이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기
디지털 이미지로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
Derail 2014
복제본 크기
"Derail 2014"에 대한 방문 통계 페이지가 있습니다. 이 페이지에서는 해당 작품과 작가의 다른 작품들에 대한 월별 방문자 수를 국가 및 언어별로 상세히 확인할 수 있습니다.
Davide Dormino의 "Derail 2014"에 사용된 색상들은 Monochromatic 강도를 띱니다.
Davide Dormino의 "Derail 2014"의 AR로 미리보기 페이지에서는 증강 현실(AR) 기술을 통해 호환 가능한 기기에서 작품이 사용자의 공간에 배치된 모습을 미리 확인할 수 있습니다.
Born in Udine, Italy, in 1973, Davide Dormino’s artistic journey is a compelling narrative of rediscovering ancient techniques while confronting contemporary issues. His work, primarily focused on sculpture using materials like marble, bronze, and iron, isn't merely about creating beautiful objects; it’s an exploration of the creative process itself – a deliberate embrace of physicality, labor, and the inherent grandeur found in traditional methods. Dormino’s approach stands as a powerful counterpoint to the often-sterile world of digital art, grounding his creations in a tangible connection to history and human skill.
Early influences are difficult to pinpoint with definitive precision, though Dormino has spoken of a deep appreciation for Renaissance sculpture and the monumental works of antiquity. However, it’s more accurate to say that he was drawn to the *process* of creation – the slow, deliberate engagement with materials, the understanding of their inherent limitations and possibilities. This fascination led him away from purely representational art and towards a focus on form, texture, and the very act of shaping something substantial from raw elements. His work is less about depicting specific subjects and more about embodying concepts—courage, freedom, memory—through carefully considered forms.
Dormino’s artistic philosophy centers around the “grandeur of a creative process.” He meticulously researches and employs traditional methods, often pushing them to their limits. Working with marble, bronze, and iron demands immense physical strength, patience, and an intimate understanding of each material's behavior. This isn’t simply about applying skill; it’s about surrendering to the material, allowing its inherent qualities to guide the final form. The visible marks of his hand – the tool marks, the slight imperfections – are not concealed but celebrated as integral parts of the artwork’s narrative.
His commitment to these archaic systems is evident in projects like “Breath,” a monumental sculpture commissioned by the United Nations following the devastating 2011 Haiti earthquake. This piece, depicting a stylized human form rising from the earth, stands as a testament to Dormino's ability to imbue traditional techniques with profound meaning and emotional resonance. Similarly, his ongoing project, "Anything To Say?", a traveling sculpture featuring Edward Snowden, Julian Assange, and Chelsea Manning, demonstrates his willingness to engage with politically charged themes through monumental public installations.
Dormino’s work frequently extends beyond the confines of galleries and private collections, finding its home in public spaces. This deliberate choice is not merely about visibility; it's a conscious effort to connect art with the everyday lives of people. His sculptures are designed to be experienced, contemplated, and even interacted with – inviting viewers to consider their own roles within broader social and political contexts. The “Anything To Say?” project, in particular, exemplifies this approach, transforming public squares into sites of dialogue and resistance.
The Prix éthique 2016 awarded by the French organization AntiCor for "Anything To Say?" underscores the impact of his work. This recognition highlights Dormino’s commitment to using art as a vehicle for social commentary and advocacy, aligning with his belief that all artistic practices carry political weight. His engagement with issues such as freedom of information and government surveillance reflects a deep-seated concern for human rights and democratic values.
Currently teaching Sculpture and Drawing at the Rome University of Fine Arts (RUFA), Davide Dormino continues to push the boundaries of traditional sculpture while remaining deeply rooted in its history. His work is exhibited both nationally and internationally, solidifying his position as a significant contemporary sculptor. He’s not simply replicating past styles; he's actively engaging with them, reinterpreting them through a modern lens, and using them to explore timeless themes relevant to the human condition.
Dormino’s legacy lies not just in the beauty of his sculptures but also in his dedication to preserving ancient techniques and employing them to address contemporary challenges. His work serves as a powerful reminder that art can be both aesthetically compelling and profoundly meaningful, capable of sparking dialogue, inspiring reflection, and ultimately, shaping our understanding of the world around us.
1973 - , Italy