x
17.0 x 21.0 cm
팔라초 마다마빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
손으로 그린 그림 구매 이미지 구매)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Robert, fourth count of Buckingham
복제본 크기
Henry Bone RA was a distinguished English enamel painter who served three successive monarchs – George III, George IV, and William IV – in that official capacity. His career spanned porcelain and jewelry painting before he became renowned for his large-scale enamel paintings, earning him recognition as a Royal Academician.
Born in Truro, Cornwall, Henry Bone’s father was a skilled cabinet maker and carver. In 1767, the family relocated to Plymouth, Devon, where young Henry began his apprenticeship in 1771 under William Cookworthy, the founder of the Plymouth porcelain works – England's first manufacturer of hard-paste porcelain. This early experience proved formative, as he later moved with Cookworthy and Champion to the Bristol China Works for six years. During this time, Bone worked diligently from morning until evening, dedicating his nights to studying drawing. His contributions to the Bristol China Works are considered highly meritorious, potentially marked by a distinctive "1" alongside the factory mark.
Following the closure of the Bristol works in 1778, Bone moved to London with limited resources. He initially found work enameling watches and fans before transitioning to enamel and watercolor portraits. He cultivated a friendship with John Wolcot, who encouraged his artistic pursuits and advised him on professional tours in Cornwall. In 1780, he married Elizabeth Vandermeulen, whose lineage included the battle painter Adam Frans van der Meulen. Bone’s talent quickly gained recognition; he exhibited his first painting, a portrait of his wife, at the Royal Academy in 1781 – an unusually large enamel for its time.
Bone dedicated himself entirely to enamel painting, consistently exhibiting at the Royal Academy. A significant milestone was his 1789 exhibition of "A Muse and Cupid," the largest enamel painting produced up to that point. His artistic prowess earned him royal favor; he became enamel painter to the Prince of Wales in 1800, then to George III in 1801, a position he retained throughout the reigns of George IV and William IV. He was elected a Royal Academician (RA) in 1811 and created an even larger enamel, "Bacchus and Ariadne," after Titian’s masterpiece. The immense popularity of this work led to its sale for 2,200 guineas – a sum secured just before the bank holding his payment suspended operations!
Bone's later works included series of historical portraits depicting figures from the time of Elizabeth I and "Cavaliers distinguished in the Civil War," as well as portraits of the Russell family. While the Elizabethan series did not achieve immediate financial success, it demonstrated his commitment to a lasting artistic legacy. His eyesight began to fail in 1831, leading him to retire and accept a royal academy pension. He died in 1834, remembered as "a man of unaffected modesty and generosity." His collections were sold at auction after his death, dispersing numerous works across various collectors. Henry Bone’s sons, Henry Pierce Bone and Robert Trewick Bone, also became notable enamellists, continuing the family's artistic tradition.
1755 - 1834 , United Kingdom
최신 미술 뉴스, 특별 혜택 및 인테리어 아이디어를 가장 먼저 만나보세요.
프로젝트에 대해 알려주시면 저희 미술 전문가들이 맞춤형 아트 제안 3가지를 전달해 드립니다.
당신만을 위한 맞춤형 옵션 3가지를 무료로 추천해 드립니다!
미리보기
공유하기
공유하기
상세 정보
다운로드
유사 작품
X-레이
슬라이드 쇼
더 보기
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
