W316G 10
Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
W316PJ 8
Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
W316Y 10
Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
W398PJ 8
Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
W4111J 10
Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
W500HY 15
Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
W500JH 15
Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
W692G 12
Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
W849H 8
Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
W940BG 15
Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
W953PJ 8

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
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전 세계 무료 특급 배송
고품질 린넨 캔버스
배송 전 과정 보험 적용
관세 환급 보장 서비스
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총 결제 금액

₩ 371217

Number 13

재현 매체

복제본 규격

-

총 결제 금액

₩ 371217

주요 정보

  • Subject or theme: Abstract; bold black and white contrasts
  • Year: 1965
  • Location: Dallas Museum of Art, Dallas
  • Movement: Abstract Expressionism
  • Artistic style: Abstract Expressionism

아트 퀴즈

각 질문의 정답은 하나뿐입니다.

문항 1:
What is the primary art movement associated with James Brooks's 'Number 13'?
문항 2:
Which materials were used to create this artwork?
문항 3:
In which year was 'Number 13' created?
문항 4:
What is the visual characteristic of the right side of the composition?
문항 5:
Where is this artwork currently housed?

A Dance of Contrast: The Raw Energy of Number 13

In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a whirlwind of gestural movement; there is an undeniable sense of spontaneity, as if the artist’s very pulse were captured within the sweeping strokes of gouache and ink.

The visual journey begins on the left side of the canvas, where the forms are fluid and organic. Here, amorphous dark shapes emerge from the white background, suggesting a phantom-like profile or a face in silhouette, though they remain tantalizingly abstract. These loose, energetic sweeps of black paint create a sense of dynamic motion, pulling the eye into an unpredictable rhythm. This side of the work feels deeply personal and emotive, embodying the "action painting" spirit where the physical act of creation is as much a part of the art as the final image.

Structure Amidst the Storm

As the gaze traverses the canvas toward the right, a fascinating transformation occurs. The wild, unpredictable energy of the left gives way to a more structured arrangement. Thick, horizontal bands of black paint stretch across the space, separated by rhythmic white intervals. These bands introduce a sense of gravity and architectural stability to the piece, creating a captivating tension between the unstructured, atmospheric shapes on one side and the deliberate, layered stripes on the other. This juxtaposition of the organic and the geometric invites endless interpretation, making it a centerpiece that rewards deep contemplation.

The technique employed by Brooks is nothing short of masterful. By utilizing gouache and ink, he achieves a variety of textures—some areas appear smooth and ethereal, while others reveal the heavy, tactile weight of thick applications. The visible brushstrokes serve as a map of the artist's movements, lending the work an intimate, human quality. For the collector or interior designer, this piece offers more than just visual interest; it provides a sophisticated focal point that can anchor a room with its dramatic duality and timeless elegance.

A Legacy of Emotion and Motion

Beyond its formal qualities, Number 13 resonates with a profound emotional depth. The stark black-and-white contrast evokes themes of duality—day and night, presence and absence, life and void. There is a certain drama inherent in the composition, a tension that feels both ancient and modern. It is a work that does not merely sit upon a wall but actively interacts with its environment, casting a spell of introspection on all who behold it.

For those seeking to bring the spirit of mid-century American abstraction into a contemporary space, this reproduction offers an unparalleled opportunity. It captures the essence of Brooks's unique ability to blend the monumental scale of his muralist roots with the intimate, psychological intensity of abstract painting. Whether placed in a minimalist gallery setting or a richly textured living space, Number 13 remains a powerful testament to the enduring beauty of the Abstract Expressionist movement.

질의응답

James Brooks의 "Number 13"의 주요 색상은 무엇인가요?

James Brooks의 "Number 13"의 주요 색상은 Black (#07090c)입니다.

"Number 13"이(가) James Brooks의 가장 인기 있는 작품 중 하나인가요?

James Brooks의 "Number 13"의 기록된 인기도는 Iconic입니다.

James Brooks의 "Number 13"의 슬라이드쇼를 볼 수 있는 곳이 있나요?

"Number 13"의 슬라이드쇼는 작품의 슬라이드쇼 페이지에서 감상하실 수 있습니다.


작가 소개

Early Life and Education

  • Born: October 18, 1906, St. Louis, Missouri
  • Family moved to Dallas, Texas in 1916
  • Studied art at Southern Methodist University (1922-1924)
  • Private lessons with James A. Waddell and Martha Simkins in Dallas
  • Moved to New York City in 1926
  • Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides
  • Worked as a commercial artist to support himself

The WPA Years and Early Murals

  • Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942
  • Painted three murals for the WPA, demonstrating social realist style.
  • Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.
  • Friendships with Jackson Pollock and Philip Guston during this period

Abstract Expressionist Period: Style and Development

  • Served as a combat artist in the U.S. Army (1942-1945)
  • Returned to New York City in 1946, reconnected with Pollock and Krasner
  • Shifted towards Abstract Expressionism, influenced by Surrealist principles
  • Developed a unique staining technique: Experimenting with the bleed of paste through canvas.
  • Early works showed influences of Synthetic Cubism.
  • Palette initially featured browns, grays, blacks and vivid colors.
  • Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.
  • Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., *Pask*, *Burwak*, *Jondol*).

Major Exhibitions and Recognition

  • First solo exhibition at the Peridot Gallery in New York City (1949)
  • Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.
  • Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.
  • Documenta, Kassel, West Germany (1959).
  • John Simon Guggenheim Memorial Foundation Fellowship (1969)

Legacy and Historical Significance

  • Considered a first-generation Abstract Expressionist painter.
  • Known for his innovative staining techniques and lyrical abstraction.
  • His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.
  • Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.
  • Died on March 9, 1992, in East Hampton, New York.
James Brooks

James Brooks

1906 - 1992 , United States of America

작가 정보 요약

  • Full Name: James Brooks
  • Nationality: American
  • Date Of Birth: 1906
  • Date Of Death: 1992
  • Place Of Birth: St. Louis, United States of America
  • Notable Artworks: ['Flight (LaGuardia Airport mural)']
  • Artistic Movement Or Style: Abstract Expressionism
  • Artists Who Influenced This Artist:
    • Jackson Pollock
    • Lee Krasner
    • Pablo Picasso
    • Georges Braque