실제 크기로 보기 AR로 미리보기 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환 보내기
상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 통계 정보

Double-Sided Processional Cross

Discover Giunta Pisano's masterful Pisan paintings & sculptures from Pisa, Italy (1190-1260). Explore his Renaissance style and legacy at Piazza dei Cavalieri.

지클레 / 아트 프린트

빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
높이

액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (27 10월)

전 세계 무료 특급 배송
고품질 린넨 캔버스
배송 전 과정 보험 적용
관세 환급 보장 서비스
원본 색상 일치 보장
제조 결함 발견 시 100일 이내 반품 가능
100% 환불 보장
다량 구매 할인 혜택

총 결제 금액

₩ 92208

Double-Sided Processional Cross

지클레 / 아트 프린트

복제본 규격

-

총 결제 금액

₩ 92208

Introduction

The Double-Sided Processional Cross, created by the Italian artist Giunta Pisano (also known as Giunta Da Pisa), is a remarkable example of medieval art. This stunning work of art, which measures 59 x 42 cm, is currently housed in the Collezione Vittorio Cini in Venice, Italy.

The Artist: Giunta Pisano

Giunta Pisano was an Italian painter who lived and worked during the late Middle Ages. He is believed to have been born in Pisa around 1250 and died in Naples around 1330. Although not much is known about his life, he is considered one of the most important painters of the Proto-Renaissance period.

The Double-Sided Processional Cross

The Double-Sided Processional Cross is a masterpiece of medieval art that showcases Giunta Pisano's exceptional talent as an artist. The cross is made of wood and features intricate carvings on both sides. On one side, there is a depiction of Christ on the cross, surrounded by the Virgin Mary, St. John, and other saints. On the other side, there is a depiction of the Crucifixion, with the Virgin Mary, St. John, and other mourners at the foot of the cross.

The Collezione Vittorio Cini

The Collezione Vittorio Cini is a renowned museum located on the island of San Giorgio Maggiore in Venice, Italy. The museum was established by Vittorio Cini in memory of his son, Giorgio Cini, who died in an airplane accident near Cannes in 1949. The museum houses an impressive collection of artworks from various periods and styles, including paintings by famous artists such as Francesco Del Cairo and Giovanni Domenico Tiepolo.

Conclusion

The Double-Sided Processional Cross by Giunta Pisano is a masterpiece of medieval art that showcases the artist's exceptional talent and unique style. This stunning work of art, which is currently housed in the Collezione Vittorio Cini in Venice, Italy, is a must-see for anyone interested in medieval art. Giunta Pisano (Giunta Da Pisa):Double-Sided Processional Cross (59 x 42 cm, Collezione Vittorio Cini (Venice, Italy), Panel) If you're interested in learning more about the Double-Sided Processional Cross or other works by Giunta Pisano, be sure to check out our collection of handmade oil paintings reproductions at WahooArt.com. Our reproductions are meticulously crafted by our team of skilled artists, ensuring that every detail is captured with precision and accuracy. Collezione Vittorio Cini (Venice, Italy)

질의응답

Giunta Pisano (Giunta Da Pisa)의 "Double-Sided Processional Cross"의 색채는 얼마나 조화로운가요?

"Double-Sided Processional Cross"의 색채 조화는 Discordant Palette로 기록되어 있습니다.

"Double-Sided Processional Cross"은(는) 빛과 어둠의 균형을 어떻게 맞추고 있나요?

Giunta Pisano (Giunta Da Pisa)의 "Double-Sided Processional Cross"의 밝기는 balanced로 기록되었으며, 휘도는 Soft Shadow입니다.

"Double-Sided Processional Cross"에 대한 가이드는 어디에서 확인할 수 있나요?

Giunta Pisano (Giunta Da Pisa)의 "Double-Sided Processional Cross"의 가이드 페이지에서는 인쇄 가능한 두 장 분량의 학습용 팩트시트를 제공합니다. 여기에는 작품과 작품 정보표, 작가의 생애 속 시기를 보여주는 연대기, 해당 작가의 다른 작품들, 측정된 컬러 팔레트, 그리고 네 가지 스타일로 바로 복사하여 사용할 수 있는 인용 문구가 포함되어 있습니다.


작가 소개

Giunta Pisano: The Pioneer of Italian Crucifixion

Giunta Pisano, a name often overshadowed by the towering figures of his contemporaries, stands as a pivotal figure in the early development of Italian painting. Born in Pisa around 1190 and tragically dying sometime before 1258 or 1260, Giunta’s legacy rests primarily on his profoundly influential crucifixes – works that dramatically shifted the artistic representation of Christ's suffering and laid the groundwork for subsequent generations of Renaissance artists. While he remains a relatively obscure figure in broader art historical narratives, examining his life and work reveals a remarkably innovative artist who dared to challenge established Byzantine conventions and forge a distinctly Italian path.

Pisa during Giunta’s formative years was a vibrant hub of artistic activity, deeply influenced by the remnants of the Roman Empire and increasingly exposed to the wealth and culture of the East through trade routes. The city's strategic location as a major port facilitated contact with Byzantine artists and craftsmen, creating an environment ripe for artistic exchange. Giunta’s early career is shrouded in some mystery; he is believed to have been working by 1202, possibly influenced by Greek art following the Fourth Crusade. He was one of the first Italian painters whose name appears on a work, solidifying his place as a significant contributor to the burgeoning artistic landscape.

The Masterpiece: The Crucifix of San Raniero and Beyond

Giunta’s most celebrated works are undoubtedly his crucifixes. The *Crucifix of San Raniero*, housed in the Museo Nazionale di San Matteo in Pisa, exemplifies his groundbreaking approach. Unlike earlier depictions of Christ on the cross, which often presented a serene, almost triumphant image – a “Christus gloriosus” – Giunta depicted a Christ writhing in agony, consumed by physical and emotional suffering. His portrayal was strikingly realistic, emphasizing the wounds, contortions, and vulnerability of the dying figure. This shift towards a "Christus patiens" (suffering Christ) marked a radical departure from Byzantine iconography and established a new standard for representing the crucifixion that would profoundly influence artists like Cimabue and ultimately, Giotto.

Technique and Style: A Synthesis of Byzantine and Italian Traditions

Giunta’s style is characterized by a fascinating synthesis of Byzantine and emerging Italian artistic traditions. He inherited the meticulous detail, rich colors, and gold leaf characteristic of Byzantine art, particularly in his use of tempera on wood panels. However, he infused these elements with a distinctly Italian sensibility – a greater emphasis on naturalism, emotional intensity, and a more dynamic composition. His figures possess a remarkable sense of volume and weight, achieved through careful modeling and shading. The *Crucifix of San Raniero* demonstrates this perfectly, showcasing the artist’s ability to convey both physical pain and spiritual anguish with astonishing realism.

  • Tempera on Wood: Giunta primarily utilized tempera paint applied to wooden panels, a technique common in Italy at the time.
  • Byzantine Influence: His early works show clear traces of Byzantine iconography, particularly in the composition and rendering of Christ’s figure.
  • Italian Realism: He gradually introduced elements of Italian realism, evident in his attention to anatomical detail and emotional expression.

Giunta's Circle and Lasting Legacy

While Giunta Pisano is often considered a solitary figure, evidence suggests he had a circle of followers and assistants. Artists like the Master of the Blue Crucifixes, the Master of the Treasury, and Vicino da Pistoia are believed to have been influenced by his work. His influence extended beyond Pisa, impacting artists in other regions of Italy. Notably, Giunta’s depiction of Christ as a suffering figure paved the way for Cimabue's own groundbreaking crucifixes, which further solidified this new artistic direction. The imposing *Crucifix* in the Basilica of Saint Dominic in Bologna, bearing the inscription “Cuius docta manus me pixit Junta Pisanus” (painted by the learned or skilled hand of Giunta Pisano), stands as a testament to his enduring impact on Italian art – a powerful symbol of the transition from Byzantine tradition to the nascent Renaissance.

Giunta Pisano’s contribution to the history of art is often underestimated, but his pioneering work in depicting Christ's suffering represents a crucial turning point. He was not merely a follower of Byzantine conventions; he was an innovator who dared to reshape the visual language of Christian iconography and set the stage for the artistic achievements of subsequent generations.

Giunta Pisano (Giunta Da Pisa)

Giunta Pisano (Giunta Da Pisa)

1190 - 1260 , Italy

작가 정보 요약

  • Artistic Movement Or Style: Renaissance style
  • Artists Or Movements Influenced By This Artist:
    • Cimabue
    • Giotto
  • Artists Who Influenced This Artist: ['Byzantine artists']
  • Date Of Birth: 1190
  • Date Of Death: 1260
  • Full Name: Giunta Pisano (Giunta da Pisa)
  • Nationality: Italian
  • Notable Artworks:
    • Crucifix of Pisa
    • Crucifix (Bologna)
  • Place Of Birth: Pisa, Italy