빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Right there
복제본 규격
Born in São Paulo, Brazil, in 1983, Flávio Abel Sousa Cerqueira has emerged as a compelling voice within contemporary Brazilian visual art. His work isn't merely about depicting figures; it’s an excavation of forgotten narratives, a deliberate confrontation with the lingering shadows of Brazil’s complex past – specifically, the enduring legacy of slavery and its reverberations through social structures. Cerqueira’s artistic journey is deeply intertwined with a commitment to honoring marginalized histories, often employing traditional sculptural techniques like bronze casting to imbue his subjects with an unexpected weight and dignity.
Initially trained as a footballer – he spent several years playing as a central defender for clubs in Portugal including Boavista and Vitória Setúbal – Cerqueira’s transition into sculpture wasn't a sudden shift, but rather a gradual evolution. The discipline of sport, the demanding physicality, and the strategic positioning on the field likely fostered an understanding of form, balance, and the power of presence that now informs his artistic practice. This background is subtly reflected in the monumental scale of some of his pieces, creating a sense of imposing stillness and quiet contemplation.
Cerqueira’s choice of bronze is profoundly significant. Bronze, with its association to ancient monuments and enduring permanence, carries a weighty history – it was used for statues celebrating emperors and heroes, often reinforcing dominant narratives. Yet, Cerqueira subverts this tradition by casting figures who are decidedly *anti-heroes*, individuals wrestling with internal conflicts, embodying resilience in the face of adversity, and challenging conventional notions of heroism. The process itself—the meticulous pouring, the slow cooling, the eventual revealing of the finished form—mirrors a painstaking effort to unearth and articulate silenced histories.
His technique is rooted in classical bronze casting methods, particularly the lost-wax process, yet he infuses it with a distinctly contemporary sensibility. The deliberate imperfections – slight asymmetries, subtle textural variations – are not errors but rather evidence of the human hand at work, reminding us that these figures aren’t idealized representations, but tangible embodiments of lived experience.
Cerqueira’s artistic vision is deeply influenced by Mário de Andrade’s seminal novel, *Macunaíma*. Andrade’s creation, a “hero without any character,” embodies the fragmented nature of Brazilian identity – a nation grappling with its colonial past, racial divisions, and the tension between myth and reality. Cerqueira's figures similarly occupy this liminal space, reflecting the complexities of a society struggling to reconcile its idealized narratives with its painful history. The title “Right There” (referencing one of his most striking works) speaks directly to this struggle – it’s an insistent demand for visibility, for acknowledging the presence and experiences of those historically rendered invisible.
His work frequently explores themes of displacement, marginalization, and resistance. The figures are often depicted in moments of introspective contemplation, suggesting a quiet defiance against systemic oppression. The use of muted palettes – predominantly earthy tones punctuated by flashes of color – further emphasizes the weight of history and the enduring struggle for recognition.
Flávio Cerqueira’s work has garnered increasing attention within Brazil and internationally. He has participated in numerous exhibitions, including a notable showing at the Bologna Children's Book Fair, where his sculptures were presented alongside children’s literature – highlighting the universality of themes related to identity, memory, and social justice. His pieces have been featured in publications such as *Jornal da USP*, underscoring their critical engagement with Brazilian history and culture.
Cerqueira's commitment to preserving and amplifying marginalized voices through his art positions him as a significant contemporary artist pushing the boundaries of sculptural practice while simultaneously confronting Brazil’s complex past. His work serves as a powerful reminder that true progress requires not only acknowledging historical injustices but also actively seeking to give voice to those who have been silenced for far too long.
1983 - , Brazil