빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Title translation: Echar a volar
복제본 규격
Esterio Segura Mora, born in Santiago de Cuba in 1970, emerged from a vibrant cultural landscape steeped in history and resilience. From a young age, his innate artistic sensibility drew him to the visual arts, initiating a formal education that would lay the groundwork for a profoundly symbolic and emotionally charged career. His early studies at the Escuela Elemental de Artes Plásticas of Camagüey (1982-1985) nurtured foundational skills, followed by further refinement at the Escuela Provincial de Artes Plásticas y Ballet in the same city. This period wasn’t merely about mastering technique; it was an immersion into a Cuban artistic tradition that valued both technical prowess and social commentary.
Segura's trajectory took a pivotal turn with his acceptance to the prestigious Instituto Superior de Arte (I.S.A) in Havana, completing his studies in 1994. This institution fostered critical thinking and experimentation, exposing him to diverse artistic philosophies and solidifying his commitment to exploring complex themes through his work. It was during these formative years that Segura began to develop a unique visual language—one characterized by poignant symbolism, subtle satire, and an unwavering focus on the human condition within the Cuban context.
Segura’s art is deeply rooted in the experiences of Cuba – its history, its struggles, and its enduring spirit. A recurring motif throughout his oeuvre is the airplane, a powerful symbol representing both escape and longing, freedom and constraint. These aren't simply depictions of aircraft; they are often hybridized with other potent images—most notably, the heart—creating layered metaphors that speak to themes of migration, nostalgia, loss, and the complexities of identity.
His work frequently addresses the socio-political realities of Cuba, but rarely through direct confrontation. Instead, Segura employs a nuanced approach, utilizing humor, irony, and symbolic imagery to critique the absurdities of barriers—both physical and ideological—that separate people. He celebrates the resilience and creativity of Cuban life, often incorporating elements of Afro-Cuban traditions and pop culture into his pieces. This blending of influences creates a distinctive aesthetic that is both deeply personal and universally relatable.
Segura’s artistic practice is remarkably versatile, encompassing painting, sculpture, drawing, printmaking, photography, and installation. He doesn't confine himself to a single medium; rather, he chooses the form best suited to convey his intended message. Sculpture, in particular, has become a significant vehicle for his exploration of three-dimensional space and symbolic representation.
Throughout the 1990s, Segura established himself as a prominent figure within the Cuban art scene, participating in important exhibitions such as “Las Metáforas del Templo” at the Centro de Desarrollo de las Artes Visuales in Havana. His involvement with UNEAC (Unión de Escritores y Artistas de Cuba) further solidified his position within the artistic community. His early solo shows, like "Bird and Fish: In the Freezer" at Gasworks Studios in London (1996), began to garner international attention, showcasing his unique vision to a wider audience.
Segura’s career has been marked by numerous residencies and exhibitions that have propelled him onto the global stage. His time as Artist in Residence at Gaswork Studio (1995-1996) and the Ludwig Forum für Internationale Kunst in Aachen, Germany (1997), provided invaluable opportunities for artistic growth and cross-cultural exchange.
He has consistently participated in prestigious biennials, including the Havana Biennial, Portugal’s Arte10, and the São Paulo Biennial. His first major U.S. museum exhibition, held at the Museum of Latin American Art (MOLAA) in Long Beach, California (2014-2015), was a watershed moment, solidifying his reputation as a significant contemporary artist. More recently, the acquisition of his “Goodbye My Love” series by the Tampa Museum of Art in 2022 underscores the enduring relevance and artistic merit of his work.
Esterio Segura Mora’s contribution to Cuban art lies not only in his technical skill but also in his ability to articulate complex socio-political themes with subtlety, humor, and profound emotional depth. His exploration of migration, identity, and the human spirit resonates deeply with audiences worldwide.
His work serves as a poignant reminder of the challenges faced by Cubans—both those who remain on the island and those who have sought new lives elsewhere—and celebrates their unwavering resilience in the face of adversity. Segura’s art is held in esteemed collections such as the Museo Nacional de Bellas Artes de La Habana, MoMA in New York, and the Bronx Museum of the Arts, ensuring his legacy will continue to inspire generations of artists and viewers alike. He stands as a powerful voice within contemporary Cuban art, offering a unique perspective on a nation’s history, culture, and enduring spirit.
1970 - , Cuba